Evdokia Germanova beat her adopted son

Childhood years are wonderful, magical and the best

She came into this huge and not always kind world on the seventh day of May 1961 in Moscow. She grew up as a very kind, cheerful, active girl, and could rarely sit in one place for more than a quarter of an hour. The star of Russian cinema, the future actress Lyubov Germanova, whose biography arouses the natural interest of her fans, was still very young when she began to show her family scenes that she herself had invented.

Like many girls of that time, she sang in front of the mirror with a comb or a bottle of hairspray in her hand, and proudly wandered around the apartment in her mother’s high-heeled shoes. Everything indicated that the little girl really wanted to become a real actress.

Biography of Lyubov Germanova

Lyubov Alekseevna Germanova is a Soviet and Russian actress, known to viewers from the films “At the Beginning of Glorious Deeds,” “Mio, My Mio,” “Kix,” “KostyaNika. Summer Time”, etc. But even those who have not seen her in films are probably familiar with her voice - Lyubov has several hundred works as a dubbing actress (in particular, Dana Scully from “The X-Files” speaks in her voice), she is one of the most popular announcers on Russian TV.

Actress Lyubov Germanova

First steps in art

She had her debut role a long time ago; she was still a teenager and could go onto the set under the spotlight without fear. This is probably what should have happened, because she played not alone, but with her older sister, also an actress Evdokia Germanova. After all, life is an amazing thing, and the fact that two talented girls were born into the same family is some kind of gift from above, for which their parents were always grateful to fate. Now Lyuba’s dream is gradually starting to come true, so she doesn’t doubt for a minute that she needs to study to become an actress. Here, apparently, not only the girl’s knowledge played a very important role, but also her desire and desire to become what she eventually became.

An excerpt characterizing Germanov, Evdokia Alekseevna

Prince Vasily decided that this bone, a bill of 30 thousand, had to be thrown to the poor princess so that it would not occur to her to talk about Prince Vasily’s participation in the mosaic portfolio business. Pierre signed the bill, and from then on the princess became even kinder. The younger sisters also became affectionate towards him, especially the youngest, pretty, with a mole, often embarrassed Pierre with her smiles and embarrassment at the sight of him. It seemed so natural to Pierre that everyone loved him, it would seem so unnatural if someone did not love him, that he could not help but believe in the sincerity of the people around him. Moreover, he did not have time to ask himself about the sincerity or insincerity of these people. He constantly had no time, he constantly felt in a state of meek and cheerful intoxication. He felt like the center of some important general movement; felt that something was constantly expected of him; that if he didn’t do this, he would upset many and deprive them of what they expected, but if he did this and that, everything would be fine - and he did what was required of him, but something good remained ahead. More than anyone else at this first time, Prince Vasily took possession of both Pierre’s affairs and himself. Since the death of Count Bezukhy, he has not let Pierre out of his hands. Prince Vasily had the appearance of a man weighed down by affairs, tired, exhausted, but out of compassion, unable to finally abandon this helpless young man, the son of his friend, to the mercy of fate and the swindlers, apres tout, [in the end,] and with such a huge fortune. In those few days that he stayed in Moscow after the death of Count Bezukhy, he called Pierre to himself or came to him himself and prescribed to him what needed to be done, in such a tone of fatigue and confidence, as if he was saying every time: “Vous savez, que je suis accable d'affaires et que ce n'est que par pure charite, que je m'occupe de vous, et puis vous savez bien, que ce que je vous propose est la seule chose faisable.” [You know, I'm swamped with things; but it would be merciless to leave you like that; Of course, what I’m telling you is the only possible one.] “Well, my friend, tomorrow we’re going, finally,” he told him one day, closing his eyes, running his fingers over his elbow and in such a tone as if what he was saying was it was decided long ago between them and could not have been decided otherwise. “We’re going tomorrow, I’ll give you a place in my stroller.” I am very happy. Everything important is over here. But I should have needed it a long time ago. This is what I received from the chancellor. I asked him about you, and you were enlisted in the diplomatic corps and made a chamber cadet. Now the diplomatic path is open to you. Despite the strength of the tone of fatigue and the confidence with which these words were spoken, Pierre, who had been thinking about his career for so long, wanted to object. But Prince Vasily interrupted him in that cooing, bassy tone that excluded the possibility of interrupting his speech and which he used when extreme persuasion was necessary. - Mais, mon cher, [But, my dear,] I did it for myself, for my conscience, and there is nothing to thank me for. No one ever complained that he was too loved; and then, you are free, even if you quit tomorrow. You will see everything for yourself in St. Petersburg. And it’s high time for you to move away from these terrible memories. – Prince Vasily sighed. - Yes, yes, my soul. And let my valet ride in your carriage. Oh yes, I forgot,” Prince Vasily added, “you know, mon cher, that we had scores with the deceased, so I received it from Ryazan and will leave it: you don’t need it.” We will settle with you. What Prince Vasily called from “Ryazan” were several thousand quitrents, which Prince Vasily kept for himself. In St. Petersburg, as in Moscow, an atmosphere of gentle, loving people surrounded Pierre. He could not refuse the place or, rather, the title (because he did nothing) that Prince Vasily brought him, and there were so many acquaintances, calls and social activities that Pierre, even more than in Moscow, experienced a feeling of fog and haste and everything coming, but some good not happening. Many of his former bachelor society were not in St. Petersburg. The guard went on a campaign. Dolokhov was demoted, Anatole was in the army, in the provinces, Prince Andrei was abroad, and therefore Pierre was not able to spend his nights as he had previously liked to spend them, or to occasionally unwind in a friendly conversation with an older, respected friend. All his time was spent at dinners, balls and mainly with Prince Vasily - in the company of the fat princess, his wife, and the beautiful Helen. Anna Pavlovna Scherer, like others, showed Pierre the change that had occurred in the public view of him. Previously, Pierre, in the presence of Anna Pavlovna, constantly felt that what he was saying was indecent, tactless, and not what was needed; that his speeches, which seem smart to him while he prepares them in his imagination, become stupid as soon as he speaks loudly, and that, on the contrary, the stupidest speeches of Hippolytus come out smart and sweet. Now everything he said came out charmant. If even Anna Pavlovna did not say this, then he saw that she wanted to say it, and she only, in respect of his modesty, refrained from doing so. At the beginning of the winter from 1805 to 1806, Pierre received from Anna Pavlovna the usual pink note with an invitation, which added: “Vous trouverez chez moi la belle Helene, qu'on ne se lasse jamais de voir.” [I will have a beautiful Helen, whom you will never tire of admiring.] Reading this passage, Pierre for the first time felt that some kind of connection had formed between him and Helen, recognized by other people, and this thought at the same time frightened him, as if an obligation was imposed on him that he could not keep, and together he liked it as a funny assumption. Anna Pavlovna's evening was the same as the first, only the novelty that Anna Pavlovna treated her guests to was now not Mortemart, but a diplomat who had arrived from Berlin and brought the latest details about the stay of Emperor Alexander in Potsdam and how the two highest each other swore there in an indissoluble alliance to defend the just cause against the enemy of the human race. Pierre was received by Anna Pavlovna with a tinge of sadness, which obviously related to the fresh loss that befell the young man, to the death of Count Bezukhy (everyone constantly considered it their duty to assure Pierre that he was very upset by the death of his father, whom he hardly knew) - and sadness exactly the same as the highest sadness that was expressed at the mention of the august Empress Maria Feodorovna. Pierre felt flattered by this. Anna Pavlovna, with her usual skill, arranged circles in her living room. The large circle, where Prince Vasily and the generals were, used a diplomat. Another mug was at the tea table. Pierre wanted to join the first, but Anna Pavlovna, who was in the irritated state of a commander on the battlefield, when thousands of new brilliant thoughts come that you barely have time to put into execution, Anna Pavlovna, seeing Pierre, touched his sleeve with her finger. – Attendez, j'ai des vues sur vous pour ce soir. [I have plans for you this evening.] She looked at Helen and smiled at her. – Ma bonne Helene, il faut, que vous soyez charitable pour ma pauvre tante, qui a une adoration pour vous. Allez lui tenir compagnie pour 10 minutes. [My dear Helen, you must be compassionate towards my poor aunt, who has adoration for you. Stay with her for about 10 minutes.] And so that you don’t get too bored, here’s a dear count who won’t refuse to follow you. The beauty went to her aunt, but Anna Pavlovna still kept Pierre close to her, appearing as if she had one last necessary order to make. – Isn’t she amazing? - she said to Pierre, pointing to the majestic beauty sailing away. - Et quelle tenue! [And how she holds herself!] For such a young girl and such tact, such a masterful ability to hold herself! It comes from the heart! Happy will be the one whose it will be! With her, the most unsecular husband will involuntarily occupy the most brilliant place in the world. Is not it? I just wanted to know your opinion,” and Anna Pavlovna released Pierre. Pierre sincerely answered Anna Pavlovna in the affirmative to her question about Helen’s art of holding herself. If he ever thought about Helen, he thought specifically about her beauty and about her unusual calm ability to be silently worthy in the world. Auntie accepted two young people into her corner, but it seemed that she wanted to hide her adoration for Helen and wanted to more express her fear of Anna Pavlovna. She looked at her niece, as if asking what she should do with these people. Moving away from them, Anna Pavlovna again touched Pierre’s sleeve with her finger and said: “J’espere, que vous ne direz plus qu’on s’ennuie chez moi, [I hope you won’t say next time that I’m bored],” and looked at Helen. Helen smiled with an expression that said that she did not admit the possibility that anyone could see her and not be admired. Auntie cleared her throat, swallowed her drool and said in French that she was very glad to see Helen; then she turned to Pierre with the same greeting and with the same mien. In the middle of a boring and stumbling conversation, Helen looked back at Pierre and smiled at him with that clear, beautiful smile with which she smiled at everyone. Pierre was so used to this smile, it expressed so little for him that he did not pay any attention to it. Auntie was talking at this time about the collection of snuff boxes that Pierre’s late father, Count Bezukhy, had, and showed her snuff box. Princess Helen asked to see the portrait of her aunt's husband, which was made on this snuff box.

Two sisters - two different starts in life...

The future actress Lyubov Germanova overcame all the obstacles, difficulties and difficulties with ease. Now she was an acting student. Here she was much luckier than her older sister, because they had one dream between them. But Evdokia for a very long time did not manage to enter GITIS, where she so wanted to study. Then there were six long years of fruitless attempts.

Lyubov's older sister turned out to be very strong and persistent. Even in this difficult situation, she did not change her decision. Evdokia worked a little in the theaters of the capital even before entering the university. It was there that Oleg Tabakov noticed her, who immediately believed in the girl’s talent and invited her to his course. After the eldest Germanova graduated from GITIS, Oleg Pavlovich offered her a place in his theater.

Childhood and adolescence

Lyubov Germanova was born and raised in an intelligent Moscow family. Her father, Alexey Germanov, is a researcher, traveler, doctor of geological sciences. Mom, Galina Dashkevich, is a researcher. Lyubov has a 2-year older sister, Evdokia, who also became an actress.

Lyubov Germanova and her sister Evdokia Germanova (left)

The father left the family when the daughters were very young. Mom turned out to be absolutely unsuited to independent life, so the family lived quite modestly. But guests often gathered in the house, funny skit parties were held, performances were staged, in which the girls took an active part.

Lyubov Alekseevna Germanova

Despite the difference in character (Lyuba is quiet and calm, Dusya is eccentric and eccentric), both decided in early childhood that they would become actresses in the future. After graduating from school, Lyubov entered the acting department of VGIK on the first try, unlike her older sister, who became a student at GITIS only on the sixth attempt.

Lyubov Germanova in her youth

At the institute, Lyuba took a course with Sergei Gerasimov and Tamara Makarova, who hospitably opened the doors to the magical world of cinema for her. They taught the young actress to competently use all the data that nature had generously endowed her with, including her voice. The skills acquired at VGIK were very useful to Lyuba in the future - ten years later she became the recognized “queen of dubbing.”

In 1982, the young actress successfully graduated from university and began actively acting in films.

The life of a student is not only hard, but also surprisingly interesting.

After admission, Lyubov Germanova becomes a student at an educational institution known throughout the Soviet Union. This is the famous VGIK. The choice she had been making for a long time was not made by chance: the film industry occupied a special place in her heart. Germanova also loved the theater, but the cinema overshadowed everything. Perhaps this happened because her first “cinema” experience was connected precisely with the filming of a film, and not with a theatrical production. In any case, it was her decision.

Having become a student, Lyubov Germanova, whose personal life raises constant questions among her fans, began studying with the greatest teachers of the last century - director Sergei Apollinarievich Gerasimov and actress Tamara Fedorovna Makarova. She will remember this time forever, because it was during these years that she received an endless amount of valuable advice that she still uses in her work today.

The beginning of a creative journey

The actress first appeared on the set at the age of fifteen, playing in two youth films - “The Intern” and “Minors.” She was delighted with the atmosphere reigning there and with the opportunity to show her characters quite vividly. Therefore, the issue of admission was resolved once and for all. And it should be noted that she never regretted it.

After graduating from VGIK, Germanova manages to act a lot. Today she has over 60 roles in her film collection. Despite the fact that these are mainly supporting roles, the actress is easily remembered for her ability to create interesting, rich images. She seems to get used to her characters, for a moment she lives their lives, adding something very subtle, but important from herself.

Creative achievements

She played for the first time in the films “Minors” and “The Intern”. Then the young actress Lyubov Germanova barely celebrated her fifteenth birthday. Her first works were aimed at a youth audience. Then she was overwhelmed by a whirlwind of delight from what was happening on the set, from the atmosphere that constantly lifted her spirits, from the fact that she had the opportunity to play her characters very brightly and talentedly.

This is how Lyubov Germanova began her journey in the film industry. The personal life, husband, and children of this wonderful actress are of great interest to viewers, those who have seen firsthand her genius. But failure awaits everyone here: the actress’s biography is hidden from prying eyes. And this is no coincidence.

Remembering the persecution that overtook her older sister, associated with the return of the adopted boy back to the orphanage, Germanova Jr. understood that she had done absolutely the right thing when, from the very beginning of her career, she set for herself the only and unshakable rule: never let anyone into your life outsider. Therefore, no matter how much the audience would like to know even the slightest nuances of her life, it is practically impossible to do this.

Other theatrical works

The actress worked at Oleg Tabakov's studio theater for more than 30 years. She played in the plays “The Inspector General”, “At the Bottom” and in many others. At the same time, she was involved in the productions of the Chekhov Theater “The Cherry Orchard” and “Mozart’s Last Mistake.”

One day, Evdokia Germanova went abroad, promising Tabakov to return at a certain time. However, she was late, disrupting the rehearsal of the new performance. Tabakov fired her. True, he restored it a few years later. Soon the actress received the title of Honored Artist.

Filming, filming, filming...

So, after her first films, being deeply impressed by everything that was happening, the question of where she should go, Lyubov Germanova decided once and for the rest of her life. Never, later recalling her long thoughts on this matter, did she regret the decision she made.

After receiving a diploma from VGIK, Germanova was very lucky: roles literally poured into her as if from a cornucopia. And she does not refuse the offers she receives, being confident that each role she plays will only add to her skill. Lyubov Germanova treated every character she played with great trepidation. Personal life, husband, children may have seemed a little less important to her than filming. Because she could no longer imagine her life without work.

Creation

Roles in the theater

Moscow Theater-Studio directed by Oleg Tabakov

• "The Lark" by J. Anouilh - Joan of Arc
• “Psycho” A. Minchin - Lina Dmitrievna
• “Hole” A. Galina - Pardo
• "Biloxi Blues" by N. Simon - Daisy
• "Faith. Love. Hope" by E. von Horvath - Elisabette
• “The Inspector General” by N. V. Gogol - Anna Andreevna
• “Overstocked barrels” by V. P. Aksenov. Director: Evgeny Kamenkovich
  -
  Stepanida Efimovna
• “The Trial” by F. Kafka. Director: Konstantin Bogomolov
  -
  Frau Grubach, Director of the Chancellery

Moscow Art Theater named after. A. P. Chekhova

• “The Cherry Orchard” by A. P. Chekhov (director: Adolf Shapiro
  ) -
  Charlotte Ivanovna, governess

Filmography

1. 1975 - Waiting for a miracle - Sidorkin’s daughter
2. 1976 - Minors - Vera
3. 1976 - Prank - Dasha Rozanova
4. 1976 — Trainee
5. 1977 - Return of the Son - Tonya
6. 1977 - Portrait with rain - Marina Kulikova
7. 1979 - Scenes from family life - Lilya, Katya’s friend
8. 1980 - Order yourself - Nadya Romashkina
9. 1982 - Stovemakers - Lelya, wife of Alexei Trofimovich
10. 1982 - Wedding gift - Oksana
11. 1985 - It is not given to us to predict... (short story from the film “Manka”) - Tanya Ageeva
12. 1987 - Chair / Kreslo
    -
    Darling
13. 1987 - Is this us? - She
14. 1987 — Portraits of men
15. 1988 - Commentary on the petition for clemency - Redhead
16. 1988 - New Adventures of a Yankee at the Court of King Arthur - Sandy
17. 1988 - Incident in Utinoozersk - Albina Vasilievna
18. 1989 - Here it is - freedom! — Dusya
19. 1989 - Life according to the limit - Svetka
20. 1989 - Crazy - Vera
21. 1991 - Inner circle - teacher in an orphanage
22. 1991 - Kix - Zhanna Plavskaya
23. 1991 - Dead without burial, or Rat Hunt
24. 1991 - Niagara - Larisa (“Niagara”)
25. 1991 - Staru-ha-rmsa - lady
26. 1992 - Pasta of Death, or Professor Buggensberg's Mistake - Sonya Zolotaya Ruchka
27. 1993 - The Cherry Orchard - Charlotte
28. 1993 - Method of Murder - Virginia Dodge
29. 1994 - Hammer and Sickle - Vera Raevskaya
30. 1995 - Muslim - Verka
31. 1998 - Falling Up
32. 2000 - Own shadow - Rita
33. 2001 - Detectives - Daria
34. 2001 - Beard with glasses and warthog - Tuzik
35. 2001 - 2004 - Rostov-Papa - client of the poet
36. 2002 - Main roles - Russo
37. 2003 - Barbarian - Witch
38. 2003 - Dasha Vasilyeva. Private investigation lover - Jacqueline
39. 2003 - The best city on Earth - Chusova
40. 2003 - Give me life - Natasha, Olga’s mother
41. 2003 - Spas under the birches - Tamara Sugrobova, “Lyubov Orlova”
42. 2004 - My big Armenian wedding - Lilya
43. 2004 - Russian - Raisa Fedorovna, Ed's mother
44. 2004 - Narrow Bridge
45. 2004 - 2005 - Be careful, Zadov! - sister
46. 2005 - Time to collect stones - Nyura
47. 2005 - Psycho - Lina Dmitrievna, killer doctor
48. 2006 - Hunter - Valentina, the witch
49. 2006 - The color of the sky - woman with a pin
50. 2007 - Vanechka - director of an orphanage
51. 2007 - Lilac branch - Satine
52. 2007 - 2009 - Fire of Love - Claudia / Aunt Katya
53. 2008 - It shines and it warms (director’s course work by Olga Kormukhina)[5]
54. 2008 - Girl - Irina Vadimovna Yartseva, Lena’s mother
55. 2008 - Inheritance - Valentina Semyonovna, Sergei’s mother
56. 2008 - New Year's family - Natalya Stepanovna Stargorodskaya
57. 2008 - Prank - Taya's mother
58. 2009 - Barvikha - Jeanette, cleaning lady
59. 2009 - Zhurov - Amalia Berulava, circus performer
60. 2009 - Roof - Baba Nyura
61. 2010 - Bachelorette party - Albina Matveevna
62. 2010 - House of the Sun - head of a tourist group
63. 2010 - Marry a millionaire! — Klara Stepanovna, Semyon’s mother
64. 2010 - Zoya
65. 2010 - Everyone has their own war - Aunt Katya
66. 2010 - Death in pince-nez, or Our Chekhov - Charlotte
67. 2010 - Number forty-third - Andrei’s mother
68. 2010 - Flowers from Lisa - Margarita Nikolaevna
69. 2010 - Once upon a time there lived a woman - Feklusha
70. 2011 - For life - Lucy
71. 2015 - Ladies Disappear at Midnight

From the roles of simple girls to the roles of countesses and queens

Today, the actress’s creative baggage includes over six dozen diverse roles. It is impossible not to clarify that most often these are supporting roles, but Lyubov Germanova could very easily and quickly be remembered by the audience thanks to her ability to create characters in which real human emotions and feelings lived. In some incomprehensible way, she managed to get used to them, live their lives right on the set, very carefully adding something very important and almost imperceptible from herself.

Her first great fame came in the early eighties, when Germanova was invited to play the role of Evdokia Lopukhina, the last Russian queen (really the last, because after her only empresses ascended the throne) and the first wife of Peter the Great. In a sense, it was a rather labor-intensive role, because first it was necessary to play the fear of marriage, then the short happiness of marriage, then being forcibly tonsured as a nun. But Lyubov Germanova played everything just perfectly. She then starred in two historical films of Soviet-German production, which viewers still watch with undying interest: “The Youth of Peter” and “At the Beginning of Glorious Deeds.”

Recognition and awards

• 1986 - V All-Union Festival of Young Cinematographers: Grand Prix for Best Actress
  in the film “We Can’t Predict” (1985) dir. O. Narutskaya
• 1991 - Kiev International Film Festival "Molodist": Audience Award and Jury Prize for Best Actress
  in the film "Niagara" (1991) dir. A. Vizier
• 1992 - IFF in Karlovy Vary: Grand Prix "Crystal Globe" for best actress
  in the film "Kix" (1991) dir. S. Livneva
• 1992 — Film Festival “Constellation”: Main prize for best actress
  in the film “Kix”
• 1994 - Thessaloniki International Film Festival: Special Jury Mention
  (film Hammer and Sickle)
• 1995 - Honored Artist of Russia[1]
• 2000 - Winner of the International Stanislavsky Prize for the role of Nastya
  in the play “At the Lower Depths” by M. Gorky
• 2002 - Vera Kholodnaya Prize as the most graceful actress

“I play not only with my face, but also with my voice”

After that, several more times she had to work on the set for foreign films. And actress Lyubov Germanova always coped well with this. The biography and relatives of this restless woman are closely connected with cinema. Every year Lyubov gets a new role, and her older sister is also a famous actress.

Pictures in which Germanova played:

• Norwegian fairy tales “And trees grow on stones” and “Mio, my Mio”;
• Hungarian biographical drama “The Kalman Mystery”;
• Czech comedy "Trespassers Allowed".

The actress was a saleswoman and a housewife, a secretary and a teacher. Until the mid-nineties, she constantly went on the set, and then Lyubov Germanova’s career gradually began to decline.

Recently, she has been devoting all her energy to voice acting, often working with foreign-made films. The actress says that for her, dubbing is no easier than filming, because speaking phrases on behalf of the character, she has to get used to the new image in the same way. In addition, she carefully ensures that her speech and the acting of the actors in the frame are in full compliance. Over the years, she has voiced dozens of foreign film stars. But her favorite job was and remains the role of Jessica Fletcher in the detective series “Murder, She Wrote.”

Filmography: Actress

• This Summer and Forever (2019)
• Raya knows everything! (2019), TV series
• Law of Conservation of Love (2018)
• A decent family will rent out a room (2018)
• Heartbreak Festival (2017)
• Sphinxes of the Northern Gate (2018)
• Chocolate Factory (2017)
• Truffle Dog (2017), mini-series
• Exes (2017)
• Altar of Tristan (2017), mini-series
• Prompter (2017), mini-series
• Tales of the Rublevsky Forest (2017)
• Angel Bait (2017), TV series
• House at the Last Lantern (2017), mini-series
• Faith (2017), mini-series
• Anna Karenina (2017), TV series
• Fulcrum (2017), TV series
• Diamonds of Circe (2017)
• Pearls (2016), TV series
• Marry Pushkin (2016), TV series
• Walkins of Misfortune (2016), mini-series
• Breaking the Rules (2015), mini-series
• Mother-in-law's Diary (2015), TV series
• Diary of Louise Lozhkina (2015), TV series
• Kings can do anything (2015), TV series
• Fizruk (2014-2016)
• With an Open Heart (2014), short film
• Be yourself (2014)
• Happy Woman's Husband (2014)
• Broken Fates (2013), mini-series
• Physics or Chemistry (2011), TV series
• Daddies (2011), TV series
• Milkmaid from Khatsapetovka-3 (2011), TV series
• Detective Samovarov (2011), TV series
• Institute of Noble Maidens (2010), TV series
• Wayfarers-2 (2010), TV series
• Cuckoo (2010), mini-series
• Doctor Tyrsa (2010), TV series
• I am Wolf Messing (2009)
• Russian Cross (2009), mini-series
• Diagnosis: love (2009)
• Two sisters-2 (2009), TV series
• Milkmaid from Khatsapetovka. Challenge to fate (2008), TV series
• The Life That Never Was (2008), TV series
• Two sisters (2008), TV series
• The Perfect Victim (2007) short
• Ivan Podushkin. Gentleman of Detective 2 (2007), mini-series
• Detectives-5 (2006), TV series
• Daddy's boy (2006), TV series
• Stone berry. Summertime (2006)
• The Devil in the Rib, or the Magnificent Four (2006), TV series
• Shadow Partner (2005)
• Two destinies-2. Blue Bloods (2005), TV series
• Classic Head (2005)
• Opera-1. Homicide Chronicles (2004), TV series
• Godson (2004), TV series
• Gemini (2004), TV series
• Happy New Year with a new happiness! (2003)
• Give Me Life (2003), TV series
• Cobra. Anti-terror (2003), TV series
• Evlampia Romanova. The investigation is conducted by amateur-1 (2003), TV series
• Little Girl (2002), film-play
• House for the Rich (2002)
• Family Secrets (1999)
• Le Chaim (1998), short
• Two Steps from Heaven (1998), short film
• The President and his woman (1996)
• A Play for the Passenger (1995)
• Until the Thunder Rolls (1991)
• Kix (1991)
• Stepan Sergeich (1989)
• Revenge (1989)
• His Battalion (1989)
• Name (1988)
• The Will of the Universe (1988)
• Trespassing Allowed (1987)
• Mio, my Mio (1987)
• Golden Wedding (1987)
• Peter the Great (1986)
• Summer Impressions of Planet Z (1986)
• Wasn't there (1986)
• My sister Lucy (1985)
• Farewell of the Slav (1985)
• And Trees Grow on Stones (1985)
• Almost the same age (1984)
• Very Important Person (1984)
• The Riddle of Kalman (1984)
• Among a thousand roads (1983)
• Deception (1983)
• People of my village (1983)
• Born of the Storm (1981)
• Scream of Silence (1981)
• Hey! (1981), short film
• This guy is back... (1981)
• Peter's Youth (1980)
• At the Beginning of Glorious Deeds (1980)
• Temptation (1978)
• Screwtape (1978)
• The Intern (1976)
• The Minors (1976)

Germanova today

Lyubov Germanova still continues to make her significant contribution to art. Personal life, husband, children, photos of the whole family or each individual are of endless interest to numerous ordinary people. But to this day, the actress is in no hurry to lift the veil of secrecy. She started acting again: the TV series “The Milkmaid from Khatsapetovka”, “Doctor Tyrsa”, “Fizruk”... At the same time, she, like millions of other women, after work, rushes to the store, does cleaning, washing, ironing and admits that she It’s terribly lucky that only the husband cooks in their family.

THE GERMANOV SISTERS NOW

Evdokia and Lyubov Germanov
The Germanov sisters were never particularly friendly. Each had their own parallel life. Perhaps, given Evdokia’s character, she quarreled with both her sister and mother. But not once did these women wash their dirty laundry in public.

Typically, both are very private people in their personal lives. It is known about Evdokia that after the adoption story, she finally married a man with a similar surname - Sergei German, a former actor. This marriage quickly fell apart. But nothing is known about Lyubov. She very diligently protects her family from prying eyes.

Now Evdokia plays in the theater, and has also found herself in teaching. And Lyubov acts in films a lot, without abandoning dubbing, in which she is already a recognized master.

Life today is...

Today, Germanova Lyubov Alekseevna, whose personal life previously and now remains behind a veil of secrecy, is considered the most sought-after specialist for directors who control the dubbing of films. It should be noted that among many female voices, Germanova is the untitled queen of dubbing.

Over the past few years, Germanova Lyubov Alekseevna, her husband, whose children are never discussed in the press, has returned to television screens. She delighted her fans with interesting roles in the melodrama “The Milkmaid from Khatsapetovka”, where she played the role of the tough housekeeper Regina Balzac, capable of monstrous acts. For the sake of her master's son, she could literally do anything. In the series about medical workers “Doctor Tyrsa” she very successfully managed to create the image of the wife of one of the main characters. In the comedy series about a physical education teacher, viewers recognized her as the sister of Dmitry Nagiyev’s character.

It probably seems very strange that although Germanova is quite famous and popular, she has never flaunted her life outside the set. All this is still kept in the strictest confidence from curious journalists by Lyubov Alekseevna Germanova. Children, as well as a loved one, are an always taboo topic that she does not allow to be raised.