Evgeny Petrosyan has become a household name in the world of humor

• September 5, 2019
• Art
• Sergey Klimov

Evgeny Petrosyan, whose biography is connected with humor and the stage, is a pop artist, television presenter and writer of feuilleton stories, which he himself reads from the stage. In 1991 he was awarded the title of People's Artist. Recently, the personal life of the humorist writer began to be discussed as part of a scandalous divorce from Elena Stepanenko.

Childhood

Petrosyan Evgeniy Vaganovich (biography on Wikipedia indicates this exact date) was born on September 16, 1945. The famous Azerbaijani city of Baku became his birthplace. His father, Vagan Mironovich (Mezhlumovich), bore the Armenian surname Petrosyants, but over time the humorist reduced it to Petrosyan so that it would be more harmonious. The childhood years of the future humorist writer Yevgeny Petrosyan, whose biography is interesting to fans of his work, were spent in Baku. His parents had nothing to do with the art world.

Mother, Bella Grigorievna, was of Jewish origin. She did not work anywhere, doing housework and raising children. Evgeniy’s father worked as a teacher at a pedagogical institute, and everyone around him considered him a real walking encyclopedia. The comedian’s mother, although she was completely immersed in the household, had a higher education as a chemical engineer, and once her teacher was Vagan Mironovich.

Childhood dream

When Evgeniy was seven years old, his cousin took him to a local comedy concert. Before this, the future comedian, born in the post-war years, saw only sadness and sorrow around him. And here, unexpectedly, not only was he having fun, but all the people around were smiling and laughing loudly. And then he decided that he wanted to be the one who would bring a smile to people's faces.

Soon he told his parents about his dream of becoming an artist, but they were not very happy with his son’s decision. But they didn’t bother him either. Starting from the age of twelve, he participated in the puppet theater, always led any concerts, read feuilletons and even acted out skits himself. At the age of fifteen, his first tour took place from the sailors' club.

First performances

Starting in 1962, Evgeny Petrosyan, whose biography is interesting to his fans, began to hold his first performances on the professional stage. Beginning in 1964, for five years, the future humorist writer served as compere at the State Orchestra of the Russian Federation. At this time, its leader was the famous singer Leonid Utesov.

In 1969, Evgeny Petrosyan, whose biography is interesting to fans of his work, begins working at the Mosconcert, where his activities will last twenty years.

Biography of Evgeny Petrosyan

In 1962 he graduated from the All-Russian Creative Workshop of Variety Art (VTMEI), where Evgeny Petrosyan’s teachers were Rina Zelenaya and Alexey Alekseev.

In 1985 he graduated from the department of stage directors of GITIS.

In 1962, Petrosyan made his debut on the professional stage - as an entertainer, he was the host of concert programs at the Moscow Variety Theater.

In 1964-1969, Evgeny Petrosyan worked as a compere in the State Orchestra of the RSFSR under the direction of Leonid Utesov. At this time, the joint programs “Turning the Pages” and “Where Jazz Was Born” were created. While working in Utesov's orchestra, Petrosyan continued to perform on stage: by the end of 1965, his repertoire already included about a hundred numbers.

In 1964, Yevgeny Petrosyan broadcast live the popular television program “Blue Light”. Evgeny Petrosyan also invented and hosted “Evenings of Humor” at the Ostankino concert hall.

In 1969-1989, Evgeny Petrosyan worked at the Mosconcert as one of the leading entertainers, then since 1974 - as a performer of monologues and solo pop performances.

In 1970, Petrosyan was awarded the title of laureate at the IV All-Union Competition of Variety Artists.

In 1973-1976 he was the host of the TV show “Artloto”, in 1975-1985 he took part in the “Morning Mail” program.

In 1987-2000, Petrosyan participated in the humorous program “Full House”.

Evgeny Petrosyan created many humorous programs for TV, such as “From Different Points of View” (1985), “Invitation to Petrosyan’s Evening” (1988), “Petrosyan’s Engagement”, “Evgeny Petrosyan Invites” (1999-2000), “Joke” behind a joke" (2002), etc. As a scriptwriter and director, he released the program "Women, Go!" (2001) as well as the program “Turn on, let’s laugh!” (2001), “Distorted Mirror” (2003).

Evgeny Petrosyan is the author of several books. In 1994, his first book “I want to become an artist” was published, then republished several times “Evgeny Petrosyan. In the land of jokes." In 1995, his anthology of aphorisms “From the Great to the Funny” was published, in 1998 - “Petrosishki”, in 2000 - “What is Petrosyan laughing at?”, in 2001 - “Recorded giggles, giggles”, in 2007 - “ Doctor laughter, or noteworthy giggles and giggles - 2.”

Evgeny Petrosyan is vice-president of the International Union of Pop Artists, academician and honorary professor of the International Academy of Information Sciences, Information Processes and Technologies (MAN INT).

In 1991, Yevgeny Petrosyan was awarded the title People's Artist of the RSFSR.

Petrosyan is married for the fourth time. His first wife was the sister of the famous ballerina Victorina Krieger, the second was the daughter of singer Ivan Kozlovsky Anna Kozlovskaya, and the third was art critic Lyudmila. The fourth wife is Honored Artist of Russia Elena Stepanenko. Yevgeny Petrosyan has a daughter from his first marriage.

The material was prepared based on information from open sources

Variety activities

Petrosyan Evgeniy Vaganovich, whose biography is eventful, achieved success on the stage only in the seventies. In 1973, he created his own program, “Three Came to the Stage.” It was created in collaboration with Shimilov and Pisarenko. And after a few years, Evgeny Vaganovich begins to stage his performances at the capital’s pop theater. These were the following performances: “A kind word is pleasant for a cat”, “Monologues”, “When finance sings romances” and others.

In his productions, Evgeny Petrosyan (biography, family, children - all information is described in detail in this article) often plays the main roles himself. Both now and in Soviet times, comedian Petrosyan’s performances, concerts and performances have always been very popular, so the halls have always been full.

The great artist's humorous performances have always been varied. He usually used on stage not only the conversational genre, telling stories and feuilletons, but also showed small skits, made funny musical parodies, showed pop clownery and much more. The audience never got tired at his concerts, but always received only positive emotions.

The Age of Humor: Rebirth

Strict Soviet censorship limited the activities of comedians for a long time. Arkady Raikin revived the era of theatrical humor. He was the first in the Land of Soviets who was not afraid to perform on stage with comedy numbers. This is how the Arkady Raikin Theater appeared, under whose leadership Evgeny Petrosyan, Mikhail Zhvanetsky and others began to work. The actors' humorous performances were always full houses.

At the beginning of the 21st century, Evgeny Petrosyan had the idea of ​​​​creating a theater of pop miniatures. He decided to name it in honor of that famous theater - “Curves Mirror”. Actors working in the comedy genre happily supported him.

Creation of the Theater of Variety Miniatures

In 1979, a talented comedian and stage actor decided to create his own miniature theater. Later, under him, the Center for Humor was created, in which Evgeniy Vaganovich collected rare historical materials dating back to the nineteenth and twentieth centuries. These were mainly posters, magazines, photographs and other similar material.

Since 1987, the creative biography of Evgeniy Vaganovich Petrosyan has been closely connected with such a humorous program as “Full House”. For three years he toured and performed on stage with comedians from this TV show. During the same period, in 1988, he was appointed artistic director of the capital's concert ensemble of pop miniatures, where he soon became the leading artist.

Beginning in 1994, for ten years, he created and hosted the famous TV show “Laughing Panorama”, the symbol of which was a small clay clown. Evgeniy Vaganovich brought it in 1995 from Germany. In this program, he not only talked about the history of humor, but also showed performances by young comedians.

Evgeny Petrosyan has become a household name in the world of humor

Few people in this world are celebrated in such a way that their name becomes a household name. Moreover, he creates colorful nouns, verbs and adjectives from himself. Well, the fact that these words are not entirely decent, and sometimes even offensive, is a matter of taste. The country is not indifferent to you - which is not a reason to be proud of yourself. An old-timer of the humor workshop is Evgeny Petrosyan.

Childhood

55 years at the helm of humor! Yevgeny Petrosyan was born on September 16, 1945 in Baku, and already in 1957 he began performing on stage. He considers himself a born artist, although his family was completely far from art. Father is a mathematician, mother is a chemical engineer. “After the war, everyone had a constant feeling of some kind of threat, people were rarely happy, people were tired,” Petrosyan recalled. “When I was seven, I went to a comedy concert and saw one uncle standing on stage, telling something, and thousands of people laughing. I have never seen so many joyful, happy faces. And I wanted to become such an uncle.”

In the late 50s, Baku was considered one of the most vibrant cultural centers of the USSR, so young Petrosyan could not complain about the lack of food to satisfy his artistic hunger. He attended all the city performances, concerts, amateur performances, and when his aunt got a TV, he was able to watch the best artists in the country every day. “For the first time I appeared on the school stage with a humorous miniature, and my first spectators were my classmates,” recalled Evgeniy Vaganovich. “Then there were guests who came to our home. I was not shy and, when I was asked to read something, I tried to fulfill the request. Even then I knew: I am an artist. But the artist is not shy, he must please people. And I tried to do it."

Petrosyan gave his first “adult” performance on the stage of the Baku club, where, by his own admission, he was a resounding success. From then on, humor began to occupy 100 percent of his time. The schoolboy participated in propaganda teams, led concerts, danced in operettas, played in the folk theater, served in the Philharmonic as a puppeteer's student, and also read fables, stories and feuilletons on any stage similar to the stage. “I had a photographic memory, I came to the concert, listened, remembered absolutely everything, and then told the same thing, but in my own way, I read as I felt, as I could,” said Evgeniy Vaganovich. — By the age of 15, I had accumulated a lot of material, which I found in the library and used in my performances for many years. These were feuilletons, both moral and social. During the Khrushchev thaw, we allowed ourselves a lot of things, we said from the stage what we thought, we were completely free.”

Despite all the efforts of the father to teach his son to mathematics, Petrosyan did not want to hear anything about the exact sciences. From the age of 12, he systematically began to prepare himself for admission to a Moscow theater university: he went to the library, learned Russian, and tried to completely get rid of his accent. In high school, he joined the variety troupe of the Sailors' House of Culture, which was headed by the popular Baku artist Margarita Shamkorian. It was thanks to her that Evgeniy Vaganovich was able to fulfill his dream - to move to Moscow. Sending the boy to the capital for entrance exams, Shamkorian wrote a letter of recommendation for him to her friend, actress Tatyana Sanina, which provided Petrosyan with an invaluable service. Despite many years of preparation, Evgeniy Vaganovich was never able to enroll: he was rejected from Sliver, and Pike, and from the Moscow Art Theater School. All that remained was for the young man to gather his courage and ask the famous actress for intercession. “At the service entrance of the Operetta Theater - now I don’t remember how I found out about the time when the prima donna was supposed to come out - I waited for Tatyana Leonidovna,” Petrosyan said in his memoirs. “Seeing that she was heading towards the car, I made an effort over myself. “Tatyana Leonidovna, hello, I have a letter for you! Please help if you can." Sanina quickly read the letter from her friend and replied: “My friend Leonid Maslyukov opened a pop studio. It is located at VDNKh in the Green Theater. I’ll call him and he’ll take a look at you.”

Petrosyan came to the audition and after an hour and a half of reading all the monologues and miniatures in a row, he was enrolled in the studio. Then Evgeniy Vaganovich had no idea that within a few months he, 17 years old, would have to appear on all-Union television.

Career

Petrosyan’s television debut took place - it’s scary to imagine - in 1962, when, just a few months after entering the studio, he was invited to broadcast the television play “Once in a Lifetime There Are 18 Years!” The teachers entrusted the 17-year-old boy to perform with a separate feuilleton, only they first dyed his hair red and forced him to change his last name to Petrov. “In the middle of the first part, I ran onto the stage in a school suit: “Good evening, hello!” This is what the entertainer always comes out and says. True, I’m not a real entertainer yet, I’m just learning. Today I have practice,” Petrosyan wrote in his memoirs. “The audience laughed loudly, this inspired me very much - I don’t seem to be failing!”

Judging by Petrosyan's memoirs, at less than 20 years old he had already achieved recognition that would be the envy of many mastodons of the domestic stage. After success in his debut performance in 1963, he was enrolled in the staff of the Moscow stage to work as an entertainer. In 1964, again judging by the memoirs, Petrosyan was invited in every possible way to play the role of Shurik by Gaidai himself, but the young man did not really like the role, and he advised the master of comedy to take Demyanenko. In 1965, the 20-year-old guy was already hosting “Ogonki” and became famous throughout Moscow. Then he had to fight off theater directors. “Yuri Zavadsky invited me to his theater in 1965, giving me a debut,” said Petrosyan. — This was a rare case for Soviet art. After all, a debut is the right to choose your role yourself. At this crucial moment, Utesov supported me. It was in Leningrad, Utesov took me to his room, and we talked all evening, he tried to dissuade me from leaving the stage. And Igor Vladimirovich Ilyinsky published a huge article in “Soviet Culture” about my first solo concert.”

Petrosyan did not receive a personal call from Brezhnev with advice that evening, so he had to listen to Utesov. The young comedian got a job with Leonid Osipovich in the orchestra and worked as an entertainer for almost 5 years. Petrosyan left Utesov with a scandal, causing great offense to the great artist, but work at the Mosconcert then seemed more promising to him. Fate rewarded Evgeniy Vaganovich for this courage of spirit and ambition - third place at the 1970 All-Union Variety Competition. After such success, Petrosyan could count on significant improvements in his career: he was called on television more often and even invited to host government concerts, which was the highest recognition for a Soviet entertainer. Gradually, he began to have regular authors, so in 1975, Evgeniy Vaganovich decided to say goodbye to the entertainer and concentrate entirely on stand-up comedy. Petrosyan’s success in his new profession was so great that even when in 1976 Brezhnev asked to appoint the artist as the host of a concert on the occasion of awarding Tula the title of Hero City, the comedian persisted for a long time and did not want to make an exception even for the head of state. The artist, by his own admission, gave up only after much talking. “I must say that Leonid Ilyich turned out to be a wonderful spectator - kind, relaxed,” Petrosyan recalled. “He laughed like a child, throwing up his hands, leaning back, putting his palms to his chest, wiping away tears, nodding his head. I also thought: this naive person is probably easy to control by those in his immediate environment. Or maybe he is so trusting and sentimental simply from old age and mental infirmity?

Caressed by the love of the public and watered by the tears of the general secretaries, Petrosyan successfully gave concerts throughout the country, lived in a large apartment in the center of Moscow and was completely satisfied with his career. And when the country, which so gratefully repaid him for his hard work, began to fall apart, Evgeniy Vaganovich very quickly found his bearings and rolled along the rails of capitalism. In an era when television had political and cultural authority, the comedian got his own television program. 18 episodes of the project “Anthology of Petrosyan’s Laughter,” as the author himself puts it, “broke rating records.” He realized he had hit a gold mine and began working on a larger program. It was a brilliant idea - to buy archival tapes of performances by various comedians, which during the interim period were gathering dust, unnecessary, on TV shelves, and in January 1994 we went on air. This was my main project on the central channel.”

The nineties awakened Petrosyan's remarkable commercial talent. Having appreciated the success of “Funny Panorama”, the comedian began an attack on television on all fronts. On the basis of the Theater of Variety Miniatures, created back in 1979, he created a television theater, the main brainchild of which was the odious “Curved Mirror”. The project was broadcast on the country's central channels for many years, went on tours throughout Russia and was very vigorously discussed by journalists and the public. The program, which gave the Rossiya channel excellent ratings, was recognized in aesthetic circles as a symbol of vulgarity and bad taste, and its author himself was recognized as a person who makes money from popular lack of culture. Petrosyan always reacted very painfully to such accusations and defended Distorting Mirror in every possible way. “There is a so-called “company” or “platoon” of fighting our humor and our pop comedians,” explained Petrosyan. — It consists of three kinds of posers, hypocrites and professional losers. Many of them don’t even watch us, don’t go to our concerts, but they condemn us. “I haven’t read Pasternak, but I condemn him...” Sorry for the comparison with the great poet. For some reason these people are interested in ensuring that such humor does not exist at all! “The Distorting Mirror” is the pinnacle, from my point of view, of an artistic form, a humorous genre, with which bad metamorphoses are now happening in our country.”

Despite all the philippics and pamphlets of spiteful critics, “Curved Mirror” is still on the air, and Petrosyan himself is safely touring with concert programs. He is not going to stop there: after the Theater of Humor, he wants to create a Museum of Humor, in which Yevgeny Vaganovich is unlikely to get lost among other exhibits.

Wives

Evgeniy Vaganovich as a large-scale personality did not waste time with his wives: he took them throughout life as much as his soul asked for. Petrosyan played the wedding four times, with short breaks: he fell in love and entered into a legal marriage, all honorably. The comedian married for the first time early, at the age of 18, and was immediately very successful. His chosen one was a girl from a wealthy family, the sister of the ballerina Victorina Krieger, whom Petrosyan met at one of the concerts. It was rumored that the comedian got married solely because of his Moscow registration, but even if this was so, fate repaid Yevgeny Vaganovich too cruelly: soon after the wedding, Petrosyan was left a widower with a baby in his arms. Daughter Victorina, of course, was raised by her grandparents. Now she lives in America and does not maintain a very warm relationship with her father.

Petrosyan did not observe mourning for long after the death of his wife. Soon he managed to win the favor of the woman he fell in love with immediately after arriving in Moscow - the daughter of the famous tenor Ivan Kozlovsky, Anna. The girl was 6 years older than Petrosyan, but, nevertheless, she studied with him in the same course at the pop studio. Thanks to her beauty and her father's influence, Anna Ivanovna was a huge success with the opposite sex, but she lost to the beggar boy. “I was very interested in him, he knew how to look after me exquisitely,” Kozlovskaya admitted. “I can’t say anything bad about him, he’s a decent man.” Then I started writing, became interested in prose, and was accepted into the Writers' Union. One day I met the Greek Kostas Varnalis and fell in love. Zhenya suffered a lot, but I couldn’t help myself.” Petrosyan took the loss of his second wife hard, and, as Yevgeny Vaganovich’s friends say, until Anna Ivanovna’s death he had warm feelings for her.

A decent Soviet man could not remain single for a long time: the comedian, after a deep mental wound, had to rush into the marital pool for the third time. The chosen one again was a woman from high society - Leningrad art critic Lyudmila. This time the marriage lasted more than 10 years: Lyudmila moved to Moscow with her husband, even performed in his concert numbers for some time, but, as they say, she was painfully jealous of her husband’s work. As a result, the scene destroyed her marriage. In 1979, 34-year-old Petrosyan met the young artist Elena Stepanenko, who came to join him at the Theater of Variety Miniatures. The girl was not at all like the women to whom Evgeniy Vaganovich was always so drawn: the daughter of a hairdresser and a worker, she could hardly compete with Petrosyan’s wife in intelligence or education, but, apparently, this was not what the comedian needed at all. Soon after meeting, the aspiring artist and the recognized master realized that they had tender feelings for each other, and Petrosyan decided to leave his wife.

Yevgeny Vaganovich’s fourth marriage turned out to be the most successful: his wife became his fighting friend, a caring housewife and a faithful wife. In 2008, however, there was a discord in the family life of the artists: the press claimed that things were heading towards divorce, but the couple still managed to solve all their problems amicably and save the marriage.

Contribution to culture

Our statement that the name of Evgeniy Vaganovich has become a household name was not at all unfounded. Below are neologisms derived from the name of the famous artist. The editors of “Paparation” emphasize that these words were not invented by them, and their publication is purely informative.

“Petrosyanism” or “Petrosyanism” - unfunny humor

"Petrosyan" is a person who doesn't know how to joke

“petrosyanit” or “otpetrosyanit” - a bad joke

Who would have thought?

Despite his eternal radiance and inexhaustible supply of optimism, Evgeniy Vaganovich turned out to be an extremely vulnerable person. As Natalya Sindeeva, general director of the Dozhd channel, said in one of her interviews, many years ago, when she was one of the founders of the Silver Galosh award, and Petrosyan was nominated for it, shortly before the ceremony, Mikhail Zadornov approached her and asked not to award the award to the artist. According to Zadornov, “Petrosyan is such a vulnerable person that he could have a heart attack because of the presentation of this “joke” prize.” By the way, Evgeny Vaganovich is not only vulnerable, but also a very kind person. For example, he spoke warmly about the ProjectorParisHilton program, Fr. At the same time, Petrosyan could not help but know that it was the residents of the Comedy Club, among whom were the presenters of ProjectorParisHilton, who especially cruelly mocked Crooked Mirror and its creators. “Kharlamov and I accidentally started watching Crooked Mirror in our apartment, and it seemed to us that this was the level of some kind of school KVN,” admitted Garik Martirosyan. “Some fifty-year-old, plump men, dressed in bright clothes, are running around the stage to a soundtrack, and in the audience there are people who for some reason are laughing a lot.” That's how he said it sarcastically, but Evgeniy Vaganovich generously forgave and even praised it according to his merits.

TV show “Distorted Mirror”

Now comedian Petrosyan regularly appears on the stage of the Crooked Mirror humor theater. He is not only its leading artist, but also its artistic director. Since 2003, performances of this theater began to be broadcast on television. Cheerful and spontaneous characters, whom he usually portrays with humor and irony, are always remembered by the audience and evoke only positive emotions. They show skits, tell humorous stories and even sing.

In addition to Evgeny Petrosyan himself, who usually plays only the main roles, comedians such as Alexander Morozov, Igor Khristenko and others take part in these performances. They all represent a close-knit team that gives a good mood to everyone.

Participants of the Crooked Mirror and Petrosyan show

Nikolay Bandurin

Mikhail Smirnov

Alexander Morozov

Mikhail Vashukov

Karen Avanesyan

In the sketches of “The Crooked Mirror” and “Petrosyan Show” you can see such famous artists as Evgeny Petrosyan, Alexander Morozov, Mikhail Smirnov, Mikhail Vashukov, Karen Avanesyan, who were able to skillfully joke about the world of modern cinema.

In turn, Alexey Bukhovtsev began to host a regular column in the show, “Reading Petrosyan . Its essence boils down to young comedians voicing the famous dialogues of Yevgeny Vaganovich.

Dmitry Kuzenyatkin delights with his Cousins ​​in every episode, and S. Koblikov is able to surprise even the most picky viewers.

The performances of the star duet Elena Stepanenko and Evgeny Petrosyan also delight the audience. In the releases they can still be seen as a married couple.

All these famous comedians are known to viewers from other popular projects on domestic television. Here it’s worth labeling “Full House”, “Distorting Mirror”, “Humour, Humor, Humor”. Over many years of work in this field, the staff of comedians has perfectly understood the ways to win the love and respect of audiences. It is not surprising that the new project quickly gained popularity among compatriots.

Among the guests of the show you can see such famous people as the illusionist A. Krasilnikov, actress G. Stakhanova, artist V. Korkina, comedian A. Shcheglov, parodist S. Eshchenko and many other stars.

Personal life

The creative biography of Yevgeny Petrosyan is closely intertwined with his personal life. His first wife was the younger sister of the famous ballerina Victorina Krieger. In this marriage, in 1968, a daughter, Victorina, was born, who became the only child of the famous comedian. But soon this marriage broke up.

The personal life and creative biography of Evgeniy Vaganovich Petrosyan, whose children and wives are always of interest to the public, have never been closed from fans of his work. It is known that Yevgeny Vaganovich’s second wife was the daughter of the famous opera singer Ivan Kozlovsky. Anna was seven years older than her husband. But this marriage also turned out to be short-lived, and after a year and a half of marriage they separated.

Yevgeny Petrosyan's third wife was art critic Lyudmila. She was a woman of an aristocratic circle, intelligent. She performed on stage with her husband several times. But due to the fact that Petrosyan devoted himself entirely to work and was very busy, this marriage also fell apart.

The fourth wife of the talented comedian was Elena Stepanenko, whom he met at his own theater of pop miniatures. Then yesterday’s GITIS graduate came to him for an audition to participate in his theatrical productions.

At this time, Evgeniy Vaganovich had a misunderstanding in his relationship with his daughter. It is known that, having left for America, she did not communicate with her famous father for ten years. During this time, she not only got married, but also gave birth to Evgeniy Vaganovich’s grandchildren: Mark and Andreas. But then the famous comedian was able to restore his relationship with his daughter. Now they not only communicate, but also the grandchildren constantly visit their grandfather.

Evgeny Petrosyan (1945)

Evgeny Petrosyan in the “Crooked Mirror” program and now |
frame from the show, Instagram At the time of the start of “Distorted Mirror”, Evgeny Petrosyan was already an accomplished comedian. He not only created his own Petrosyan Theater of Variety Miniatures and the Center for Variety Humor, but also expanded the boundaries of the traditional genre of miniatures, introducing funny songs, clowning and other previously unused techniques into them.

Nevertheless, among young people today the surname Petrosyan has become a household name and symbolizes outdated humor, the term “Petrosian” has appeared.

In 2018, the Network exploded with the news of Yevgeny Vaganovich’s divorce from Elena Stepanenko. Despite this, the artist continues to perform, runs his own “Petrosyan Show” and runs social networks.

Scandalous divorce

In the summer of 2020, there was news that famous comedians Evgeny Petrosyan and Elena Stepanenko were getting a divorce. It became a real sensation. But their divorce did not turn out to be peaceful, and Elena Grigorievna decided to achieve division of property through the court. Their joint property was valued at one billion dollars. This married couple, according to journalists, had considerable property: six Moscow apartments, which are located in the center of the capital, as well as a large plot of land outside the city.

According to the press, a huge mansion was built on this plot of land, the area of ​​which is three thousand square meters. Elena Stepanenko began to lay claim not only to joint savings, but, accordingly, to property. This scandalous divorce was handled by lawyer Sergei Zhorin, who claims that the couple have not lived together for fifteen years. Each of them has had their own life for a long time, but since there is a division of property, the actor and comedian Yevgeny Petrosyan wanted to give half of the property to his ex-wife without conflicts and scandals.

But Elena Grigorievna refused the peace agreement, hoping to receive eighty percent of the total property. Fans of the creative couple began to look for reasons why the couple decided to separate after living together for thirty-three years. Soon, Tatyana Brukhunova, Petrosyan’s personal assistant, was blamed for their separation. They were seen together not only in a restaurant, but also in one of the boarding houses in the Moscow region.

At the end of December 2020, Tatyana confirmed their relationship in the “Exclusive” program, although she had not given any comments before. She even showed off the ring on her ring finger. The girl said that their romance began in 2013, but even then Yevgeny Vaganovich was free, so she did not take anyone away from the family.

New life of the “Creeping Mirror”

An agreement was concluded with the ORT television channel for the filming of a comedy program. Viewers saw the first episode in January 2003. The program's high ratings spoke for themselves. “Distorted Mirror,” whose actors lifted the spirits of the entire country, became a favorite entertainment television show.

The theater currently operates in the following genres:

• Parody.
• Comedy.
• Humoresque.
• Musical number.
• Clown performance.
• Circus act.

During one broadcast, the viewer watches several short performances. In the Crooked Mirror theater, the actors and roles play in a genre that is not familiar to most viewers. Each of them developed their own unique role. During the performance, the viewer follows the main everyday problems of the characters, presented in a humorous manner.

Evgeny Petrosyan currently

Despite his age, comedian Petrosyan continues his creative career. In 2020, he opened his own account on Instagram. It is known that Yevgeny Vaganovich is often accused of taking jokes from the Internet. But the comedian himself answers that his jokes are so popular that after his performances, and sometimes even before that, they end up among the people and, accordingly, on the Internet.

In 2009, comedian Petrosyan invited bloggers who were popular and more often than others to make fun of his jokes and manner of communicating on stage to meet at a round table. After this meeting, bloggers noted that the real Petrosyan turned out to be much nicer than the one they see on TV screens.

Journalists note that such close attention to the work of the comedian is the result of the fact that he quite often appears on television screens, ridiculing modern life and human vices. His on-screen images are surprising, amazing, but at the same time very similar to people you can meet in real life.