Actors of the film “The Adventures of Pinocchio” then and now

BIOGRAPHY

Vladimir Basov Jr. was born into the family of actress Natalya Fateeva and director Vladimir Basov. A few years after the birth of their son, the couple divorced, and the boy was sent to Kharkov to live with Fateeva’s parents. Volodya’s grandfather was a military man, and his grandmother was the director of an atelier. “I had a wonderful childhood. I never felt deprived, although I saw my mother in fits and starts. She came to Kharkov for a day or two and immediately disappeared for six months,” recalls Basov.

Volodya started first grade in Moscow, where his mother moved him. At first he studied at a boarding school, and then, when the family moved to an apartment on Frunzenskaya Embankment, Basov moved to an English special school. “I spent my entire childhood on sports grounds, where the local punks and I played football and hockey,” says the director.

After graduating from school, the young man tried to enter the theater institute, but failed everywhere. After working for a year as a laboratory assistant at the Voskhod Research Institute, Vladimir decided to try his luck again and try to enroll in the acting department. “I passed all the rounds and even somehow passed the general education exams at VGIK. That year, the acting workshop was recruited by Sergei Fedorovich Bondarchuk. But during enrollment it turned out that my name was not on the list,” recalls Basov. As it turned out later, the course master was scared off by the cinematic experience of the young man, who by that time had already worked in the films “Moscow - Cassiopeia” and “Youths in the Universe”. Fortunately, Natalya Fateeva intervened in the matter, and Vladimir was nevertheless enrolled in S.F.’s course. Bondarchuk.

After VGIK, Vladimir served at the Soviet Army Theater together with Oleg Menshikov, Anton Tabakov, Andrei Tashkov and Alexander Baluev.

“When will you grow old?”

With the folding phone, Basov did not go to nowhere, but to another beauty - Natalya Fateeva . Fateeva, apparently, felt guilty for Basov’s separation from his wife, because in a conversation with one of her friends she once said: “Apparently, Rose cursed me!” Basov’s romance with Fateeva began as a service affair. They met on the set of the film “Incident at Mine No. 8.” Anatoly Kuznetsov was supposed to be in love with the heroine Fateeva . And director Vladimir Basov fell in love. And again - fireworks of feelings. At the very first meeting - Natalya came to audition for the role - he told her: “Marry me.” Fateeva then shaved him off: first cast me in your film, then we’ll talk about marriage.

Basov had something to go crazy about - Fateeva was then compared to Gina Lollobrigida. Everything was predetermined - the group went on a film expedition to real coal mines. The atmosphere was sincere: Basov knew how to turn work into a holiday. And in the evenings, a friendly company gathered around the table, and Basov was again the center of attention: he was a master at telling stories. And between times he started playing the same song “Marry me.”

Fateeva gave up. Came out. She gave birth to a son - he was also named Vladimir. As she later admitted, “He tied my soul to himself.” She sincerely admired her husband. If not for one thing... Basov drank. Hard. A lot of. It’s been a long time since I started at the front. And he was jealous again. It's also hard. Binge drinking. And again, absolutely groundless - Natalya, who enjoyed crazy success with men and who received very unambiguous relationships from those who stood at the very top, always rejected them with disgust. What’s worse is that Basov began to be jealous not only of men, but also of Natalya’s professional success - which was completely unbearable, because Fateeva had to bear the burden of her family. “You won’t believe it, but he loved to say gloomily: “When you grow old, when you are finally thirty years old...” she later said in an interview.

Natalya Fateeva on the set of the film “Three Plus Two”. 1963 Photo: RIA Novosti

After five years of marriage, Fateeva decided to “go through another circle of Dante’s hell” - to get a divorce. After the divorce, they were forced to live in the same apartment for another three years, and later on the same street. After this, Fateeva tried more than once to arrange her female happiness, but it always ended in failure. Moreover, she quarreled with the children and was seriously ill. So she then said bitterly, “Apparently, Rose cursed me...”.

ACTOR

Vladimir’s first big work after graduating from the institute was the role of Ernest Beavers in the film “Time and the Conway Family,” directed by the actor’s father, director Vladimir Basov. After that there were roles in the films “A Dream in Your Hand, or a Suitcase”, “Strangers Don’t Walk Here”, “Accident - the Cop’s Daughter”, “Wolfhound”, and others.

Today, Basov’s filmography includes about 40 acting works in films. Recently, Vladimir can be increasingly seen in his own paintings. “Lyubov.ru”, “Cobra”, “The Way Back”, “Salami”, “Beauty and the Beast”, “Serious Relationships” - these are just a small part of the films in which Vladimir Basov managed to skillfully act as both an actor and a director .

Filmography

The filmography of actor Vladimir Basov includes more than 80 films, many of which have become very popular. In some of them he acted not only as an actor, but also as a scriptwriter. The most famous works include the following:

• "I'm walking around Moscow."
• "Moscow does not believe in tears".
• "Operation Y and other adventures of Shurik."
• "Shield and Sword."
• "Afonya."
• "Big change".
• "Moscow does not believe in tears".
• "Days of the Turbins".
• "Mimino".
• "Tehran-43".
• "Crime and Punishment".
• "The Adventures of Pinocchio".
• "Silvia".

Vladimir Basov, in addition to acting, was also actively involved in directing. As a director, he participated in 19 works, many of which received recognition at film festivals and gained popularity among moviegoers.

DIRECTOR

In the early 90s, when Russian cinema was in deep crisis, Vladimir Basov decided to try his hand at directing. “In 1988, the Debut studio arose, where I brought one script, then another, and a third. And in 1991 he made his debut as a film director. Then anyone who had a higher education could try their hand at it. During perestroika, filming was not required. Alyosha Balabanov is a teacher, Valera Todorovsky is a screenwriter,” says Basov.

The first work of the aspiring director was the short film “Bus” (1991), based on the stories of Julio Cortazar. The film stars Inga Ilm and Alexander Feklistov.

In 1993, Basov’s first big work was released - the crime drama “The Abyss (The Seventh Circle)”, filmed according to the script by Eduard Volodarsky. The film is about ancient icons, for the sake of the possession of which the heroes decide to commit monstrous bloody crimes. The main role in the film was played by Andrei Sokolov, and his partners were Alexey Guskov, Irina Apeksimova, Ekaterina Rednikova, Liya Akhedzhakova, and other actors.

Starting with the film “The Lonely Player” (1995), Vladimir works in tandem with his wife Olga. Together the couple made more than 20 films. “I am a torpedo that goes through the waves, and Olga is a depth charge, she is not visible, but she is more terrible. That is, she is responsible for the depth of the story, and I am responsible for the appearance,” says Basov.

One of the latest premieres of the Basov family tandem is the film “Keys”. According to the plot, a lonely girl Antonina Khavirova dreams of meeting her betrothed, similar to the hero of her favorite TV series. And then one day her idol, actor Bolotsky, comes to a neighboring town for filming... The film stars Polina Filonenko, Vadim Kolganov, Daniil Belykh, Vladimir Eremin, and others.

Personal life and family of the actor

Vladimir Pavlovich married 3 times during his life. Colleagues were always surprised how he, with his extraordinary appearance, could charm women and make them fall in love with him. He has novels with the first beauties of Soviet cinema. Many said that the talented actor and director attracts ladies with his charisma, eloquence and literacy. At the same time, Basov always tried to look like a gentleman: even in ordinary life, he wore classic suits, smoked expensive cigars and preferred luxury cars. He was handsome and attractive. This is confirmed by his youthful photos. The artist's height was 176 cm.

The actor met his first wife while still a student. She became the actress Rosa Makagonova. The lovers did not have time to live a long and happy life, as the marriage soon broke up. Fans of the actor put forward two versions of the divorce. According to one of them, Rosa did not want to have children, which caused a break in the relationship. Others suggested that Vlasov saw his wife’s coldness towards himself and did not torment her with the shackles of marriage. Despite the divorce, the couple did not lose friendly relations and communicated periodically. Makagonova visited him in the hospital several times during his serious illness.

Vladimir Basov and Natalya Fateeva met during filming and got married almost immediately. Already in 1959, a son was born into the family - Vladimir Vladimirovich Basov. He adopted his father's talent and also went to study acting and directing. The son studied under the supervision of Sergei Bondarchuk, and after graduating from university he began acting in films. However, this union soon fell apart. After the divorce, Fateeva did not want to see and communicate with Vladimir Basov Sr. She even forbade his father to visit his own son. However, the famous actor was still always aware of the events that took place in the life of his son.

Basov met his third wife on the set of the film “Blizzard”. He saw young Valentina Titova and immediately fell in love with her. According to some reports, Vladimir Pavlovich decided right on the set that he would soon marry the actress. At first, Valentina did not reciprocate the persistent actor’s feelings, but a little later she succumbed to his charms and got married. After some time, a son, Alexander Vladimirovich Basov, and a daughter, Elizaveta Basova, were born into the family. The marriage also soon cracked. Valentina Titova did not want to be a housewife and devoted her life to her career, and soon she left for another man.

The divorce dealt a blow to Basov; he hoped that his ex-wife would come to her senses and return, but this did not happen. The actor even had to sue his wife. By court decision, the children from the third marriage remained to live with their father. A little later, Alexander Basov, the actor’s son, said that in fact the reason for the separation of the spouses was the loss of love feelings, and not his mother’s betrayal. Today, the artist’s children are engaged in acting and artistic activities.

INTERVIEW

About my mother

“I am grateful to my mother for thinking early about the meaning of life and the price of freedom. She developed me, I grew up as a “Westernizer”, a free person. And I’m glad about it.”

About the director's profession

“It seems to me that directing is not a profession, but a lifestyle. That's how brains work. One director saw a bus falling from a mountain. Everyone survived. But the first thought that came to his mind was: “How well this could be filmed!” At one time we were offered to make a film about how people died under a mountain avalanche. We refused. We thought that we would “draw history to ourselves.”

The secret of marital longevity

“Perhaps Olya and I have been living together for more than thirty years because we don’t take ourselves seriously. Sometimes we even play some stupid games like teenagers. Olya has no vanity at all, but I have always had plenty of this goodness in me. She raised me. She said: “Stop thinking about why someone is given a production, but not you. Don’t think about it, forget it.” And I forgot. I make pictures, and if at least one Aunt Mana likes them, I’m good.”

Based on materials from the sites kino-teatr.ru, 7days.ru, kinopoisk.ru, newizv.ru, peoples.ru.

FILMOGRAPHY: DIRECTOR

• Taming the Mother-in-Law (2019)
• Impossible Woman (2018)
• Keys (2016)
• The Other Shore (2014)
• Serious relationships (2013), TV series
• Beauty and the Beast (2012)
• Salami (2011)
• The Way Back (2010)
• Love Therapy (2009)
• Invasion (2009)
• Clinch (2009)
• Maternal Instinct (2008)
• Silent Witness (2007)
• Urgently to the room (2007), TV series
• Matchmaker (2007), TV series
• Hot November (2006)
• Never Talk to Strangers (2006)
• Don't Forget (2005)
• Clean Keys (2003)
• Cobra. Black Blood (2001)
• Love.ru (2001)
• Instead of Me (2000)
• Opposite Window (2000)
• The Lonely Player (1995)
• The Abyss, the Seventh Circle (1993)
• Seven Screams in the Ocean (1986)
• Time and the Conway Family (1984)

Biography[ | ]

Born on July 28, 1923 (there is a version that he credited himself with a year to go to the front) in the village of Urazovo[4] (currently an urban-type settlement in the Valuysky district of the Belgorod region of Russia)[5] in the family of Pavel and Alexandra Basov . He had Russian, Georgian and Finnish roots[6]. Parents moved from place to place. Father, a Red Commissar, a philosopher by training, fought against the Basmachi in Central Asia, died in 1931. The mother worked a lot with her son, so he went straight to third grade.

In 1931-1941 he studied at Moscow Secondary School No. 64[7]. According to other sources, in 1930 he went to school in the city of Mary, in 1931-1932 he studied in the city of Zheleznodorozhny, in 1933 - in Kashin in the Western Region, in 1934-1935 - in Sukhumi, in 1936 - in the village of Aleksandrovo in Gorkovsky region, from 1937 to 1941 - in Moscow[8]. At the same time, Basov studied at an art school.

In the summer of 1941, he came to VGIK to find out what was needed for admission, but his plans were ruined by the war.

Participant of the Great Patriotic War since 1941. With the rank of lieutenant of the quartermaster service of the 4th separate rifle brigade, he was awarded the medal “For Military Merit” in 1943 for exemplary performance of duties as head of the brigade club. The amateur artistic ensemble he organized gave more than one hundred and fifty concerts for the fighters. With the rank of senior lieutenant, he was the commander of the battery of the 424th mortar regiment of the 36th mortar brigade of the 28th artillery division of the RGK breakthrough. On February 23, 1945, at the head of an assault group, he ensured the capture of a strong point of the German defense, was seriously shell-shocked in battle, and was awarded the Order of the Red Star for his feat[9]. With the rank of captain, he was assistant chief of the operations department of the 28th separate artillery breakthrough division of the SVGK Reserve.

In 1947 he entered the directing department of VGIK in the workshop of Sergei Yutkevich and Mikhail Romm, from which he graduated in 1952.

In 1950-1952 he worked as an assistant director, and from 1952 - as a director at the Mosfilm film studio. His first directorial work was a film adaptation of the film actor’s Studio Theater play “Nahlebnik” (1953) together with Mstislav Korchagin and Boris Lifanov.

In 1954, he directed the film “School of Courage,” in which one of the roles was played by his first wife, Rosa Makagonova, whom he met at the institute. The second director of this film, Mstislav Korchagin, died in a plane crash, and Basov had to complete the film himself. According to the results of the 1954 distribution, the film took tenth place, and at the Karlovy Vary Film Festival it received a prize as the best educational film. In this film, Leonid Kharitonov and Rolan Bykov played their first film roles.

In 1957, during the filming of the film “An Incident at Mine Eight,” Basov met actress Natalya Fateeva, who soon became his second wife. In 1959, a son, Vladimir, was born. The couple often quarreled with each other, Basov suspected Natalya of cheating.

In 1964 he directed the film “Silence” based on the novel by Yuri Bondarev. The film received the Main Prize of the 1st All-Union Film Festival. The authorities did not like this film, and it was quickly removed from distribution. In the same year, in Georgy Danelia’s film “I’m Walking Around Moscow” he played a cameo role as a floor polisher

, which launched his acting career.

In 1963, he met the aspiring actress Valentina Titova and offered her the main role in his film “Blizzard,” based on Pushkin’s story. And although Titova was extremely busy at the theater, Basov managed to persuade the theater management to let the actress go on set, during which he persistently courted her; as a result, Titova became his third wife. The marriage produced a son, Alexander, and a daughter, Lisa.

In 1968, a four-part film about intelligence officers, “Shield and Sword,” was released, directed by Basov, who also acted as the author of the script. The film was watched by more than 200 million viewers, and the first and second episodes became the box office leaders of 1968. The film also became the film debut of Oleg Yankovsky.

In 1974, Basov suffered a massive heart attack, which put him in the hospital for a month and a half[8]. He was forced to lie down a lot and walked using a cane, but this had almost no effect on his performance.

In 1975, he starred in the two-part film “The Adventures of Pinocchio.” According to the recollections of his colleagues, Basov recorded the lines of his hero, Duremar, right in a psychiatric clinic: due to alcohol addiction, the actor lost control of himself[10].

In 1976, he shot a three-part feature television film “Days of the Turbins”, which was based on the play by Mikhail Bulgakov. Basov himself played the role of Staff Captain Myshlaevsky

, which became one of the most striking in his career[11][12]. However, another blow followed - in 1977, his wife Valentina Titova, while filming the film Father Sergius, fell in love with cameraman Georgy Rerberg and filed for divorce. As a result, Basov’s heart pain became constant. For several years he suffered from a severe form of depression, aggravated by alcohol addiction.

As an artist, Vladimir Basov was very versatile; he had expressive facial expressions, great artistry and irresistible charm. The actor's talent was most clearly revealed in character roles, often negative. He was naturally musical, and although his voice was somewhat peculiar (husky), he sang a lot in films. Another merit of the director is that he transferred theatrical drama to cinema: film adaptations by Mikhail Bulgakov and John Boynton Priestley still attract the attention of the audience.

In a number of his films he acted as the author or co-author of scripts.

He gave a course of lectures “Film Directing” to students of the VKSR directing department[13].

He was a member of the Union of Cinematographers of the USSR and was a member of the CPSU (since 1948)[14].

In 1980, the film “Facts of the Past Day” was shot based on the story “Safety Techniques” by Yuri Skop, and in 1982 he was awarded the State Prize of the RSFSR named after the Vasiliev brothers. In 1983, Basov was awarded the title of People's Artist of the USSR.

In April 1983, Basov suffered a stroke, as a result of which he was almost completely paralyzed. Apparently this was a consequence of shell shock during the war. The director never managed to learn to walk fully and restore the motor functions of his left hand. To support Basov financially, he was given a position as a consulting director. And the very next year the film “Time and the Conway Family” was released.

He released his last film, Seven Screams in the Ocean, in 1986. Critics greeted the film rather coolly, which was the final blow for the director.

Vladimir Basov woke up in the early morning of September 17, 1987, began to shave, and at that moment he had a second stroke, from which he died right in front of his son Alexander. He was buried in Moscow at the Kuntsevo cemetery (site No. 10)[15]. Shortly before his death, he wrote the script for the film “The Mousetrap” based on the play by Agatha Christie. But he made the film, paying tribute to the memory of this great man, by his friend and film director Samson Samsonov[16].

Family[ | ]

• Mother - Alexandra Ivanovna, was the daughter of an Orthodox priest originally from Pokrovsk, in the 1920s she taught literacy and literature to peasant children, and worked as a secretary of a regional newspaper.
• Father - Pavel Basultainen, a Finn by nationality, a graduate of the University of Tartu, a Bolshevik revolutionary (the party nickname “Basov”, which later replaced his surname). He was an officer, commissar, fought in the cavalry of Vasily Chapaev, died in 1931, being the commander of a border outpost in Central Asia[6][17].
• The first wife is actress Rosa Ivanovna Makagonova (1927-1995), Honored Artist of the RSFSR (1976). There were no children in the marriage.
• Second wife (1958-1961) - actress Natalya Nikolaevna Fateeva (born 1934). People's Artist of the RSFSR (1980). In 1961, Vladimir and Natalya divorced due to Basov’s alcohol addiction and his constant jealousy[8]. Son - Vladimir Basov (born 1959), film director.

FILMOGRAPHY: ACTOR

• Impossible Woman (2018)
• Serious relationships (2013), TV series
• Beauty and the Beast (2012)
• 45 seconds (2012)
• Salami (2011)
• Love Therapy (2011)
• The Way Back (2010)
• Clinch (2008)
• Urgently to the room (2007), TV series
• Male Zigzag (1992)
• Wolfhound (1991)
• Hellspawn (1991)
• Wife for the head waiter (1991)
• The Parrot and His Investigator (1991)
• Take Action, Manya (1989)
• Accident - Cop's Daughter (1988)
• On a Familiar Street (1988)
• Business Trip (1988)
• Ship (1988)
• Somersault over your head (1987)
• Don't come without your son (1986)
• Strangers Don't Walk Here (1985)
• Dream in Hand, or Suitcase (1984)
• Through all the years (1984)
• First horse (1983)
• Quagmire (1977)
• Youths in the Universe (1974)
• Moscow-Cassiopeia (1973)

Filmography[ | ]

Actor[ | ]

• 1954 - School of Courage - Lieutenant-Adjutant
• 1955 - Collapse of the Emirate - Colonel
• 1957 - Incident at Mine Eight - episode
• 1963 - I walk around Moscow - floor polisher
• 1964 - Silence - driver
• 1965 - Thirty-three - museum director
• 1965 - Operation "Y" and other adventures of Shurik (short story "Partner") - a stern policeman
• 1966 - Travel (film almanac, short story "Breakfasts '43") - front-line passenger
• 1967 - Magician - variety actor
• 1968 - Shield and Sword (film No. 1 “Without the right to be yourself”) - intelligence officer Bruno
• 1968 - At Thirteen O'Clock (television film) - director in the studio
• 1969 - Crime and Punishment - Luzhin
• 1969 - Bridges over Oblivion - cafe visitor
• 1970 - Love for Three Oranges - Maestro Dapertutto
• 1970 - Wonderful character - Efimov
• 1970 - Running - Arthur Arturovich
• 1970 - Carousel - Vasily Smychkov, double bassist
• 1971 - Ilf and Petrov were traveling on a tram - Amateur
• 1971 - Return to Life - guitarist
• 1972 - Dangerous Turn - Charles Trevor Stanton
• 1972 - Cipollino - Prince Lemon
• 1973 - Big change - photographer
• 1973 - High rank (film No. 1 “I am T.P. Shapovalov” - Shumsky, intelligence officer
• 1973 - Dacha - Nikolai, dog breeder
• 1973 - Completely Lost - Huckleberry Finn's Dad
• 1973 - And on the Pacific Ocean... - head of the railway station
• 1973 - Nylon 100% - lawyer Kireev
• 1975 - Brother - Johann
• 1975 - Awww! (film almanac, short story “What is our life?! or what is our life?!”) - Andrei Stepanych (king)
• 1975 - Afonya - Vladimir Ivanovich, housing office employee
• 1975 - Sunrise over the Ganges - episode
• 1975 - Ivan and Colombina - storekeeper
• 1975 - Captain Nemo - Minister of the Navy Admiral Royer
• 1975 - Under the roofs of Montmartre - Frascatti, retired cavalry general, Minister of Fine Arts
• 1975 - The Adventures of Pinocchio - Duremar, leech seller
• 1975 - Step towards - Streshnikov
• 1976 - Sentimental novel - Gorodnitsky’s father
• 1976 - 100 grams for courage (film almanac), short story “According to the laws of hospitality” - Ruzhevsky, toastmaster
• 1976 - Days of the Turbins - staff captain Viktor Viktorovich Myshlaevsky
• 1977 - The sun, the sun again - director
• 1977 - About Little Red Riding Hood - the thin wolf
• 1977 - Nose - Doctor
• 1977 - For family reasons - Eduard Bubukin, apartment broker
• 1977 - We came to the chef competition - Vladislav Konstantinovich, dance and vocal teacher
• 1977 - Mimino - Sinitsyn, opera singer
• 1977 - Family circumstances - Andron
• 1977 - Funny people! — Deacon Avdiesov
• 1977 - The magical voice of Gelsomino - King Giacomon
• 1977 - Exchange - Leva
• 1977 - Open Book - Tanya's father
• 1978 - While the dream runs wild - Colonel Theodor Otsebyatnikov
• 1978 - Live in joy - swindler Marzipanov
• 1978 - Schedule for the day after tomorrow - Katya Shumeiko’s father
• 1978 - A dog walked along the piano - Gromov, airfield commander
• 1978 - New adventures of Captain Vrungel - Block Silent
• 1978 - A chest of drawers was driven through the streets, the short story "Chest of Drawers" - controller
• 1978 - Father Sergius - episode
• 1979 - Men and women - dentist
• 1979 - Grandmothers said in two... - Mikhail, inventor of the teleporter
• 1979 - Moscow does not believe in tears - Anton Kruglov, deputy head of the main department
• 1979 - Pani Maria - photographer
• 1979 - Foam - Kochevryazhkin
• 1979 - A trip through the city (film almanac) - Gavrilov, a visitor to attractions with his son
• 1979 - The Adventures of Electronics - Stump, Chief of Gangsters
• 1979 - The Suicide Club, or The Adventures of the Titled Person - Inspector Trenton
• 1979 - Punchy Man - Inventor
• 1980 - Evening labyrinth - chief
• 1980 - Tehran-43 - taxi driver
• 1981 - Vacation at your own expense - Evdokimov
• 1981 - The Woman in White - Louis, Sir Fairlie's Servant
• 1981 - Be My Husband - Vacationing on the Beach
• 1981 - Facts of the past day - Pyotr Danilych
• 1981 - Silva - General von Ronsdorff
• 1982 - We didn’t wait, we didn’t guess! — disinfectant
• 1982 - Saturday and Sunday (short film) - art teacher
• 1982 - Look for a woman - Monsieur Jacques Antoine, client
• 1982 - Premonition of love - excavator operator
• 1982 - Circus Princess - Pelican
• 1982 - Tale of Wanderings - lawyer
• 1982 - Urgent... Secret... Gubcheka - Blakein
• 1983 - Comet - Georgy Fomich Boklevsky
  (voiced by Alexander Lenkov)
• 1983 - The Trust That Broke - False Morgan
• 1984 - Time and the Conway Family - Ernest Beavers
• 1984 - Through all the years - episode
• 1985 - Goldfish - actor on stage

Director[ | ]

• 1953 - Parasite (television play, together with M. V. Korchagin and B. N. Lifanov)
• 1954 - School of Courage (together with M. V. Korchagin)
• 1955 - Collapse of the Emirate (together with L. A. Fayziev)
• 1956 - First joys
• 1956 - Extraordinary Summer
• 1957 - Incident at Mine Eight
• 1958 - Life passed me by
• 1959 - Golden House
• 1961 - Battle on the way
• 1964 - Silence
• 1964 - Blizzard
• 1968 - Shield and Sword
• 1971 - Return to life
• 1972 - Dangerous turn
• 1973 - Nylon 100%
• 1976 — Days of the Turbins
• 1981 - Facts of the past day
• 1984 - Time and the Conway Family
• 1986 - Seven Screams in the Ocean

Screenwriter[ | ]

• 1963 - Silence (together with Yu. V. Bondarev)
• 1964 - Blizzard
• 1968 - Shield and Sword (together with V. M. Kozhevnikov)
• 1971 - Return to life (together with M. S. Erzinkyan)
• 1972 - Dangerous turn
• 1973 - Nylon 100% (together with S. M. Shatrov)
• 1976 — Days of the Turbins
• 1981 - Facts of the past day (together with Yu. S. Skop)
• 1984 - Time and the Conway Family
• 1986 - Seven Screams in the Ocean
• 1990 — Mousetrap

Artistic director[ | ]

• 1970 - Guardian
• 1978 - A chest of drawers was driven through the streets (together with Leonid Gaidai)

Voiceover[ | ]

• 1960 - Queen of Spades
• 1961 - Battle on the way - voice of the announcer from the radio
• 1964 - Hockey players - a man in a buffet
  (role of V. L. Gulyaev)
• 1971 - The stars do not go out
• 1971 - Return to life - author's text
• 1973 - Much ado about nothing - Boraccio
  (role of V.V. Doveyko)
• 1973 - Hello, artist - Jean Rochefort
• 1979 - All Quiet on the Western Front
• 1982 - The Chosen - banker Laines

Voice acting for cartoons[ | ]

• 1975 - Vasilisa Mikulishna - Prince Vladimir
• 1976 - Brave Daredevil - Sorcerer
• 1977 - Little Thumb - Master
• 1978 - Legends of the Peruvian Indians - text from the author
• 1978 - The last bride of Zmey Gorynych - Zmey Gorynych
• 1981 - Topsy-Turvy - Devil Teacher
• 1982 - Little Imp No. 13 - devil teacher
• 1983 - New Year's song of Santa Claus - Santa Claus

Scoring of audio performances[ | ]

• 1978 - The incredible adventures of Pinocchio and his friends - Duremar

Archive footage[ | ]

• 1991 - Vladimir Basov - director, actor, person (from the TV series “Kinopanorama”)
• 1999 - Vladimir Basov (from the series of TV programs on the ORT channel “To Remember”) (documentary)
• 2003 - Vladimir Basov (from the TV series of the channel “Culture” “Islands”) (documentary)
• 2004 - Vladimir Basov (from the TV program series of the Culture channel “Legends of World Cinema”) (documentary)
• 2005 - Vladimir Basov (from the series of programs on the DTV channel “How the idols left”) (documentary)
• 2006 - Vladimir Basov. Duremar and the Beauties (documentary)
• 2013 - Vladimir Basov. Lionheart (documentary)