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Anna Alexandrovna Legchilova

(born December 22, 1969, Minsk) - Russian theater and film actress, film director.

Biography

Anna Aleksandrovna Legchilova was born on December 22, 1969 in Minsk in the family of the Belarusian songwriter Alexander Legchilov[1][2], graduated from the Theater Academy in Minsk, then from the Higher Directing Courses (with Vladimir Khotinenko). She played her first roles in various Belarusian films.

Her first real film work, by her own admission, can be considered Dmitry Astrakhan’s melodrama “Crossroads” (1998), where she starred with Leonid Yarmolnik.

Plays in performances of the Moscow Pushkin Theater.

In 2003, she made her debut as a director in the film “The Taste of Murder.”

Married to actor Igor Bochkin[3].

Career in the 90s

The USSR “came apart at the seams”, film production fell into decline. Many actors were left out of work, but not Bochkin. He himself always said that he could not and did not want to do anything other than acting. Igor’s type was suitable for “strong men.” By the way, “Strong Man” is the name of the film in which Igor starred in 1991 with the then rising stars Sergei Selin and Viktor Sukhorukov.

Igor Bochkin in the film "Tough Man"

In the film “The Crazy Bus,” based on real events, Bochkin played the leader of terrorists and bandits. His character is a brutal macho. Naturally, such a hero’s wife must be a beauty. She was played by Anna Samokhina.

Igor Bochkin and Anna Samokhina in the film “The Crazy Bus”

In 1992, Igor received the main role in the TV series “Goryachev and Others.” He worked on the project for two years, the episodes were released once a week on Mondays, and between them he received bags of letters from viewers. Bochkin and his partner Alexey Guskov became television stars.

Since then, the “serial era” began in Bochkin’s life. Almost all well-known projects could not have happened without his participation. “Moscow Saga” 2004 brought together a wonderful team: Inna Churikova, Yuri Solomin, Olga Budina, Alexander Baluev. “The Enchanted Site” generally shone with big names: Vladimir Menshov, Leonid Yarmolnik, Nina Ruslanova, Pavel Derevianko.

Igor Bochkin. My hero

Filmography

Acting works

Director's works

• 1999 — Pawn (short film)
• 2003 - Taste of Murder
• 2004 - Obsession
• 2005 - Flock
• 2009 - Magnet of Love
• 2010 - Bachelorette party
• 2011 - Treason
• 2013 - Flowers of Evil
• 2015 - Love Network

Voice acting

• 2005 - Flock - Svetlana - Agnes Zeltynya

Notes

1. [https://www.respublika.info/4657/exclusive/article28068/ Happy casting. With registration]
2. [https://www.tvr.by/rus/culture.asp?id=48574 A memorial plaque to the Belarusian poet Alexander Legchilov was installed today in Minsk.]
3. [https://www.webcitation.org/mainframe.php Igor Bochkin] (Russian). kinoafisha.ua. Retrieved July 20, 2014.
4. [https://www.teatrpushkin.ru/plays/putniki-v-nochi Page of the play “Travelers in the Night” on the website of the Pushkin Theater]

Personal life

Anna Legchilova is married to actor Igor Bochkin. They met in 2000 on the stage of the Pushkin Theater. Anna and Igor were partners in the play “Travelers in the Night.” According to the script, Bochkin was supposed to push Legchilova onto the bed, but did not calculate the force. The actress fell and was seriously hurt. Doctors diagnosed her with a concussion, ruptured tendons and a broken arm. Anna laughs that Igor Bochkin was obliged to marry her after the injuries he suffered. In fact, sympathy flared up between them, which grew into an office romance.

Two years later, Anna and Igor became legal husband and wife. This was Bochkin’s fourth marriage - as the years have shown, the happiest. They have no children together.

Anna Legchilova has not eaten meat for almost 15 years and leads a healthy lifestyle. Her diet is dominated by fish, cheese, green tea, juices and salads. She admits that she loves life to the fullest, so she gives 150 percent on set. Legchilova successfully combines directing with acting, because she believes that a person gets tired in one profession.

The actress likes to spend weekends and free time at home reading or watching TV, and also relaxing at sea, swimming far from the shore and feeling freedom. Legchilova does not like to go to festivals and social events - she attends them only when her film or a film with the participation of her husband is on the program. Anna says that she is very comfortable at home, next to Igor Bochkin. But, if work appears, she immerses herself in it completely, forgetting about food and rest.

Anna maintains an account on Instagram, where several thousand subscribers expect new photos of the actress. Also in the header of the page there is an email where you can contact the artist for cooperation.

Anna Legchilova regularly posts new shots from everyday life, most often various selfies, and the actress likes to apply a black and white filter to the photo. The woman also shares her favorite landscapes and even shows off her own figure in the yoga room. With a height of 167 cm, the actress weighs 65 kg, as press sources indicate, and has toned curves, which she demonstrates in the photo.

An excerpt characterizing Legchilova, Anna Alexandrovna

Once upon a time (now it seemed like a very long time ago!) at this same huge mirror I combed the wonderful, silky hair of my little Anna every morning, playfully giving her her first children's lessons at the “witch” school... In the same mirror, Girolamo’s eyes, burning with love, were reflected, affectionately hugging me by the shoulders... This mirror reflected thousands of carefully preserved, wondrous moments that now stirred my wounded, tormented soul to the very depths. Here, nearby, on a small night table, stood a wonderful malachite box in which rested my magnificent jewelry, so generously once given to me by my kind husband, and which aroused the wild envy of the rich and capricious Venetians in those distant, bygone days... Only today this box was empty... Someone's dirty, greedy hands managed to “put away” everything, the “shiny trinkets” stored there, appreciating only the monetary value of each individual thing... For me, this was my memory, these were the days of my pure happiness : the evening of my wedding... the birth of Anna... some of my long-forgotten victories or events of our life together, each of which was celebrated with a new work of art, the right to which only I had the right to... These were not just “stones” that were expensive , it was the care of my Girolamo, his desire to make me smile, and his admiration for my beauty, which he was so sincerely and deeply proud of, and loved so honestly and passionately... And now these pure memories were touched by someone’s lustful, greedy fingers, on which, shrank, our scolded love wept bitterly... In this strange “resurrected” room, my favorite books lay everywhere, and at the window, the good old piano sadly waited alone... On the silk coverlet of the wide bed, the first doll of Anna, who was now almost that age, smiled cheerfully the same age as her unfortunate, persecuted owner... Only the doll, unlike Anna, did not know sadness, and an evil person was not able to hurt her... I growled from unbearable pain, like a dying animal, ready for its last mortal leap ... Memories burned out the soul, remaining so wonderfully real and alive that it seemed that right now the door would open and a smiling Girolamo would begin right “from the threshold” with enthusiasm to tell the latest news of the day... Or cheerful Anna would rush in like a whirlwind, pouring an armful of roses onto my lap, saturated with the smell of a wonderful, warm Italian summer... This was OUR happy world, which could not, should not have been within the walls of Caraffa Castle!.. There could be no place for it in this den of lies, violence and death... But, no matter how much I am in my soul I wasn’t indignant, I had to somehow pull myself together in order to calm my jumping-out heart, without succumbing to longing for the past. For memories, even the most beautiful ones, could easily end my already quite fragile life, not allowing me to end with Caraffa... Therefore, trying to somehow “protect” myself from the dear, but at the same time deeply wounding memory of the soul, I turned away and went out into the corridor... There was no one nearby. Apparently Caraffa was so confident in his victory that he didn’t even guard the door to my “chambers.” Or, on the contrary, he understood too well that there was no point in protecting me, since I could “leave” him at any moment I wanted, despite any efforts and prohibitions he made... One way or another - no foreign presence, There was no security outside the door of “my” chambers. Melancholy was choking me, and I wanted to run without looking back, just to get away from that wonderful ghostly world, where each emerging memory took a drop of the soul, leaving it empty, cold and lonely... Little by little coming to my senses from the “surprise” that had fallen so unexpectedly, I finally... Then I realized that for the first time I was walking alone along the wonderfully painted corridor, almost not noticing the incredible luxury and wealth of the Caraffa palace. Before that, having only had the opportunity to go down to the basement, or accompany Caraffa to some meetings that only interested him, now I looked in surprise at the amazing walls and ceilings, completely covered with paintings and gilding, which seemed to have no end. It was not the Vatican, nor the official Papal residence. It was just Caraffa's personal palace, but it was in no way inferior in beauty and luxury to the Vatican itself. Once upon a time, I remember, when Caraffa was not yet the “most holy” Pope and was only an ardent fighter against the “spreading heresy,” his house was more like a huge fortress of an ascetic who truly gave his life for his “just cause,” no matter how it was not absurd or terrible for others. Now he was the richest man, “tasting” (with the pleasure of a gourmet!) his limitless strength and power... who too quickly exchanged the lifestyle of a true “monk” for the easy gold of the Vatican. He still firmly believed in the rightness of the Inquisition and human fires, only now they were mixed with a thirst for the enjoyment of life and a wild desire for immortality... which no gold in the world (to everyone’s happiness!) could buy him. Caraffa suffered... His temporarily lasting, bright “youth”, once given by the strange “guest” Meteora, suddenly began to leave very quickly, causing his body to age much faster than it would have been if he had not tried the deceptive “gift” at one time. ... Even so recently fit, slender and youthful, the cardinal suddenly began to turn into a stooped, drooping old man... A whole “bunch” of his personal doctors were panicking!.. They honestly racked their brains, trying to understand what kind of “terrible” disease was devouring their beloved “holiness”?.. But there was no answer to this. And Caraffa was still aging “acceleratedly” before his eyes... This infuriated him, forcing him to do the stupidest things, hoping to stop the fleeing time, which with each new day, in transparent grains, mercilessly flowed through his aging, but still very beautiful, thin fingers...

Youth

Anna Legchilova, whose biography and personal life we ​​describe, could not recover for a long time after her parents’ divorce, which greatly influenced the development of the personality of the future actress. After this event, the already active girl became completely painfully emotional. Her mood was in constant, unceasing fluctuation, from complete openness to communication with others to complete renunciation of the outside world.

At school, her overflowing emotions forced her to fight with boys. Very soon Anna became known as an uncontrollable teenager. Among the smiling faces of other children in the photo, Anna Legchilova, whose biography and personal life was broken by her parents’ divorce, invariably stood out with a sad and anxious look. The actress really doesn’t like that time, so it’s almost impossible to find her childhood pictures.

However, despite her defiant behavior, the teachers continued to treat her favorably, since the girl studied almost perfectly.

Over time, the mental wound began to heal. The period of acceptance has arrived. The bright personality of Anna Legchilova found a way out in a variety of creative abilities. Even in childhood, her father, who was a good drawer himself, instilled in his daughter the first drawing skills. Therefore, the girl managed to study at art school and in the school theater club, still continuing to read at night, which is why her classmates called her an encyclopedia.