Kristina Alexandrova: “Katya will definitely meet her man!”

Wikipedia has articles about other people with the surname Kretova.

Kristina Aleksandrovna Kretova

(January 28, 1984, Orel) - Russian ballerina, leading soloist of the Bolshoi Theater.

Biography of Christina

Actress Kristina Alexandrova, a Siberian who moved to Moscow, grew up in a family where no one was closely associated with the field of performing arts. The girl’s father is Ruslan Alexandrov, his field of activity is unknown. Mom's name is Anna, she is a sought-after talented florist. The actress admits that her parents instilled in her excellent taste and a love of art.

Christina has an excellent relationship with her mother. The girl often calls her a close friend and thanks her. The actress has a sister. The three of them left their native Novosibirsk when their parents divorced and moved to Moscow in 2006.

Childhood and youth

Christina grew up as a gifted and inquisitive child. By chance, she often changed schools, but this did not affect the depth of her knowledge. After moving to the capital, the girl tried herself on stage, which she had long and passionately desired. Having a wonderful voice, she sang at concerts and in school productions. She danced and took part in theatrical performances.

The biography of Kristina Alexandrova is closely connected with sports from an early age. By the 10th grade, she received the rank of master of sports in synchronized swimming. But a misfortune happened - an injury prevented him from continuing professional development in sports. That's why Christina chose her true passion - art.

The path to popularity

The experience of school performances pushed young Christina to seriously think about an acting career. The girl tried to enter the Institute of Contemporary Art. But in the first year she was not enrolled. Optimism and perseverance did not let the talented Siberian down, and in the summer of 2013 she was already a student at the ISI acting department.

The mentors of the course where Kristina Alexandrova entered were People's Artists of the Russian Federation Dmitry Pevtsov and Olga Drozdova. They immediately noticed a beautiful and talented girl. The teachers decided to include the first-year student in the theater troupe “On Strastnom”.

First success

Throughout her studies, Christina performed on the theater stage. She took part in several serious productions. As part of the acting studio “Pevtsov-Theater” in 2020, she performed together with her mentor Dmitry Pevtsov in the production “Concert by the Sea”. She also performed roles in the plays “In This Sweet Old House” and “Leapfrog”.

The young actress showed herself to be a true professional in the enterprise “The Catcher in the Rye”, where she played Jane. In the premiere production of “Lunin or the Country of Slaves” in 2020, the girl shone as a performer of one of the main roles.

Christina entered the cinema in 2020 . She was invited to the filming of the melodrama “Freshman”. This was followed one after another by roles in the projects “Wind of Change” and “Not Together”. In 2017, the girl was invited to play one of the main roles in the series “Street”. Her portrayal of the young hairdresser Katya brought success and universal admiration to the actress.

Creative plans for the future

The aspiring actress is very ambitious. She managed to show herself well on the theater stage and television. For Christina, the assessment of her work is of great importance: she played not only in TV series, but also in serious full-length films.

The girl does not want to stop there. Her plans include leading roles in plays and productions; theater still fascinates her. Christina will gladly participate in creating images in films where it will be necessary to show a complex personality. For her, this is a challenge and an interesting experience, as the actress herself admits.

Childhood and youth

From an early age, Christina began to show artistic talent and loved to sing and dance. Despite this, thoughts about becoming an artist never occurred to her. The girl always led a healthy lifestyle, tempered herself at -35 C, dousing herself with cold water on the street in a swimsuit.

When the girl was 12 years old, she moved to Moscow with her mother and sister. The reasons for the move are not known. From 2006 to 2010, Christina studied at secondary school No. 235 named after pilot Komarov (Moscow), and after, from 2010 to 2012, she moved to secondary school No. 268.

While studying at school, the girl was professionally involved in sports - synchronized swimming (she has the title of Master of Sports).

But in the tenth grade, after an injury, the girl left the sport, and she had to decide on her future activity. Since her mother instilled in Christina a love of cinema, theater and the world of art in general from childhood, the girl decided to connect her life with acting.

In 2012, Christina graduated from secondary school, but she did not succeed in entering a theater university in Moscow the first time. Only a year later, in the summer of 2013, the girl entered the acting department at the Institute of Contemporary Art , where she studied (from 2013 to 2017) acting skills in the workshop of famous People's Artists of the Russian Federation Dmitry Anatolyevich Pevtsov (1963 - date of birth) and Olga Borisovna Drozdova (1965 - Date of Birth).

Christina learned fencing and horse riding at the university, and participated in the student production of “The Blissful Island” during her first year.

While studying at a theater university, from the first year the girl began working as part of the troupe of the theater “On Strastnom”. In my final years I started acting in films. In 2020, Christina graduated from the institute with honors.

Appearance of the artist

Christina's external data meets modern concepts of the beauty of a young girl.

Appearance of Kristina Alexandrova

Family and children of Christina Sy

As a popular performer, the girl has enough obligations and responsibilities not only to listeners, but also to her producers. Therefore, it is quite obvious that while she is young and full of strength, and has not yet fully revealed her full potential, Christina prefers building a career to building a family. This is why Christina Xi's family and children don't even exist yet.

The girl herself never touches on this topic and if she is asked about something like that, she immediately stops the conversation. But many of her fans are looking forward to the moment when their favorite finally gets married and gives birth to a child.

Personal life of the actress

Despite everyone's attention, the young actress tries to maintain some mystery. The personal life of Kristina Alexandrova is not advertised neither by herself, nor by her family and friends, nor by her agent. It is known that the girl is not married and has no children.

However, many fans noticed Christina’s special relationship with her partner on the set, Yuri Nikolaenko . Young people often post general photos with romantic content. In the interview, both the girl and the guy do not deny that they are dating someone, but do not name each other. They claim that they are connected by strong friendship and mutual sympathy.

Name number compatibility

We calculate the number of the name Christina:

K
(12 = 1 + 2 = 3) +
P
(18 = 1 + 8 = 9) +
I
(10 = 1 + 0 = 1) +
C
(19 = 1 + 9 = 10 = 1 + 0 = 1) +
T
(20 = 2 + 0 = 2) +
I
(10 = 1 + 0 = 1) +
N
(15 = 1 + 5 = 6) +
A
(1) = 24 = 2 + 4 = 6

Number of the name Christina:

6

We calculate the number of the name Alexander:

A
(1) +
L
(13 = 1 + 3 = 4) +
E
(6) +
K
(12 = 1 + 2 = 3) +
C
(19 = 1 + 9 = 10 = 1 + 0 = 1) +
A
(1) +
N
(15 = 1 + 5 = 6) +
D
(5) +
P
(18 = 1 + 8 = 9) = 36 = 3 + 6 = 9

Number of the name Alexander:

9

We calculate the number of the pair:

6 + 9 = 15 = 1 + 5 = 6

Total number of pair:

6

Your couple is united by the number 6

• Compatibility in love: 40%
• Marriage compatibility: 80%
• Relationship type: traditional marriage and caring

This is the most harmonious and balanced relationship of all. Joy will be replaced by conflicts, but together you will overcome all obstacles. Everything will develop gradually and without haste. You will make a loyal and honest couple.

Partners choose each other thoughtfully and are ready to fully accept their loved one with all their characteristics. Marriage will be based equally on feelings and reason. Relationships are characterized by warmth, affection, calmness and depth. To maintain this, do not focus only on yourself, but go to social events, meetings, and travel. This will bring you closer, and a state of carefreeness is important so that feelings do not become a habit. Routine and everyday life can get in your way.

Filmography

• Russia Melodrama
• The wind of change
• Premiere 2017

• Russia TV series
• Street
• Premiere 2017-2018

Watch the full list of films on Kinopoisk

On the Internet you can find many videos with frames or general photos of Christina and Yuri Nikolaenko. The girl herself posted something similar on her Instagram page.

The actress’s business cards for filming are freely available on YouTube.

In some videos, Christina reads poetry with inspiration.

The interview between Kristina Alexandrova and Yuri Nikolaenko after filming the series “Street” is very popular.

Viewers noticed singing Christina in an advertisement from Megafon.

On Instagram you can see many videos shot by the girl personally - about travel, entertainment, work.

Excerpt characterizing Kretova, Kristina Aleksandrovna

“Show me off, show me off, I’ll... I’ll... I’ll do it,” Pierre said hastily in a breathless voice. The dirty girl came out from behind the chest, tidied up her braid and, sighing, walked forward along the path with her blunt bare feet. Pierre seemed to suddenly come to life after a severe faint. He raised his head higher, his eyes lit up with the sparkle of life, and he quickly followed the girl, overtook her and went out onto Povarskaya. The entire street was covered in a cloud of black smoke. Tongues of flame burst out here and there from this cloud. A large crowd of people crowded in front of the fire. A French general stood in the middle of the street and said something to those around him. Pierre, accompanied by the girl, approached the place where the general stood; but French soldiers stopped him. “On ne passe pas, [They don’t pass here,”] a voice shouted to him. - Here, uncle! - said the girl. - We'll go through the Nikulins along the alley. Pierre turned back and walked, occasionally jumping up to keep up with her. The girl ran across the street, turned left into an alley and, after passing three houses, turned right into the gate. “Right here now,” said the girl, and, running through the yard, she opened the gate in the plank fence and, stopping, pointed to Pierre a small wooden outbuilding that burned brightly and hotly. One side of it collapsed, the other was burning, and the flames were shining brightly from under the window openings and from under the roof. When Pierre entered the gate, he was overcome with heat, and he involuntarily stopped. – Which, which is your house? - he asked. - Oh oh oh! - the girl howled, pointing to the outbuilding. “He’s the one, she’s the one who was our Vatera.” You burned, my treasure, Katechka, my beloved young lady, oh, oh! - Aniska howled at the sight of the fire, feeling the need to express her feelings. Pierre leaned towards the outbuilding, but the heat was so strong that he involuntarily described an arc around the outbuilding and found himself next to a large house, which was still burning only on one side of the roof and around which a crowd of French were swarming. Pierre at first did not understand what these French were doing, carrying something; but, seeing in front of him a Frenchman who was beating a peasant with a blunt cleaver, taking away his fox fur coat, Pierre vaguely understood that they were robbing here, but he had no time to dwell on this thought. The sound of the crackling and roar of collapsing walls and ceilings, the whistle and hiss of flames and the animated cries of the people, the sight of wavering, now scowling thick black, now soaring lightening clouds of smoke with sparkles and sometimes solid, sheaf-shaped, red, sometimes scaly golden flame moving along the walls , the sensation of heat and smoke and the speed of movement produced on Pierre their usual stimulating effect of fires. This effect was especially strong on Pierre, because Pierre suddenly, at the sight of this fire, felt freed from the thoughts that were weighing him down. He felt young, cheerful, agile and determined. He ran around the outbuilding from the side of the house and was about to run to the part of it that was still standing, when a cry of several voices was heard above his head, followed by the cracking and ringing of something heavy that fell next to him. Pierre looked around and saw the French in the windows of the house, who had thrown out a chest of drawers filled with some kind of metal things. Other French soldiers below approached the box. “Eh bien, qu'est ce qu'il veut celui la, [This one still needs something," one of the French shouted at Pierre. - Un enfant dans cette maison. N'avez vous pas vu un enfant? [The child is in this house. Have you seen the child?] - said Pierre. – Tiens, qu'est ce qu'il chante celui la? Va te promener, [What else is this interpreting? “Get to hell,” voices were heard, and one of the soldiers, apparently afraid that Pierre would take it into his head to take away the silver and bronze that were in the box, advanced threateningly towards him. - Un enfant? - the Frenchman shouted from above. – J'ai entendu piailler quelque chose au jardin. Peut etre c'est sou moutard au bonhomme. Faut etre humain, voyez vous... [Child? I heard something squeaking in the garden. Maybe it's his child. Well, it is necessary according to humanity. We are all people...] – Ou est il? Ou est il? [Where is he? Where is he?] asked Pierre. - Par ici! Par ici! [Here, here!] - the Frenchman shouted to him from the window, pointing to the garden that was behind the house. – Attendez, je vais descendre. [Wait, I’ll come down now.] And indeed, a minute later the Frenchman, a black-eyed fellow with some kind of spot on his cheek, in only his shirt, jumped out of the window of the lower floor and, slapping Pierre on the shoulder, ran with him into the garden. “Depechez vous, vous autres,” he shouted to his comrades, “commence a faire chaud.” [Hey, you're more lively, it's starting to get hot.] Running out behind the house onto a sand-strewn path, the Frenchman pulled Pierre's hand and pointed him towards the circle. Under the bench lay a three-year-old girl in a pink dress. – Voila votre moutard. “Ah, une petite, tant mieux,” said the Frenchman. - Au revoir, mon gros. Faut être humaine. Nous sommes tous mortels, voyez vous, [Here is your child. Ah, girl, so much the better. Goodbye, fat man. Well, it is necessary according to humanity. All people,] - and the Frenchman with a spot on his cheek ran back to his comrades. Pierre, gasping for joy, ran up to the girl and wanted to take her in his arms. But, seeing a stranger, the scrofulous, unpleasant-looking, scrofulous, mother-like girl screamed and ran away. Pierre, however, grabbed her and lifted her into his arms; she screamed in a desperately angry voice and with her small hands began to tear Pierre’s hands away from her and bite them with her snotty mouth. Pierre was overcome by a feeling of horror and disgust, similar to the one he experienced when touching some small animal. But he made an effort over himself so as not to abandon the child, and ran with him back to the big house. But it was no longer possible to go back the same way; the girl Aniska was no longer there, and Pierre, with a feeling of pity and disgust, hugging the painfully sobbing and wet girl as tenderly as possible, ran through the garden to look for another way out. When Pierre, having run around courtyards and alleys, came back with his burden to Gruzinsky’s garden, on the corner of Povarskaya, at first he did not recognize the place from which he had gone to fetch the child: it was so cluttered with people and belongings pulled out of houses. In addition to Russian families with their goods, fleeing here from the fire, there were also several French soldiers in various attire. Pierre did not pay attention to them. He was in a hurry to find the official’s family in order to give his daughter to his mother and go again to save someone else. It seemed to Pierre that he had a lot more to do and quickly. Inflamed from the heat and running around, Pierre at that moment felt even more strongly than before that feeling of youth, revival and determination that overwhelmed him as he ran to save the child. The girl now became quiet and, holding Pierre’s caftan with her hands, sat on his hand and, like a wild animal, looked around her. Pierre occasionally glanced at her and smiled slightly. It seemed to him that he saw something touchingly innocent and angelic in this frightened and painful face. Neither the official nor his wife were in their former place. Pierre walked quickly among the people, looking at the different faces that came his way. Involuntarily he noticed a Georgian or Armenian family, consisting of a handsome, very old man with an oriental face, dressed in a new covered sheepskin coat and new boots, an old woman of the same type and a young woman. This very young woman seemed to Pierre the perfection of oriental beauty, with her sharp, arched black eyebrows and a long, unusually tenderly ruddy and beautiful face without any expression. Among the scattered belongings, in the crowd in the square, she, in her rich satin cloak and a bright purple scarf covering her head, resembled a delicate greenhouse plant thrown out into the snow. She sat on a bundle somewhat behind the old woman and motionlessly looked at the ground with her large black elongated eyes with long eyelashes. Apparently, she knew her beauty and was afraid for it. This face struck Pierre, and in his haste, walking along the fence, he looked back at her several times. Having reached the fence and still not finding those he needed, Pierre stopped, looking around. The figure of Pierre with a child in his arms was now even more remarkable than before, and several Russian men and women gathered around him. – Or lost someone, dear man? Are you one of the nobles yourself, or what? Whose child is it? - they asked him. Pierre answered that the child belonged to a woman in a black cloak, who was sitting with the children in this place, and asked if anyone knew her and where she had gone. “It must be the Anferovs,” said the old deacon, turning to the pockmarked woman. “Lord have mercy, Lord have mercy,” he added in his usual bass voice. - Where are the Anferovs? - said the woman. - The Anferovs left in the morning. And these are either the Marya Nikolaevnas or the Ivanovs. “He says she’s a woman, but Marya Nikolaevna is a lady,” said the yard man. “Yes, you know her, long teeth, thin,” said Pierre. - And there is Marya Nikolaevna. “They went into the garden, when these wolves swooped in,” the woman said, pointing at the French soldiers. “Oh, Lord have mercy,” the deacon added again. - You go over there, they are there. She is. “I kept getting upset and crying,” the woman said again. - She is. Here it is. But Pierre did not listen to the woman. For several seconds now, without taking his eyes off, he looked at what was happening a few steps away from him. He looked at the Armenian family and two French soldiers who approached the Armenians. One of these soldiers, a small, fidgety man, was dressed in a blue overcoat belted with a rope. He had a cap on his head and his feet were bare. The other, who especially struck Pierre, was a long, stooped, blond, thin man with slow movements and an idiotic expression on his face. This one was dressed in a frieze hood, blue trousers and large torn boots. A little Frenchman, without boots, in a blue hiss, approached the Armenians, immediately, saying something, took hold of the old man’s legs, and the old man immediately began hastily to take off his boots. The other, in a hood, stopped opposite the beautiful Armenian woman and silently, motionless, holding his hands in his pockets, looked at her.

Work (98%)

Collaboration between colleagues with the names Alexander and Christina will be 98% successful

Advantages and disadvantages of work

+

• The ability to support and insure. Desire to reach a mutually beneficial compromise.
• Harmony and coherence in work. Ability to collaborate responsibly.
• Trust and reliability. The ability to count on the chosen one.

—

• Warm feelings interfere with the work process. Reluctance to carry out instructions from the second partner.
• Quick disappointment due to the routine nature of the relationship. Unfounded claims against each other.
• Constant tension is tiring. Misunderstandings are taken too seriously.

Instagram and Wikipedia Christina Sy

Christina See's Instagram and Wikipedia are public resources. With the help of Wikipedia, fans will be able to find out more complete information about some aspects of the performer’s life, her creative path, and will also be able to learn more about her discography and the musical groups with which she worked.

As for the girl’s Instagram profile, it is regularly updated with new pictures and sometimes even videos, so fans won’t have to be bored for long without news. In addition, all the photographs are incredibly bright, which only once again confirms Christina’s personality.

The girl has been working very hard for her fans lately. Now she lives in Moscow and works on her new compositions. Christina constantly intrigues her fans, assuring them that her new works will be much better than her previous ones. And this cannot but fuel interest, making us expect something truly grandiose.

Friendship (75%)

Compatibility of friends with the names Alexander and Christina is close to 75%

Advantages and disadvantages of friendship

+

• Diversified development. Lack of strict control.
• Self-affirmation in conversations. Development of cognitive interest.
• The ability to differentiate between personal and general interests. The desire to get to know the chosen one through his social circle.

—

• Differences in goals. The monotony of shared leisure time.
• Weak interest in the interlocutor. Rejection of someone else's point of view.
• Minor conflicts based on jealousy towards friends. Risk of losing interest in your partner.