“Fiercely beautiful and aristocratic”: the star of the series “Grand” Diana Pozharskaya amazed with a new look


Biography

As a child, Diana never dreamed of becoming an artist. From the age of five, the girl was seriously engaged in ballroom and sports dancing. And by the age of 19 she became a candidate for master of sports.

“I always thought that dancing was the only thing I wanted to do, and I almost ran towards my goal. But I had to leave the sport because I suffered a knee injury. It was very difficult, I fell into depression and could not understand what to do next. I tried myself in PR and thought about journalism. But everything led me to where I am now,” Diana said.

The girl decided to connect her future with performing arts and applied to several theater universities in the capital. Successfully passed exams at the All-Russian State University of Cinematography. S.A. Gerasimova (VGIK) and entered the acting department.

Diana Pozharskaya now

In 2020, Diana Pozharskaya worked on several projects at once. Among them: the detective story “Alive” with Kirill Kyaro (released in April 2018), the drama “On the Edge” with Nikolai Fomenko and the thriller “Lapsi” with Maria Mashkova (released in February). The girl will also play one of the key roles in the New Year’s comedy “Our Children,” which is scheduled to premiere at the end of December 2020.

171 centimeters does not prevent a celebrity from being stunning
Diana Pozharskaya on the set of the series “Lapsi”

Cinema

As a student at VGIK, Diana Pozharskaya made her debut in the comedy series “Concerned, or Love of Evil,” playing a cameo role. The director of the project was the famous director Boris Khlebnikov, and the screenwriter was the popular comedian Semyon Slepakov.

In 2020, the actress starred with Konstantin Kryukov and Valeria Fedorovich in Valentin Vlasov’s sitcom “Eternal Vacation.”

"Hotel Eleon"

Then Diana was invited to play the role of maid Dasha Kanaeva in the Russian-Ukrainian humorous series “Hotel Eleon”, which is a continuation of the popular “Kitchen”.

The artist recalls: “Everything somehow came together right away, and I really liked that the auditions were conducted by Anton Fedotov himself, our director. I was quickly approved... When “Kitchen” was thundering across the country, I was studying at VGIK, and I had absolutely no time to watch anything. I just heard that this is one of the highest quality series on our television. But before the auditions, I decided to watch at least a few episodes: as a result, I devoured all the seasons in a couple of days! And every time I read the script, I laughed like crazy. Even after filming, when I came home tired, I played something with myself and then I couldn’t stop. In our story there is love, friendship, rivalry, betrayal - everything is like in life!”

Diana Pozharskaya played a beautiful karateka who, ironically, ended up in the uniform of a maid and managed to fall in love with the main character of the series, played by Serbian actor Milos Bikovich.

The actress says about her heroine: “Dasha is a maid in a hotel who got there by chance. She planned to stay for one night, but unfortunately, she had to pay for her naivety and literally start her life from scratch. At first everything is unusual for her: a new job, a new environment, bosses, but everything turns out great, in the hotel she finds friends and love... My heroine is a professional karateka. Before filming began, I trained in martial arts three times a week for three hours for several months. Now I can punch anyone if the need arises! I was so fascinated by the process that even when the stunt double was working on set, I didn’t relax for a second...

Dasha finds herself in the thick of a variety of events, but manages to behave like a human being, remain fair and kind. I wouldn't change anything about her. She is so interesting that I just want to develop her image...

When I got this role, I immediately thought that I needed to talk to the maids and find out about their experience. However, the director reassured me by saying that the project would star real hotel employees. Indeed, the series uses real maids. All I could do was watch them.” About his partner: “We worked well together. I think he is a wonderful actor and professional. Milos takes his role seriously. You shouldn’t transfer his hero’s frivolity onto himself. Milos simply plays his role very well and really gets used to it. Behind the scenes, he is both a serious and funny guy - he constantly makes us laugh on set. Overall, Milos is a great buddy and that's the most important thing. He is talented, so it is very comfortable to work with him. We didn't have any problems in any scene. He and I are good friends. I think we can help each other out at any moment.” The film also starred: Ekaterina Vilkova, Grigory Siyatvinda, Elena Ksenofontova, Sergey Lavygin, Victor Khorinyak, Olga Kuzmina.

After the release of the series “Hotel Eleon,” Diana Pozharskaya began to receive offers from directors more often.

In the melodrama by Sergei Shvydkoy “A Wicked Joke,” the actress played a provincial girl Katya, who came to conquer Moscow. Her heroine is faced with the meanness of her classmates, who, for the sake of fun, disgrace her throughout the institute. Her youthful dreams are shattered overnight, and she is forced to start a new life.

Next, Diana ended up on the set of the fantasy film “The Mystical Game” by the young director Artem Aksenenko, where she had the opportunity to work with experienced film actors - Alexander Petrov and Kirill Kozakov. The actress got the main female role - the girl Tanya, who fell in love with the psychic Alex. The destinies of young people find themselves drawn into a showdown between two powerful magicians.

Pozharskaya was also approved for a role in the series “Senior in the Mafia” (“Vitya in Law”) with Pavel Priluchny. The comedy story tells about an unlucky surgeon who accidentally became the head of a bandit clan.

The actress shared which film projects she is still involved in: “In addition to the fact that I am working closely on the second season of Hotel Eleon, I am currently filming one very interesting project. I can’t say yet what it will be called. I have a very interesting role there. This is my first time playing a negative character. True, in the finale she will not be so bad, but I won’t spoil it. My heroine has the nickname Widow, she is 180 years old, although she looks 25. She is immortal and has been living on this earth for many years. I was interested in working with this character. Just imagine with what eyes you need to look at this world when you are 180 years old! I am also involved in several projects abroad. I have an English agent who sends me invitations to castings. I have already starred in a film in Finland about the war. In principle, military themes are very close to me. I was also lucky enough to participate in the final auditions for a big role in the film “Trainspotting 2”. In the end, they chose another actress: her type was more suitable. But what a blessing - three hours of communication with the legendary director Danny Boyle, who worked with Leonardo DiCaprio and Ewan McGregor! Boyle is a cult person, I think every actor dreams of meeting him, and here I was lucky.”

Personal life

The actress’s personal life is closely connected with her creative life. During the filming of the film “Eclipse,” she became close to director Artem Aksenenko, who created the films “Fog” and “Champions: Faster, Higher, Stronger.” The young man turned out to be 9 years older than Pozharskaya, but the age difference did not become an obstacle for the lovers. The couple does not have children yet.

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A post shared by Diana Pozharskaya (@dianapozharskaya) on Feb 14, 2019 at 1:40am PST

Diana Pozharskaya and her husband Artem Aksenenko
Diana claims that her husband supports her in the acting field and himself draws inspiration from mutual communication.

Interview

About castings:

“The first castings are, of course, difficult. I think even experienced actors find it exciting to attend auditions. I always prepare diligently, delve into the text, and get used to the role. Everything shouldn’t be easy and simple right away. When an actor becomes free and comfortable, his professional development stops there. Therefore, a person should always look for some difficulties for himself, experience discomfort and excitement, thereby improving his acting potential.”

“Yes, I go to auditions. However, my agent and I try to carefully select offers, sit down and discuss whether to accept a particular role. If this story is really interesting and original, I’ll go for an audition. But I would never agree to a role of a vulgar character; after all, there must be some kind of line.”

About the roles:

“I would like to play in a historical film. In general, an actor must be able to do everything on set: to make you laugh, to charm, to be sad, and to cheer. So I want to try myself in everything. I want to play completely different characters and be different in each of my projects. I can’t say that it’s easy, because you are you, no matter how hard you try, but you always need to work on yourself and strive higher.”

“It’s difficult for me to single out just one role, because no matter what it is - main or secondary, I always do it with pleasure and bring my own experience. I try to take on different roles in order to develop in my profession.”

About popularity:

“It’s great when people remember you, because it’s important for producers. It seems to me that in our country, media people are most often chosen for auditions. Therefore, popularity is needed so that you have more opportunities to get new roles.”

“People often come up to me, recognize me in shops or on the subway, and, to be honest, I blush every time, but I still try to pay attention and give an autograph to anyone who wants it. I remember very well how I felt when I watched the series “Wild Angel” with my friends many years ago. Oh, I would have given anything then for Natalia Oreiro’s autograph, and even more so for a personal meeting with her! So now I try not to deprive anyone of attention.”

About another profession:

“I can’t even imagine myself in another profession. But if this does happen, I will give birth to children, raise them and perform plays at home (laughs).”

Based on materials from the sites: kino-teatr.ru, 24smi.org, uznayvse.ru, vokrug.tv, tele.ru, wmj.ru, 7days.ru.

Rumors about Pozharskaya’s affair with Bikovich

Diana Pozharskaya will leave her husband for the generous Milos Bikovich. This conclusion can be drawn by analyzing the words from her recent interview, as well as the behavior of both at the premiere of the previously mentioned film - colleagues on the set behave like a real couple. In the last interview, she let slip what her actual motives were in relation to her TV lover. Before filming began, Pozharskaya decided to “scout the situation” and come to Belgrade in advance to be with Bikovich. After going to “delicious and romantic places,” she realized that “Milos is a very generous person.”

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Judging by the fact that the media later began writing about an office romance between colleagues, it becomes clear why it started in the first place. By the way, at the recent premiere of the film, they didn’t even try to hide their feelings for each other - they gently held hands, hugged, and always sat and took pictures together. I would like to believe that Diana has only sincere feelings for the Serbian actor, but most likely this is not the case.

As soon as she married Artyom Aksenenko, she immediately began appearing in films that he directed. But it seems that Pozharskaya no longer benefits from him, which is why she decided to leave her husband for the sake of Bikovich. The latter showed himself to be generous, which means he will satisfy all her desires after the first request.

Secrets of the biography of DIANA POZHARSKAYA: husband, child and plastic surgery

bang bang20 days ago

@Hyper COUB What are you asking for forgiveness for?:) for responding meaningfully and reasonably to unconstructive criticism? it is people's choice to stew in their own illusions. You can only say thank you to them for their asset on your channel. no matter what they write, it’s a plus for you. don't pay attention to them! this is not the kind of feedback you need to rely on. You are doing everything right! You praised me, but I didn’t express myself quite accurately regarding the nasolabial angle.:) Or rather, I didn’t fully explain it. there is such a thing as columella (type it into Google and you’ll immediately understand what I mean ;)). this is the lower part of the nasal septum. in fact, it is often the manipulation of this cartilage that reveals that there has been an operation. surgeons, lifting it up, thus try to change the angle of the nasolabial angle and make the nose more upturned. the fact that Diana’s cartilage is noticeably curved for her nose length precisely emphasizes the unnaturalness that I was talking about. nature will not create this due to the peculiarities of the anatomical structure of the nose. :)) Apparently, her surgeon screwed up and simply did not trim the length of the columella itself, without really worrying about the end result. many plastic surgeons like to turn it out strongly, like a heel, lifting the tip of the nose as high as possible. and if this is forgivable for a small nose, then for a long one it is not ok. Naturally, after the operation, the tip ideally drops slightly, the columella is leveled, while maintaining the optimal nasolabial angle (95-105 degrees somewhere), but there is also a risk that the columella itself is under the weight of swelling (which goes down within a year, or even more) ) will sag, or even break a little, causing this bend to become even greater. I can’t say that Diana’s nose sagged significantly, but a long nose cannot have such an arch, as I wrote above. Probably, the very design of the nose, which her doctor hammered on, lifting the columella almost to the sky, and the swelling (which, by the way, she still has at the tip. You can see it in profile) did their job, maintaining this unnatural deflection of the cartilage. For a clear example, you can look at photo diaries on various websites of plastic surgeons, which show in detail how the nose is transformed after surgery. How does the swelling go down? how keloid scars form under the skin. how depressions are formed from the drug 'diprospan', which surgeons inject to quickly resolve swelling. its disadvantage is that it often burns adipose tissue along with swelling, which is why gaps appear under the skin. In her, these dips/depressions are also noticeable closer to the tip and this is not due to the location of the wings of the nose. they are a little behind her. plus her wings themselves are lowered, so by definition there cannot be a fold there. By the way, I sinned on a bone callus in the first comment. but I looked at her photo again and realized that it was more likely keloid scars that simply did not resolve, alas. You very accurately made the remark regarding the fact that there are no photos of the teenage period anywhere, describing in great detail the features that will immediately catch the eye. but no problem. Her childhood photos are quite eloquent if you look closely. the shadows on the nose immediately reveal that there is a hump. again, look at the before/after photos of girls who had rhinoplasty for comparison. exactly from the front. even if the hump is not particularly pronounced, there will always be a shadow on the bridge of the nose, and a little lower, where there is a hump, part of the back of the nose and on the sides will be lighter than the bridge of the nose. due to the fact that this part of the nose protrudes forward and “takes” the light onto itself. when there is no hump, the light is distributed evenly along the bridge and back of the nose. That’s why, for example, in order to create the appearance of an upturned nose, girls lighten the tip with a highlighter, visually “feeding” it forward, and darken the back itself. Contouring is a tricky thing. in Diana’s childhood photographs (where you can see her, and not a defocused silhouette), a shadow is visible on the bridge of the nose (and along the edges), and just below, the light part of the bridge of the nose immediately protrudes forward, which slightly widens in this area.:) plus, returning to our rams, the difference in the shape of the columella is visible in the frontal view. Look how in her adult photos this septum protrudes under the tip from below, and how this cartilage is invisible in children's photos. because a) he was drawn in; b) the tip of the nose itself was lower, thereby blocking this cartilage. Sorry for the clumsiness of the story. when your head is full of thoughts that you don’t have time to structure in time, it’s hard to transform them into an articulate text, but I hope I was able to answer comprehensively.;) although I have no doubt that you noticed everything perfectly well even without me. YOU CAN'T HIDE ANYTHING FROM YOU! Thank you again for your efforts and work! ❤️

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