Evgeniy Steblov: My son went to a monastery and became a monk


Childhood

The boy was born into the family of a radio engineer and a teacher. They lived in an apartment on 1st Meshchanskaya Street near the Rizhsky Station in Moscow. Vladimir Vysotsky lived in the neighboring house. He was 8 years older, so they were not friends; for children this is a significant age difference. They started communicating later, when they both became involved in creativity.

When Evgeniy was a child, his father made him a puppet theater from scrap materials. Rubber enemas served as dolls. They attached a cork nose and glass eyes. With this theater, Evgeny Steblov performed wherever possible: at school, at the Palace of Pioneers, and even in the courtyard of his own house, gathering the first spectators. He wrote a letter to the Obraztsov Puppet Theater, to which they responded with an invitation to study puppetry. After visiting the theater, Ekaterina Vasilievna Uspenskaya (Honored Artist) took the patronage of the young puppeteer. She helped Evgeniy develop his voice talent.

Vladimir Steklov today

Soon after his divorce from Alexandra Zakharova, the actor married for the third time.
His chosen one was the dentist Olga. Olga gave birth to Vladimir’s second daughter, Glafira. In 2020, the actor divorced again - “they didn’t get along.” Vladimir Steklov is a grandfather twice. His daughter Agrippina has two children - Maria and Daniel. Daughter Glafira wants to connect her life with journalism.


In 2020, Vladimir Steklov gave birth to a daughterIn 2020, Vladimir Steklov had a daughter.
Afterwards, he was suspected of having an affair with 29-year-old actress of the Moscow Contemporary Art Theater Renata Burkina. However, this information was not true: the actor lives in a civil marriage with Irina Delyagina, a financier from Irkutsk. Their age difference is 33 years. In January 2020, Irina gave birth to his daughter Arina. This is Steklov's third child.

Choice of fate

Despite his son’s obvious abilities, his father planned for him a serious profession and admission to the Faculty of Philology. A Russian language teacher was invited for Evgeniy. Ironically, the teacher turned out to be an avid theatergoer. With his help, Evgeniy got into the theater studio. Together with Nikita Mikhalkov, Inna Churikova, Viktor Pavlov, he studied the basics of art at the Drama Theater. Stanislavsky. Thanks to this coincidence of circumstances, he realized his true purpose and decided to enroll in the acting department.

Evgeniy failed to pass the competition at the Moscow Art Theater (he read poetry by Mayakovsky). After changing the repertoire, on the first attempt he was enrolled in the Shchukin Theater School.

Childhood and family of Vladimir Steklov

Soon after Vladimir's birth, his family moved from Karaganda to Astrakhan.
The boy grew up without a father and was raised by his mother and grandmother. Vladimir was never an excellent student, did not like to study, and spent his free time in the yard. That was until the boy’s mother got a job as an accountant at the People’s Theater. Since then, Vladimir spent his free time in the auditorium. First, I watched all the performances of the Youth Theater, then the local drama theater, went to tour performances, and especially loved the capital’s productions. The boy also liked opera. He knew “Rigoletto” and “Faust” practically by heart.

Vladimir Steklov visiting Dmitry Gordon Vladimir's passion for the stage led him to the theater studio at the Astrakhan Teacher's House. It was a fairly famous group. Volodya Steklov’s acting talent was noted at the regional amateur arts show. Then one of the jury members advised the boy to enroll in a theater school. This proposal seemed dubious, because Vladimir had serious problems with diction. And yet he decided to take a risk and went to the audition.

He was accepted into the local theater school with one condition - to correct his diction defects. Vladimir completed this task from the teachers by the end of the first semester. Two years after admission, I decided to try my luck again and submitted documents to the capital’s GITIS. True, he did not pass the audition in Moscow. I had to return to Astrakhan and graduate from the local theater school.

Sasha Shatalov

Admission to the school took place in 1962. Surprisingly, at the Moscow Art Theater, beginning artists were categorically not allowed to act. Therefore, if Evgeny Steblov had gone there, he would have lost his first role, which made him a recognizable artist. At the Shchukin School, filming was also not encouraged, but was allowed in exceptional cases.

Evgeniy got to the shooting of the film “I Walk Around Moscow” by accident. At that time, young artists from theater universities walked around Mosfilm in the hope that they would be noticed. Among them was Evgeniy Yurievich and a friend. Along the way, they met a classmate and offered to visit the set of the film “I Walk Through Moscow.” They recruited actors for filming there.

The biography of Evgeny Steblov is filled with happy coincidences. This time a similar story happened: the director had already found an actor for the role of Alexander Shatalov. The role was one of the main ones, and there were no plans to change the actor until Danelia saw Steblov’s photo tests. The director changed his mind. Evgeniy did not suspect this for several years.

Evgeniy Steblov: My son went to a monastery and became a monk

Evgeniy Yuryevich became famous in his youth, from his first roles in the films “I Walk Around Moscow”, “Goodbye, Boys!”... A star in the truest sense of the word. I met him in the Alexander Garden near the Kremlin, where he likes to walk, easily, without hiding from his fans. He communicates with his viewers in a friendly manner and says that they, in the sense of actors, are responsible for those who fell in love with them.

“I DON’T SEE THE MOVIES I’M STARRING IN”

— Evgeniy Yuryevich, the traditional question: where and with whom will you celebrate the anniversary?

“I’ll definitely go to my mother’s for dinner.” She is already 91 years old and a long-liver. Well, in the evening we will celebrate with my wife (the actor’s second wife Lyubov Glebovna is a financier - ed.). And in the theater we will celebrate my anniversary on December 13 after the play “Krechinsky’s Wedding.” What are you doing now? I’m rehearsing Ostrovsky’s play “It’s not all Maslenitsa for the cat,” where I play the merchant Akhov. The premiere is scheduled for the end of January.

— In new films, audiences, alas, don’t see you often...

— The level of modern cinema leaves much to be desired. The Soviet film industry was very powerful. And if we compare modern cinema, in which I starred, even as a student, then this comparison will not be in favor of the current one. And I myself have changed - working in films no longer evokes the same romantic relationship that I had before. Besides, I don’t see the new films that I sometimes star in. Where do they go? I don't know myself.

— There were three theaters in your biography. The Lenin Komsomol Theater and the Soviet Army Theater were held sporadically...

- No, no, everything was quite serious. When I graduated from the Shchukin Theater School in 1966, I felt quite confident in cinema. I had four main roles and one minor role. After college, I dreamed of going to Anatoly Efros, who then directed the Lenin Komsomol Theater. And he took me. During the six months that I was destined to work there, I played two central roles. But Efros was kicked out of this theater, and I was called to the Army theater through military conscription. There I was also a leading artist in my generation. In his first performance, “The Watchmaker and the Chicken,” directed by Leonid Kheifetz, he played the main character aged 19 to 48 years, which was difficult for an inexperienced theater artist. But then Leonid Kheifets and I creatively parted ways and soon I moved to the Mossovet Theater, where my creative biography mainly took place.

“I RECEIVED A PARTY CARD AND WAS BAPTIZED”

— How did you manage to join the party? You give the impression of being an absolutely non-partisan person...

— It was a tactical decision. For some reason, at that time, in the 70s, they began to accuse me of dissident. But I have never been a dissident. Moreover, among the dissidents, only Andrei Dmitrievich Sakharov, a great scientist who did not live only in denial, aroused my respect. In short, so as not to be “stitched” to this dissidence, I joined the party - I was even elected deputy party organizer for the ideology of the Mossovet Theater. And at the same age, at 33, after receiving my party card, I was baptized together with my late wife Tatyana. This is how my life turned out paradoxically. These events ran parallel and, apparently, corresponded to my search for the meaning of life.

— Your son Sergei, like you, graduated from theater school, but decided to look for the meaning of life in the church?

— My son went to a monastery. This happened the year when his mother, my wife Tatyana, died (the actor was married to her for more than 30 years. Tatyana Ivanovna Osipova had a heart defect - ed.). Sergei has been serving in the monastery for five years. He is in the rank of monk. This is a completely different world. Previously, Sergei was involved in film and television directing, but then he radically changed his life. There is a saying: it is not the person who chooses the monastery, but the monastery who chooses the person. We don’t see each other often, but we often talk on the phone.

- What about the grandchildren?

— My current wife Lyubov Vladimirovna has grandchildren. Dasha is 6 years old, Alyosha will soon be five. It is already clear that the boy will be a gifted artist in the future. So there are children in my life, which I am very happy about. It’s a sin to complain about fate.

“I’m Walking Around Moscow”: the first roles of Evgeny Steblov and Nikita Mikhalkov made them stars of Soviet cinema. 1963 Photo: Still from the film

“I AM PERSONA NON GRATA IN UKRAINE”

— You are still the first deputy chairman of the Union of Theater Workers, Alexander Kalyagin. Are you bored with bureaucratic work?

— Work at STD is not at all bureaucratic. Several years ago I was sent to Nizhny Novgorod to resolve an “industrial conflict.” There, the artists went on a hunger strike for creative reasons. We were hungry for more than a week. A commission arrived from Moscow. And thanks to my diplomatic techniques, which was unexpected for me, I managed to stop the hunger strike in one day. I am a peaceful person and try to find a reasonable compromise in everything. Although conflicts happen all the time in the acting world, this is natural - after all, dramaturgy is the basis of theatrical life.

— You say it’s peaceful, but Ukraine has put you on the so-called “black list” for supporting President Putin’s policies in Ukraine and Crimea.

“They told me that I was persona non grata.” But this doesn't bother me much. What is happening in Ukraine now is a political dead end. There are fantastically stupid and corrupt policies there. It's very sad, a lot of blood was shed as a result of this.

PRIVATE BUSSINESS

Evgeniy STEBLOV was born in 1945 in Moscow. In 1966 he graduated from the Shchukin Theater School. After college he worked at the Theater. Lenin Komsomol. In 1969 he moved to the Theater. Mossovet, where he works to this day. The first big film role was Sasha Shatalov in Georgy Danelia’s film “I Walk Around Moscow” (1963). Director of a number of performances, author of the story “Return to the Unwritten.” People's Artist of Russia.

Five best films

"I'm walking around Moscow"

"Goodbye boys"

"Slave of Love"

"For family reasons"

"The Adventures of Sherlock Holmes and Doctor Watson: The Hound of the Baskervilles"

Debut

“I Walk Through Moscow” was filmed in the style of a metropolitan romantic story. Steblov's partners in the film were then unknown Nikita Mikhalkov, Galina Polskikh, and Alexey Loktev. The film tells the story of youth and the fact that in life you can achieve whatever you want. The picture turned out to be light and was a resounding success with the viewer. It is complemented by the music of composer Andrei Petrov, which is surprisingly suitable for the city and the mood of the film.

In the biography of actor Evgeny Steblov, this role is more likely to be comedic. Sasha Shatalov is a young man, awkward, tall and thin. He is preparing to serve in the army and before that he decided to get married. And he can’t come to an agreement with his fiancee.

After the release of the film, the artists involved in it, as they say, woke up famous. Friendly relations arose between Evgeny Steblov and Nikita Mikhalkov. This friendship continues to this day. This is what Steblov says about the glory that befell him:

The word “star” seemed indecent to us then. We wanted to become masters, actors with a capital A. A star is a statement of glory. But stardom says nothing about the quality of talent. To be honest, I didn’t understand what my success was. Everyone praised me, but I didn’t understand. It seemed to me that this was some kind of deception, that soon everything would be revealed and they would just beat me.

Movie

The next film story is “The First Trolleybus”. A year after its release, Evgeniy gets the main role in the film “Goodbye, Boys.” This is a movie about teenage relationships and friendship. Romantic and bright. For the first time, an episode of intimate relationships between young people appears on screens. It was filmed extremely tactfully and without vulgarity. The scene was innocent and naive. Evgeniy was very worried before filming and did not sleep, thinking about the role.

The fate of the painting was confusing. Censors cut out some scenes. The film appeared in its original form only in the 1980s. Evgeny Steblov has the image of an awkward young man, kind and shy. This image grew with him throughout his creative activity.

A significant film in which Evgeniy starred while studying at the Shchukin School is considered to be the film “Roll Call”. It is followed in Evgeniy Steblov’s biography by “When the harpsichord plays.” In “Roll Call,” Evgeniy again met Mikhalkov on the set. This film cemented their friendship. Later, Nikita Sergeevich will direct his debut film “And I’m Going Home.” The basis for the film was the story of Evgeny Yuryevich.

Filmography of Vladimir Steklov

Vladimir Steklov's film career began late.
He came to audition for the first time at the age of 35. And he immediately got a role in the film “The Hurricane Comes Unexpectedly.” In 1987, Vladimir played in Svetlana Druzhinina’s film “Midshipmen, Forward!” with Sergei Zhigunov, Dmitry Kharatyan and Vladimir Shevelkov. In 1994, director Yuri Kara invited the actor to play the role of Azazello in his film “The Master and Margarita”. The directors very quickly fell in love with Vladimir Steklov. The actor never had a shortage of roles. His filmography includes about 100 films. Among them are “Criminal Quartet”, “Plumbum, or a dangerous game”, “Oligarch”, “Gagarin. The first in space."

Actor Vladimir Steklov with his daughter

By the way, Vladimir Steklov once almost went into orbit himself. At the end of the 90s, the actor starred in the film by Yuri Kara based on the novel by Chingiz Ai. The filming pavilion was to be the Mir orbital station. Before filming, the leading actors Vladimir Steklov and Olga Kabo underwent pre-flight training like real cosmonauts. The actors spent a whole year in Star City, but they were not able to fly into space there. Due to lack of money, filming was cancelled.

Vladimir Steklov starred in many TV series. He played his most famous roles in the serial films “Midshipmen, Forward!”, “Kukotsky’s Case”, “Second”, “Secret Sign”, “Dead Souls”. The actor also played in the popular TV series “Kadetsvo”, “Soldiers”, “I’m Flying”.

People's Artist of Russia Vladimir Steklov Vladimir Steklov is a very versatile actor. He is capable of any role, be it the servant of the devil Azazello or the ensign of the cadet school. In the late 80s, Vladimir Steklov was awarded the title “Honored Artist of the RSFSR”, in the early 2000s - “People’s Artist of Russia”.

Theater named after Mossovet

Evgeniy Yurievich got a job here three years later. Stars shone on the stage: Ranevskaya and Orlova, Maretskaya and Plyatt. In the biography of Evgeny Steblov, this time is noted as great happiness. Playing on the same stage with great artists is the dream of many of his contemporaries.

Like his famous colleagues, Steblov was distinguished by intemperance in words and a sharp tongue. He developed a difficult relationship with the theater director. At that time it was led by Lev Fedorovich Losev. The consequence of the conflict was financial pressure from management.

On the famous stage, Steblov had the opportunity to live many roles. For many years, the production “A Million for a Smile” enjoyed the love of the audience. The play “Five Corners” received positive reviews from critics.

1968-1975

During this period, the biography of Evgeny Steblov was replenished with comedic images. The public received the film “Literature Lesson” with interest; here he played a teacher distinguished by exceptional truthfulness. Then “Taimyr is calling you” (the role of Andrei Grishko) was released.

Nikita Mikhalkov is making the film “Slave of Love” about silent film stars. Evgeny Steblov got the role of Kanin. For the first time in the Soviet Union, a hero appeared who preferred same-sex relationships. Steblov did it brilliantly, despite the difficulties. The prototype of Kanin was the actor Polonsky. This artist was famous during the silent film era. In preparation for the role, Steblov familiarized himself with the works of Polonsky. Having not identified the features, Evgeniy decides to add individuality to the hero himself. This is how Kanin acquired a subtle voice, emphasizing the essence of the actor, which is opposite to the screen image.

Creativity[ | ]

Theater roles[ | ]

Theater named after Lenin Komsomol

  • “The Adventures of a Dentist” by A. M. Volodin - dentist
    [16]
  • “Goodbye, boys” by Boris Balter - Vitka Anikin
    [16]
  • “Court Chronicle” by Ya. I. Volchek[16]

CTSA

  • “The Watchmaker and the Chicken, or Masters of Time” by Ivan Kocherga. Director: L. E. Kheifets
    -
    Yurkevich
    [16]

Mossovet Theater

  • “The Old Man” by M. Gorky - Pavel
    [16]
  • "Topaz", 1972 - Topaz
  • “Possible options”, 1976 - Igor
  • “My heart is with you” - Boris Slinkov
    ,
  • “Performance-concert” - (“On the Eve”),
  • “A few anxious days” - Alexey Garanin
    ,
  • “...Gold, gold - the people’s heart!” - balletomane
    ,
  • “A million for a smile” - Gennady Kartashev
    ,
  • "Vasily Terkin" - Vasily Terkin
    ,
  • “I always smile” - Stepan Gorelov
    ,
  • "Tour Base" - Ovechkin
    ,
  • "Indian Summer" - Vadim
    ,
  • “Evening Light” - Volodya Mikhno
    ,
  • "Halfway to the Top" -
    Basil Etterwood
  • "The Brothers Karamazov" - Alyosha
    ',
  • “Truth is good, but happiness is better” - Plato
    ,
  • “Five Corners” - Zybkin
    ,
  • “Room” - Dergachev / Kuzminykh
    ,
  • “Egor Bulychov and others” - Tyatin
    ,
  • "Hedda Gabler" - Assessor Brakk
    ,
  • "The Trial of the Judges" - Rudolf Petersen
    ,
  • “Quote” - Molochnikov
    ,
  • "Carnival" - Bogdan
    ,
  • “Two plays Sl. Mrozek. Karol. Police" - lieutenant
    ,
  • "The Importance of Being Earnest" -
    John Warding
  • "Twelfth Night, or Whatever" - Malvolio
    ,
  • “The Cherry Orchard” - Leonid Gaev
    ,
  • "The Seagull" - ''2004'' - Evgeniy Sergeevich Dorn
    .
  • “Krechinsky’s Wedding” - Pyotr Konstantinych Muromsky, Yaroslavl landowner
  • “It’s not all Maslenitsa for the cat” - Akhov
  • “Foma Opiskin” - Egor Ilyich Rostanev

Filmography[ | ]

I'm walking around Moscow

  • 1958 - The Youth of Our Fathers - episode
    (uncredited)
  • 1959 - Ballad of a Soldier - episode
    (uncredited)
  • 1963 - I walk around Moscow - Sasha Shatalov
  • 1963 - First trolleybus - stuttering parasite (uncredited)
  • 1964 - Goodbye, boys - Volodya Belov
  • 1965 - Roll Call - Sasha Amelchenko
  • 1966 - When the harpsichord plays - Kostya, student Konstantin Ivanovich
  • 1968 - Literature lesson - literature teacher Konstantin Mikhailovich
  • 1969 - Kidnapping - Sasha, firefighter, amateur arts activist
  • 1970 - Taimyr is calling you - Andrei Nikolaevich Grishko, geologist
  • 1971 - Yegor Bulychov and others - Stepan Tyatin, Zvontsov’s cousin
  • 1972 - Taming of Fire - Kesha, brother of Andrei Bashkirtsev
  • 1973 - High rank - Efim Zakharovich Korolkov, Red Army soldier
  • 1976 - Slave of Love - actor Lesha Kanin
  • 1976 - The Princess and the Pea - poet
  • 1977 - For family reasons - Igor, young husband
  • 1978 - Birth - Zhuravlev
  • 1978 - While the dream runs wild - Shirinkin, Shchetinkin’s right hand
  • 1978 - Schedule for the day after tomorrow - Professor Kulikov
  • 1979 - A few days in the life of I. I. Oblomov - Oblomov’s father
  • 1979 - Pena - journalist Prosov
  • 1979 - Native Business - Kostya
  • 1980 - You must live - Dima Shchepov, air gunner, junior sergeant, Komsomol organizer
  • 1981 - The Adventures of Sherlock Holmes and Dr. Watson: The Hound of the Baskervilles - Dr. James Mortimer
  • 1982 - Cultural trip to the theater - Viktor Skorobogatov, author of the play
  • 1982 - I don’t want to be an adult - Dmitry Konstantinovich Orlov, Pavlik’s father
  • 1984 - Autumn Gift from Fairies - poet
  • 1985 - Don’t go, girls, to get married - Andrey, hairdresser
  • 1986 - Don’t forget to turn off the TV - Ilya Stepanovich Gurov
  • 1986 - Primordial Russia - Ipatiy
  • 1989 - Comedy about Lysistrata - Agathon
  • 1989 - ST. Sleeping car - Ivan Sidorov, supplier
  • 1990 - Imprisonment - Valerian Nikolaevich Bochkov, announcer
  • 1990 - Our man in San Remo is a famous composer
  • 1990 - Jewish happiness - Mark Gershengorin
  • 1993 - Makarov - Protasov
  • 1994 - Black Clown - Heinrich, Eda's friend
  • 1995 - Raid - major
  • 1998 - The Barber of Siberia - Grand Duke Alexei
  • 1999 - Dinner for Four Hands - Johann Sebastian Bach
  • 2000 - New Year in November - Iskrin
  • 2000 - Lyubov.ru - Prosvetov
  • 2001 - Conference of Maniacs - Meek
  • 2002 - Cinema about cinema - screenwriter Lev Andreevich
  • 2003 - Evening Bells - screenwriter
  • 2004 - Listener - Anton Andreevich Fedulov
  • 2004 - Detectives - Tobolsky (series “Lie Detector”)
  • 2006 - Detective Putilin - Count Shuvalov
  • 2007 - Election Day - San Sanych, director of the regional drama theater. Petukhova
  • 2008 - I know how to be happy
  • 2009 - Hello, Kinder! — Emelya Gennadievich, chief physician
  • 2013 - Studio 17 - Oleg Petrovich Manokhin, retired inventor
  • 2013 - Live on - Ivan Grigorievich Levinsky

Teleplays[ | ]

  • 1973 - Vasily Terkin - narrator
  • 1976 - Stories by Mark Twain - Mark Twain
  • 1976 - Topaz - Albert Topaz, teacher at boarding school
  • 1977 - Lyubov Yarovaya - Ivan Kolosov, telephone operator
  • 1977 - Provincial history - Nikolai Arkadyevich Osinin
  • 1977 - Family History - Zhenya
  • 1979 - Country life - Pavel Matveevich Zaikin
  • 1980 — Benefit performance by Tatyana Doronina
  • 1981 - Ugly Elsa - Usko Aamunen, chemistry student
  • 1981 - A million for a smile - Gennady Kartashev
  • 1986 - Trial by Judges - Rudolf Petersen
  • 1988 - Quote - Anton Molochnikov, economist, new employee of the institution, friend of Orlyuk
  • 1999 - Foma Opiskin - Egor Ilyich Rostanev
  • 2007 - The Seagull - Evgeniy Sergeevich Dorn, doctor
  • 2013 - Wedding of Krechinsky - Pyotr Konstantinovich Muromsky, Yaroslavl landowner

Voice acting for cartoons[ | ]

  • 1981 - Once upon a time there lived Saushkin. Movie 1
  • 1982 - Once upon a time there lived Saushkin. Movie 3
  • 1983 - Castle of Liars (dir. G. Sokolsky) - reads the text from the author
  • 1985 - Contract (dir. V. Tarasov) - robot
  • 1981 - Ay-ay-ay! (dir. Baker, Vladimir (Wolf)) - woodpecker
  • 1990 - The Golden Sword (puppet-fiction film, director-director: G. Shumsky, S. Sokolov)
  • 1990 - Merry Carousel (issue No. 20, “Glass”) - Cat
  • 1991 - Underwater berets (dir. V. Tarasov, R. Strautmane, etc.) - Tristan
  • 1992 - Potets - all roles
  • 2013 - Ku! Kin-dza-dza (dir. Georgy Danelia, Tatyana Ilyina, etc.)

Personal life

Evgeny Steblov has always had a spectacular appearance. A tall and slender young man of intelligent appearance. Fashionable trousers, bright socks, stylish hairstyle - Evgeniy was popular with women.

In 1971, he married Tatyana Osipova. The family hearth continued for 38 years. Tatyana had a heart defect since birth. Doctors struggled with the diagnosis for 17 years. Three heart surgeries were performed, after the last one she died. Evgeniy Yuryevich treated his wife with trepidation and attention throughout his life. Long family relationships are rare in the acting environment. A strong rear meant a lot in the biography of Evgeny Steblov.

The actor’s personal life did not end with the death of his wife. After enough time had passed, Evgeny Yuryevich tied the knot for the second time with a woman named Lyubov. This is what he says about the death of his first wife:

Maybe it’s strange for some to hear, but I don’t perceive Tanya’s departure as a tragedy. I haven't lost her, she's with me. Tanya does exist. Only in other spaces. Everything that happened between us - our life, our common past, memories - has not gone away.

Faith

In 1976, Steblov was given a new role in the film “An Unfinished Piece for a Mechanical Piano.” On the way to filming, the actor gets into an accident. After it, Evgeny Yuryevich underwent surgery, during which a nerve was touched and the actor’s arm was paralyzed.

I had to do several more surgeries to restore the functionality of my arm. During these events, the artist’s emotional character found solace in the Orthodox faith. At this time, Evgeniy Yuryevich was baptized together with his wife Tatyana. To this day he remains a believer. Evgeniy Steblov experienced a reassessment of values ​​during these years.

A talented actor or the son of a talented actor father

It seems that if Sergei did not have acting talent, it is unlikely that he would have been able to do so much in his short acting and director’s biography. Although some film critics believe that the younger Steblov’s professional career did not work out. This is why he decided to leave worldly life.

This begs the question: could dad have influenced his son’s advancement up this very career ladder? After finishing “Shchukinka”, Sergei did not actually get into any of the famous Moscow theaters, but played in the Vernissage theater, founded in 1989 by Yuri Nepomniachtchi. It was an exhibition stage, so to speak, of unrecognized talents, organized according to the idea of ​​director Nepomniachtchi.

Initially, Vernissage was called the Theater of Unplayed Roles, then the Theater of Unplayed Actors. Evgeny Steblov’s colleagues in the theater workshop recall that he sometimes complained that his son’s talent was not appreciated. However, he never interfered with the creative process of his search for himself.

At Vernissage in 1995, Sergei got the main role in the play “Aliens. And three years earlier, Sergei Steblov created a touching image of Kostya in the film “Eyes”. And the audience remembered this sweet, charming young man for a long time. His filmography cannot be called poor. In 1998, two films with his participation were released: “The Barber of Siberia” and “On Knives.”

Yes, in the first film it is a supporting role, and in the second it is an episodic role. However, the actor does not stop there, but gets an education as a director and in 1999 makes the short film “Werewolf” in this capacity. In 2003, Sergei Steblov distinguished himself as the creator of documentary films (“Silver and Mobile”).

In 2004-2005, he worked as a second director in the creation of the films “Four Taxi Drivers and a Dog,” “A Place in the Sun,” and “The Seagull.” For some time I gained experience with Nikita Mikhalkov in the TriTe studio and at the same time tried to shoot advertising. Created my own. No matter how fascinated the director was, acting work took place during these years.

Sergei Steblov starred in the TV series “Lyubov.ru” (2000), “District Detectives”, where he played the role of Zhogin. There were roles in the films “The Verdict” and “I Know How to Be Happy.” It is worth noting that the last three paintings date back to 2008. In 2009, another multi-part film was released with the participation of Steblov Jr. - “And There Was War.”

Son

Sergey Steblov was born in 1973. At the beginning of his career, he followed in his father’s footsteps and graduated from the Shchukin School. The birth of a child was difficult for Evgeniy Yuryevich’s wife Tatyana: the pregnancy was difficult, with a life-threatening birth for the child and the woman. The couple had no more children.

But life has its own plans. In the biography of his son Evgeniy Steblov, the Orthodox faith will play the most important role. After the death of his mother and divorce from his wife, Sergei left this vain world and entered a monastery. He informed his father about his desire in a letter. Evgeniy Yuryevich did not dissuade his son; he knew that he had made a balanced and thoughtful decision.

How did I take his decision? Calmly, with understanding. It is important for me that Seryozha is happy the way he sees his happiness. And not according to my ideas about his happiness.

Actor Evgeny Steblov: personal life

Our hero cannot be called a ladies' man and a conqueror of women's hearts. Fleeting novels are not his option. From a young age, he strived for a serious relationship leading to marriage and the birth of children.

In the early 1970s, the actor met his future wife Tanya Osipova, a financier by profession. Steblov fell in love with her at first sight. The guy’s personal life shone with new colors. He set a goal for himself - to achieve the beauty’s favor. And he succeeded. Soon the lovers got married. Only the closest and dearest people were present at the celebration.

In March 1973, Evgeniy and Tatyana became parents. Their son Sergei was born. The couple dreamed of a daughter for a long time. But fate had its own way. Their son grew up and graduated from VTU. Shchukin. After the death of his mother, he went to a monastery.

The artist and his wife have been married for almost 38 years. Only death could separate them. In 2010, Tatyana passed away. Evgeniy Yuryevich took this loss seriously.

Rating
( 1 rating, average 4 out of 5 )
Did you like the article? Share with friends:
For any suggestions regarding the site: [email protected]
Для любых предложений по сайту: [email protected]