Sergei Zagraevsky: wife and children. Personal life


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Sergey Zagraevsky
Sergei Wolfgangovich Zagraevsky
Date of Birth: August 20, 1964
Place of Birth: Moscow
Citizenship: Russia
Genre: painter, primitivist landscapes
Style: close to primitivism
Awards: Honored Worker of Culture of Russia
Website: https://zagraevsky.com

Sergei Wolfgangovich Zagraevsky

(artistic pseudonym -
Sergei Volfovich Zagraevsky
) (born August 20, 1964, Moscow) - Russian artist and art critic of Jewish origin [1], historian of ancient Russian architecture.

Honored Cultural Worker of Russia (since 2009), Professor (since 2005), Doctor of Architecture (since 2004), Candidate of Technical Sciences (since 1992), Full Member of the Russian Academy of Art Criticism (since 2001), Member of the Association of Art Critics (since 2004), Member Union of Writers of Russia (since 2001).

Biography

In 1986, S.V. Zagraevsky graduated from MADI. Until the 1990s, he conducted scientific work mainly in the field of system analysis (until 1997 he worked at MADI as a senior researcher in the department of applied mathematics, and at the same time headed a number of commercial companies).

In the 1990s, he became professionally engaged in the history of architecture and theology.

Since 1998, he devoted himself entirely to art, architectural history, philosophy and social activities.

In 1999 he was elected chairman of the Professional Union of Artists.

Artist Sergei Zagraevsky held more than ten personal exhibitions and participated in several dozen group exhibitions.

In 2002-2004, Professor S.V. Zagraevsky taught the history of architecture at the Institute of Restoration Art; currently he lectures at the Russian State Institute of Intellectual Property and at advanced training courses for the Vladimir-Suzdal Museum-Reserve. The main range of his historical and architectural research is Old Russian white-stone architecture, Early Moscow architecture, architectural connections between Ancient Rus' and Roman-Gothic Europe. The topic of his doctoral dissertation is “Architecture of North-Eastern Rus' at the end of the 13th-first third of the 14th century.”

S. V. Zagraevsky is the editor-in-chief of the reference book “Unified Art Rating”, the author of several books on philosophy, theology and history of architecture, fairy tales for children, a large number of articles on art criticism and the history of architecture, the founder and keeper of an electronic scientific library on the history of ancient Russian architecture "RusArch"[1]. From 1999 to 2001, he was the editor-in-chief of Art Newspaper.

Married, has 4 children.

Family

  • Kavelmacher, Wolfgang Wolfgangovich (1933-2004) - father, historian of ancient Russian architecture, restoration architect.
  • Zagraevskaya, Inna Mikhailovna (1933) - mother, Russian poet, playwright. Member of the Writers' Union of Russia and Germany.

Gallery

Sergei Zagraevsky. Apple orchard. 18x24 aq. 1992. Sergei Zagraevsky. Jerusalem. Wall of Tears. 70×100 oil on canvas, 1998. Sergei Zagraevsky. Ukrainian night. 100×80 x., m. 1999. Sergei Zagraevsky. Moscow Kremlin. 100×100 oil on canvas, 2001.
Sergei Zagraevsky. A draft that destroyed the still life. 100×80 x., m. 2008. Sergei Zagraevsky. Moscow, Bolshoy Kamenny Bridge. 30×21 aq. 2008.

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SERGEY ZAGRAEVSKY

FAMILY PHOTO ARCHIVE

MY MOTHER

INNA MIKHAILOVNA ZAGRAEVSKAYA

Late 1930s. With my mother (respectively, my grandmother) Lydia Viktorovna. They are standing on the right.

It’s already 1941, but even before the evacuation. At home (in a communal room on Novinsky Boulevard).

School amateur performance at a polling station in 1947. In the left photo, mom is standing second from the right.

The turn of the 1940s and 1950s. At the dacha of Nikolai Viktorovich Petrovsky near Leningrad. In the left photo, the owner of the dacha in the uniform of a captain of the first rank is standing second from the left, fourth from the left is my mother, first from the right is her cousin Irina Yakovlevna (for me - “Aunt Ira”), my grandmother’s niece. The grandmother herself is second from the left. In the right photo on the left is “Aunt Ira”, in the middle is mom. Both are wearing Nikolai Viktorovich's caps.

Around the same time.

Around the same time. On the left is Lydia Viktorovna.

And this photo is from about the same time, only my mother is on the left, and Lydia Viktorovna is on the right.

And this was around the same time with my girlfriends.

It looks like a music school graduation (although I'm not sure). But Inna Mikhailovna is exactly in the second row, first on the right.

Most likely early to mid 1950s.

Around the same time.

And this photo is from around the same time. In the center is Lydia Viktorovna.

With Lydia Viktorovna at the dacha.

All these photos are already difficult to date, and where and in connection with what they were taken has completely sunk into oblivion. This is approximately the end of the 1950s–early 1960s.

Marriage to my father Wolfgang Wolfgangovich Kavelmacher on February 14, 1964.

Mother and father. Late sixties.

Around the same time.

Around the same time. With Pavel Grigorievich Antokolsky.

Around the same time. “Works of art” from some photo studio.

July 1970. I remember this walk with my mother and father well, despite the fact that I was only 6 years old. We went to forest clearings a few kilometers from the dacha in Abramtsevo.

1972 In the country.

Mid 1970s. Mom accompanies me to some class for the first time. In her hands is a mechanical movie camera, already outdated at that time. I remember that out of the numerous films that were shot, not a single one came out.

Mid 1970s. Yalta.

My father was an excellent photographer, and, of course, his main model was my mother. All these photos are from the mid to late 70s.

Around the same time - in Germany, more precisely, in the GDR. From left to right: my father, Aunt Inga (wife of Nikolai Viktorovich Petrovsky), some girl unfamiliar to me, Nana (daughter of Nikolai Viktorovich), my mother and someone else (possibly Nikolai Viktorovich’s second daughter, Vika).

And in these photos, my mother served as a model for me and my Smena-7 camera. Odessa, 1978.

Here the mother is not in a “model” look, but this is also Odessa, 1979. There, at the 12th station of the Bolshoy Fontan, we rented a dacha, or rather a shed.

This is also the end of the 70s. My mother and I went boating on the Skhodnya River.

1980s. The mother speaks with her poems to schoolchildren. She has a “hedgehog” doll on her hand - like an illustration for her children’s poem “Don’t Recognize? I am a hedgehog doll..."

The turn of the eighties and nineties. Mother and father at some scientific conference.

With Lydia Viktorovna at the Serebryany Bor holiday home. 1990

1995 Then my mother still had only one dog...

August 20, 1995. My son's birthday (I turned 31). That day I visited my parents, and then they walked me to the elevator, from where I took a photo of them.

1996 Father, mother and I are at the registry office, where we came together to draw up some documents necessary for their departure to Germany.

It's my birthday in 1996.

Yalta, 1996.

Mom and I in Landshut. 1997

1998 Father and mother came to Russia from Germany for a short time together with both of their mother’s dogs.

1999 We were selling our late grandmother’s apartment, almost all the furniture had already been taken out, but we hadn’t yet managed to take out the piano, and my mother sang old Russian romances in an empty apartment with bare walls. The experience was unforgettable.

Passau, 1999.

Germany, August 2002. Father, mother and I traveled together around the outskirts of Landshut, and I photographed them in a monastery near the town of Haindling.

Germany, around the same time. Mom was selling an old car (photo on the left) and buying a new one (photo on the right), and my father and I accompanied her.

German photo studio, 2003.

Mom sings romances, accompanying herself on the guitar. June 2005.

Mom on a walk with her dog in a Munich park in November 2007...

And around the same month in 2009.

I’m traveling with my mother in Germany in the summer of 2020...

And in the spring of 2020.

TO THE MAIN PAGE OF THE PHOTO ARCHIVE

Publications

Zagraevsky owns publications and monographs on Russian architecture of different centuries[2][3], including criticism of the development of Moscow and St. Petersburg[4][5]. He also writes memoirs, articles on theology, philosophy and art, has publications for children, as well as individual publications on various topics.[6]

In 1998 and 2007, catalogs with the author’s artistic works were released[7][8].

Selected publications by S. V. Zagraevsky

Monographs on the history of architecture

  • Yuri Dolgoruky and ancient Russian white stone architecture. M., 2001. ISBN 5-94025-014-9.
  • Architecture of North-Eastern Rus' of the late XIII-first third of the XIV century. M., 2003. ISBN 5-94025-046-7.
  • On the early post-Mongolian architecture of North-Eastern Rus'. M., 2002. ISBN 5-94025-032-7.
  • New studies of architectural monuments of the Vladimir-Suzdal Museum-Reserve. M., 2008. ISBN 5-94025-099-8.
  • New studies of architectural monuments of Alexandrovskaya Sloboda. M., 2008. ISBN 5-94025-095-5.
  • Architectural history of the Church of Tryphon in Naprudny and the origin of the cross vault. M., 2008. ISBN 5-94025-092-0.
  • Questions of architectural history and reconstruction of St. George's Cathedral in Yuryev-Polsky. M., 2008. ISBN 5-94025-097-1.
  • Questions of the architectural history of the Cathedral of the Savior Not Made by Hands of the Andronikov Monastery. M., 2008. ISBN 5-94025-094-7.
  • Forms of domes (domes) of ancient Russian churches. M., 2008. ISBN 5-94025-096-3.

Selected articles on architecture

  • Apology of the Rostov chronicler (on the issue of dating the temples of Yuri Dolgoruky). Theses. In the book: Materials of the regional local history conference dedicated to the centenary of the birth of N. N. Voronin (April 19, 2004). Vladimir, 2004. pp. 15-26.
  • Reconstruction of the Assumption Cathedral of 1158-1160 in Vladimir. In the journal “The Restorer”, No. 1(8)/2004, p. 118-122.
  • On the issue of dating and authorship of the monuments of Aleksandrovskaya Sloboda. In the book: Zubov readings. Sat. scientific articles. Vol. 3. Strunino, 2005. pp. 69-92.
  • On the issue of reconstruction and dating of the Church of the Intercession on the Nerl. In the book: Materials of the regional local history conference (April 20-21, 2007). Vladimir, 2008. pp. 15-26.
  • On the question of dating the Church of St. Nikon (Nikon's chapel of the Trinity Cathedral) in the Trinity-Sergius Lavra. In the book: Cultural Monuments. New discoveries. 2006 M., 2008.
  • Organization of mining and processing of white stone in Ancient Rus'. In the book: Russian Society of Spelestological Research. M., 2008. P. 5-28.
  • On the shape of the domes (domes) of ancient Russian churches. Theses. In the book: Materials of the regional local history conference (April 14, 2006). T. 2. Vladimir, 2007. pp. 9-12.
  • Bogolyubovsky architectural ensemble of the late 1150s-early 1170s: issues of history and reconstruction. Electronic publication: electronic scientific library "RusArch", 2008.
  • "Antimins" from the St. Nicholas Cathedral. Electronic publication: electronic scientific library "RusArch", 2007.
  • The beginning of the “Russian novel”: Yuri Dolgoruky or Andrei Bogolyubsky? Electronic publication: electronic scientific library "RusArch"), 2008.
  • On the possibility of introducing into scientific circulation and possible contexts for the use of the term “Russian Gothic” in relation to the architecture of Ancient Rus' at the end of the 13th-first third of the 15th century. Electronic publication: electronic scientific library "RusArch", 2008.
  • Assumption Cathedral in Vladimir: some issues of architectural history. Electronic publication: electronic scientific library "RusArch", 2008.
  • About the hypothetical “interim” construction of the Cathedral of the Nativity of the Virgin Mary in Suzdal in 1148 and the original appearance of the Suzdal temple in 1222-1225. Electronic publication: electronic scientific library "RusArch"), 2008.

Philosophy, theology

  • Jesus of Nazareth: life and teachings. M., 2001.
  • God is not a killer. M., 2002.
  • New Christian philosophy. M., 2004. ISBN 5-94025-062-9.

Literary works

  • Twelve months (book for children). M., 1998. ISBN 5-876955-005-X.
  • My 20th century (memoirs). M., 2001. ISBN 5-94025-009-2.
  • Ivanushka in the land of fairy tales (trilogy). M., 2005. ISBN 5-94025-069-6.

Art criticism

  • What are considered masterpieces? (Again about “Art of the 20th Century”). Newspaper "Culture", No. 25 (7233), July 6-12, 2000
  • On the “self-sufficiency” of museums. Directory “Unified Art Rating”, vol. 4. M., 2001. P. 52-58.
  • Spiritual autism. Directory “Unified Art Rating”, vol. 5. M., 2002. pp. 67-76.
  • Once again about “spiritual autism.” Directory “Unified Art Rating”, vol. 7. M., 2003. pp. 51-64.
  • Congress of the Moscow Union of Artists or a feast during the plague? Newspaper "Moscow Artist", No. 2, 2003. P. 5.
  • Art and the death of Soviet power. Directory “Unified Art Rating”, vol. 4. M., 2001. P. 17-26.
  • Art and virtual reality. Directory “Unified Art Rating”, vol. 5. M., 2002. pp. 42-52.
  • On some issues of basic terminology. Directory “Unified Art Rating”, vol. 11. M., 2005. pp. 16-25.
  • The ship and its crew (to the 10th anniversary of the Charter of the Russian Academy of Arts). Electronic publication. M., 2007.

Protection of historical and cultural heritage

  • Will St. Petersburg suffer the same fate as Moscow? Electronic publication. M., 2008.
  • Photo gallery of the most flagrant violations of Moscow's historical environment over the past decade. Electronic publication. M., 2008.
  • Where should we go? Directory “Unified Art Rating”, vol. 6. M., 2002. pp. 35-38.
  • Metaphor for the mayor. Directory “Unified Art Rating”, vol. 6. M., 2002.

Journalism

  • Third Rome or third world? Directory “Unified Art Rating”, vol. 7. M., 2003. P. 6-12.
  • Death penalty or life imprisonment? Electronic publication. M., 2008.

Catalogs of art works by S. V. Zagraevsky

  • Sergey Zagraevsky / Sergey Zagraevsky. - M., 1998.
  • Sergey Zagraevsky / Sergey Zagraevsky. - M., 2007.

Personal life

In life, Seryozha is an energetic and brave guy. Like many of his peers, he loves music, especially rock, and sometimes prefers rap. Sports allow a young man to maintain excellent shape. With a height of 171 cm, his weight does not exceed 60 kg.

Sergey Pokhodaev

In 2010, Sergei appeared in the “Let's Get Married” project, where he appeared as the groom. The teenager explained to the TV presenters that he had repeatedly encountered disappointment in relationships with his peers. Behind the sweet appearance of his chosen ones, bad habits were hidden.

During the program, the actor made his choice in favor of participant Kristina Novoselova. Later, fans dedicated the group to the artist and his girlfriend on VKontakte. But there is no information about Christina’s further participation in the actor’s personal life.

Sergei Pokhodaev and his girlfriend Kristina Novoselova

To communicate with friends and fans, Sergei uses a personal account on VKontakte, and the actor’s fans started an Instagram page. In addition to posts dedicated to creative activities, photos of the young actor with his parents and younger brother also appear on the page.

Notes

  1. S.V. Zagraevsky. ABOUT THE PAST, PRESENT AND FUTURE OF THE JEWISH NATION
  2. Yuri Dolgoruky and ancient Russian white stone architecture. M., 2001. ISBN 5-94025-014-9.
  3. Architecture of North-Eastern Rus' of the late XIII-first third of the XIV century. M., 2003. ISBN 5-94025-046-7.
  4. Will St. Petersburg suffer the same fate as Moscow? Electronic publication. M., 2008.
  5. Photo gallery of the most flagrant violations of Moscow's historical environment over the past decade. Electronic publication. M., 2008.
  6. Books and articles by Sergei Wolfgangovich Zagraevsky
  7. Sergey Zagraevsky / Sergey Zagraevsky. - M., 1998.
  8. Sergey Zagraevsky / Sergey Zagraevsky. - M., 2007.

Links

  • Official website of S. V. Zagraevsky
  • Sergei Zagraevsky, My 20th century (memoirs)
  • Painting by S. V. Zagraevsky
  • Works in the electronic scientific library "RusArch": [2]
  • Works in the library of the portal “Archaeology of Russia”: [3]
  • About S. V. Zagraevsky on the website of the Association of Art Critics (AIS): [4]
  • About S.V. Zagraevsky on the website “Archaeology Russia” (archaeological community): [5]
  • About S. V. Zagraevsky on the website of the Moscow city organization of the Union of Writers of Russia: [6]
  • Website of the Professional Union of Artists
  • Articles about the work of Sergei Zagraevsky
  • Archive of "Art Newspaper"
  • Sergey Zagraevsky

Notification

: The preliminary basis for this article was a similar article in https://ru.wikipedia.org, under the terms of CC-BY-SA, https://creativecommons.org/licenses/by-sa/3.0, which was subsequently modified, corrected and edited.

Source - “https://www.jearc.info/wiki/%D0%97%D0%B0%D0%B3%D1%80%D0%B0%D0%B5%D0%B2%D1%81%D0% BA%D0%B8%D0%B9,_%D0%A1%D0%B5%D1%80%D0%B3%D0%B5%D0%B9_%D0%92%D0%BE%D0%BB%D1% 8C%D1%84%D0%B3%D0%B0%D0%BD%D0%B3%D0%BE%D0%B2%D0%B8%D1%87"

Categories: Born on August 20 | Personalities in alphabetical order | Artists by alphabet | Russian artists of the 20th century

Hidden categories: Wikipedia articles | Born in 1964 | Born in Moscow | Articles about artists with citizenship | Blackberry: Articles about artists without illustrations on Wikimedia Commons

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