The beloved of the actor of the series "Capercaillie" Mikhail Solodko suspects him of infidelity after she was diagnosed with cancer

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Biography

Born on February 7, 1967 in Chisinau. In 1984, he graduated from school and entered the drama and film acting department of the theater faculty of the Saratov State Conservatory. L. V. Sobinova (workshop of V. Z. Fedoseev)

After graduating from three courses at the theater department in 1987, he was drafted into the ranks of the USSR Armed Forces, and after serving for two years he was transferred to the reserve.

In 1989 he was reinstated as a student at the SGC. them. Sobinova. At his personal request, he was enrolled, with the loss of two courses, in a course with V.Z. Fedoseev.

In 1992, he graduated from the theater department and was accepted as an actor into the troupe of the Moscow Atrium Theater Studio, where he worked until 1998. Simultaneously with his work at the Atrium Theater, in 1992 he worked as an actor in the Association of Non-State Theaters cooperative.

In 1993, he became interested in equestrian sports, and in 1997 he received a sports category in show jumping.

In 1993, he was enrolled in the Aquatruck stunt school under the leadership of Yu. Salnikov and took a fencing course from the world saber champion Pyotr Anatolyevich Rensky.

In 1997, he worked in Andron Sergeevich Mikhalkov-Konchalovsky’s production dedicated to the 850th anniversary of Moscow, which was shown on Vasilyevsky Spusk on September 5 of the same year.

In 1998, he was hired as an actor under a contract at the Moscow theater “Et Cetera” under the direction of A. A. Kalyagin.

In 1999, he left the theater and decided to devote his life entirely to cinema.

He worked as a stuntman in the films Wedding, Night Watch, Two Fates, Twins, Penal Battalion. Performed stunts in the film Loving in Russian 3: The Governor.

Actor

Theater

In 1992, Mikhail Solodko was enrolled in the troupe of the Moscow Atrium Theater Studio. He played there for several years. Also in 1992, the actor served in the Association of Non-State Theaters cooperative.

In 1998, Solodko moved to the Et Cetera theater under the direction of A. A. Kalyagin and worked there under a contract for one year.

Films and TV series

After leaving the theater, Mikhail focused on working in cinema. He began with episodes in the TV series “The Files of Detective Dubrovsky” and “Simple Truths” and has since acted regularly: several films with his participation are released every year. Mostly, the artist plays supporting roles, but there are also larger ones - Chirkash in the series “Forester”, Ryma in the thriller “Sliding”, Nikolai Kalashnikov in the series “UGRO. Simple guys”, Sasha Silin in “Sarmat”. It is interesting that Mikhail Solodko was first invited as a stuntman in the action adventure film Sarmat with Alexander Dedyushko.

Among the artist’s recent works are roles in such well-known projects as “Sklifosovsky-4” (EMERCOM employee), “Method” (Rubel), “Investigator Tikhonov” (false policeman). In total, Mikhail Solodko has more than 100 roles in films and TV series.

Based on materials from the sites kino-teatr.ru, rusactors.ru, ru.wikipedia.org

Filmography

• 1999 - D.D.D. Dossier of detective Dubrovsky - “Bob”
• 1999 - The President and his granddaughter - a guy with beer
• 1999 - Simple truths - terrorist
• 2000 - Moscow - FSB agent
• 2001 - People and Shadows - Hooligan
• 2001 - Nina. Payback for love - security guard
• 2001 - Fatalists - operative
• 2002 - Main roles - episode
  (uncredited)
• 2002 - Star - episode
• 2002 - Men's work 2 - truck driver
• 2002 - Oligarch - policeman at the cemetery
• 2002 - Russian Amazons - cadet
• 2003 - Lawyer - episode
  (film “Alibi for the Queen”)
• 2003 - Angel on the roads - driver Lech
• 2003 - Cobra - episode
  (film “Countdown”)
• 2003 - Magnetic storms - episode
• 2003 - Ambulance - bandit “Karas”
  (series “False Call”)
• 2003 - Return of Mukhtar - hunter
  (series “Star Hunt”)
• 2003 - Operational pseudonym - Semyon’s brother
• 2003 - Guys from our city - episode
• 2003 - Taxi Driver
• 2003 - Frenchman - episode
• 2004 - Return of the Titanic 2
• 2004 - Keys to the Abyss - thief from Kulebyak
• 2004 - MUR is MUR - episode
  (uncredited)
• 2004 - On the corner, at Patriarchal 4 - bartender
• 2004 - Against the flow - lumberjack
• 2004 - Sarmat - Sasha Silin
• 2004 - Blind - “Bayonet”
• 2004 - Detectives 3 - Dmitry Burtsev
  (film “Benefit”)
• 2004 - Estate - driver - stuntman
• 2004 - Penal Battalion - episode
• 2005 - Shadowboxing - episode
• 2005 - 9th company - officer from the military registration and enlistment office
• 2005 — Adventuress — episode
  (film “White PR”)
• 2005 - Alexander Garden - episode
• 2005 - Boomer. Film two - episode
• 2005 - Echelon - episode
• 2005 - MUR is MUR 3 - a man with an anchor tattoo
• 2005 - Not by Bread Alone - episode
• 2005 - Hunting for wapiti - episode
• 2005 - Diva - episode
• 2005 - Satisfaction - episode
• 2005 - Kulagin and partners - episode
• 2006 - In the first circle - Sidorov, prisoner
• 2006 - Challenge - bandit
  (film “Reflection”)
• 2006 - Main Caliber - episode
• 2006 - Carambol
• 2006 - Bodyguard - “Shepel”
  (film “Non-Children’s World”)
• 2006 - Hijacking - episode
  (series “Heart to Order”)
• 2007 - Vanechka - Vitalik
• 2007 - Experts - Stanislav Nepryaev
  (series “Sunny Side”)
• 2007 - Trap - episode
• 2007 - Matchmaker - Anton
  (series “About Love”)
• 2007 - Servant of the Sovereigns - Russian soldier
• 2007 - Trust Service - Georgy, pimp
• 2007 - UGRO - Nikolai Kalashnikov, investigator
• 2008 - UGRO 2 - Nikolai Kalashnikov, investigator
• 2008 - Capercaillie - homeless person "Moscow"
• 2008 - Girl - escort
• 2008 - Open up, police! — episode
• 2008 - Alias ​​"Albanian" 2 - Merkushin (bandit "Merkusha")
• 2008 - Soldiers. New call - episode
• 2009 - Silent Witness 3 - Osipov
  (series “On the Train Track”)
• 2009 - Hot news - special forces commander
• 2009 - Isaev - episode
• 2009 - Lair of the Serpent - Avdey
• 2009 - Gift of fate - a man in civilian clothes
• 2009 - Bullet - fool 2 - operative
• 2009 - Demoted - fugitive
• 2009 - Hour of Volkov - Alik
  (series “Ice”)
• 2010 - Bros 2 - “Volokh”
• 2010 - Ninth Department - Bashkirtsev, crime boss
• 2010 - Tough Love - Taxi Driver
• 2010 - Signs of Fate (Avenger series)
• 2010 - Abode - Victor's driver
• 2010 - Dark World - driver
• 2010 - Sliding (short film) - Ryma
• 2010 - Chasing the Shadow - Andrey Pavlov
• 2011 - Home - “Shovel”
• 2011 - Forester - Egor Chirkash
• 2011 - Manna from heaven - Kolya Zaichikhin, truck driver
• 2011 - Hour of Volkov - Akhontov
  (series “Remember Me”)
• 2011 - Emergency - Olga's husband
• 2012 - Undercover - Leonid Glotov (“Glot”), head of the Security Service
• 2012 - Heart of the Enemy - Prisoner
• 2013 - Teacher in Law 3. Return - Killer Bison
• 2014 - Gentlemen-comrades - “Crutch”
• 2015 - Sliding (dir. Anton Rosenberg) - Ryma
• 2015 - Method - Rubel
• 2016 - Investigator Tikhonov - bandit

Film roles

In 1999, Solodko made his film debut. Director Alexander Muratov, noticing the creative potential in the young actor, offered Misha the role of a watchman nicknamed “Bob” in the criminal television series “D.D.D. Detective Dubrovsky's file." In the same year, the actor was offered other roles, which he performed very skillfully, vividly and authentically. You can see Misha Solodko in films such as “Against the Tide”, “Keys to the Abyss”, “Operational Alias” and others.

The actor played his first leading role in the film “Ugro. Ordinary guys-1." Viewers saw him in the role of investigator Nikolai Kalashnikov. The detective story takes place in the provincial town of Trikorsk, where police officers, risking their lives, fight bandits.

In most cases, directors offer Misha the roles of bandits, prisoners, and law enforcement officers, which Solodko is especially good at. In 1999, the actor was involved in stunt scenes for the first time.

In 2013, the actor starred in the film “Sliding” directed by Anton Rosenberg. This picture tells about the everyday work of Russian drug police.

An excerpt characterizing Solodko, Mikhail Yurievich

He began to speak louder, obviously so that everyone could hear him. – The costumes are French, the thoughts are French, the feelings are French! You kicked out Metivier, because he is a Frenchman and a scoundrel, and our ladies are crawling after him. Yesterday I was at a party, so out of five ladies, three are Catholics and, with the permission of the pope, on Sunday they sew on canvas. And they themselves sit almost naked, like signs of commercial baths, if I may say so. Eh, look at our youth, Prince, he would take the old club of Peter the Great from the Kunstkamera, and in Russian style he would break off the sides, all the nonsense would fall off! Everyone fell silent. The old prince looked at Rostopchin with a smile on his face and shook his head approvingly. “Well, goodbye, your Excellency, don’t get sick,” said Rostopchin, getting up with his characteristic quick movements and extending his hand to the prince. - Goodbye, my dear, - the harp, I will always listen to it! - said the old prince, holding his hand and offering him a cheek for a kiss. Others also rose with Rostopchin. Princess Marya, sitting in the living room and listening to these talk and gossip of the old people, did not understand anything of what she heard; she only thought about whether all the guests noticed her father’s hostile attitude towards her. She did not even notice the special attention and courtesies that Drubetskoy, who had been in their house for the third time, showed her throughout this dinner. Princess Marya, with an absent-minded, questioning look, turned to Pierre, who, the last of the guests, with a hat in his hand and a smile on his face, approached her after the prince had left, and they alone remained in the living room. -Can we sit still? - he said, throwing his fat body into a chair next to Princess Marya. “Oh yes,” she said. “Didn’t you notice anything?” said her look. Pierre was in a pleasant, post-dinner state of mind. He looked ahead and smiled quietly. “How long have you known this young man, princess?” - he said. - Which one? - Drubetsky? - No, recently... - What do you like about him? - Yes, he is a nice young man... Why are you asking me this? - said Princess Marya, continuing to think about her morning conversation with her father. “Because I made an observation, a young man usually comes from St. Petersburg to Moscow on vacation only for the purpose of marrying a rich bride. – You made this observation! - said Princess Marya. “Yes,” Pierre continued with a smile, “and this young man now behaves in such a way that where there are rich brides, there he is.” It’s like I’m reading it from a book. He is now undecided who to attack: you or mademoiselle Julie Karagin. Il est tres assidu aupres d'elle. [He is very attentive to her.] - Does he go to see them? - Very often. And do you know a new style of grooming? - Pierre said with a cheerful smile, apparently in that cheerful spirit of good-natured ridicule, for which he so often reproached himself in his diary. “No,” said Princess Marya. - Now, to please Moscow girls - il faut etre melancolique. Et il est tres melancolique aupres de m lle Karagin, [one must be melancholic. And he is very melancholy with m elle Karagin,” said Pierre. – Vraiment? [Really?] - said Princess Marya, looking into Pierre’s kind face and never ceasing to think about her grief. “It would be easier for me,” she thought, if I decided to trust someone with everything I feel. And I would like to tell Pierre everything. He is so kind and noble. It would make me feel better. He would give me advice!” – Would you marry him? – asked Pierre. “Oh, my God, Count, there are moments when I would marry anyone,” Princess Marya suddenly said to herself, with tears in her voice. “Oh, how hard it can be to love a loved one and feel that... nothing (she continued in a trembling voice) you can’t do for him except grief, when you know that you can’t change it.” Then one thing is to leave, but where should I go?... - What are you, what’s wrong with you, princess? But the princess, without finishing, began to cry. – I don’t know what’s wrong with me today. Don't listen to me, forget what I told you. All Pierre's gaiety disappeared. He anxiously questioned the princess, asked her to express everything, to confide in him her grief; but she only repeated that she asked him to forget what she said, that she did not remember what she said, and that she had no grief other than the one he knew - the grief that Prince Andrei’s marriage threatens to quarrel with his father son. – Have you heard about the Rostovs? – she asked to change the conversation. - I was told that they would be here soon. I also wait for Andre every day. I would like them to see each other here. – How does he look at this matter now? - Pierre asked, by which he meant the old prince. Princess Marya shook her head. - But what to do? There are only a few months left until the year ends. And this cannot be. I would only like to spare my brother the first minutes. I wish they would come sooner. I hope to get along with her. “You have known them for a long time,” said Princess Marya, “tell me, hand on heart, the whole true truth, what kind of girl is this and how do you find her?” But the whole truth; because, you understand, Andrei risks so much, doing this against the will of his father, that I would like to know... A vague instinct told Pierre that in these reservations and repeated requests to tell the whole truth, Princess Marya’s ill will towards her future daughter-in-law was expressed, that she I wanted Pierre not to approve of Prince Andrei’s choice; but Pierre said what he felt rather than thought. “I don’t know how to answer your question,” he said, blushing, without knowing why. “I absolutely don’t know what kind of girl this is; I can't analyze it at all. She's charming. Why, I don’t know: that’s all that can be said about her. “Princess Marya sighed and the expression on her face said: “Yes, I expected and was afraid of this.” – Is she smart? - asked Princess Marya. Pierre thought about it. “I think not,” he said, “but yes.” She doesn't deserve to be smart... No, she's charming, and nothing more. – Princess Marya again shook her head disapprovingly. - Oh, I so want to love her! You will tell her this if you see her before me. “I heard that they will be there one of these days,” said Pierre. Princess Marya told Pierre her plan about how, as soon as the Rostovs arrived, she would become close to her future daughter-in-law and try to accustom the old prince to her. Boris did not succeed in marrying a rich bride in St. Petersburg and he came to Moscow for the same purpose. In Moscow, Boris was indecisive between the two richest brides - Julie and Princess Marya. Although Princess Marya, despite her ugliness, seemed more attractive to him than Julie, for some reason he felt awkward courting Bolkonskaya. On her last meeting with her, on the old prince’s name day, to all his attempts to talk to her about feelings, she answered him inappropriately and obviously did not listen to him. Julie, on the contrary, although in a special way, unique to her, willingly accepted his courtship. Julie was 27 years old. After the death of her brothers, she became very rich. She was now completely ugly; but I thought that she was not only just as good, but even much more attractive than she was before. She was supported in this delusion by the fact that, firstly, she became a very rich bride, and secondly, that the older she became, the safer she was for men, the freer it was for men to treat her and, without taking on any obligations, take advantage of her dinners, evenings and the lively company that gathered at her place. A man who ten years ago would have been afraid to go every day to the house where a 17-year-old young lady was, so as not to compromise her and tie himself down, now went to her boldly every day and treated her not as a young lady’s bride, but as a acquaintance who has no gender.

About the childhood and youth of Mikhail Mamaev

The boy Misha, the future star of films and action-packed programs, was born into the family of a career military man and an employee. What a boring beginning, and the story about early childhood will indeed seem gray and inexpressive: he was born in Moscow, but for several years before school he studied at a boarding school for the children of officers, traveled with his parents to garrisons, visited Kamchatka and Siberia. A loose boy (Mikhail’s own words), a fat boy with protruding ears, he was often sick at an early age. The first grade in Krasnogorsk, where Misha went to high school, almost became his first twice: he was in the hospital so often that the teachers were thinking of leaving him for a second year. The parents urgently send the child to a sanatorium in the south, upon arrival from the sea they enroll in the pool and several sports sections at once: “I remember how I went to four or five sections at once, there was not a minute left, I barely had time to study my homework, but my health improved dramatically !” – the artist later recalled.

The actor’s childhood... Photo https://www.instagram.com/mikhail_mamaev/

Misha's father was not just a career military man - he had the title of champion in the barbell in the Far Eastern Military District. It was he who saved his frail and sickly son - he forced him to play sports, “pulled” the guy out of a series of illnesses. The first grade is over, he moved to the second, and suddenly the boy’s talent for writing awakens: at the age of eight, Mikhail begins to write, and not something banal and patriotic, as was customary in the Soviet years, but a novel about adventures in space. In his dreams, he imagined himself either as a scout who was sent behind enemy lines, or as an astronaut conquering unknown planets. He even, as he later admitted to Yulia Menshova in the program “Alone with Everyone,” secretly began collecting circuit boards and steel parts to build his own spaceship.

Protruding ears, excess weight, pimples on his face - all this was forgotten when Misha opened his notebook and continued writing his novel about astronauts. He also started going to a literary club at school and tried his hand at poetry. He was equally good at both poetry and prose: his articles on sports and poems about the lives of teenagers were published in “Pionerskaya Pravda”, “Soviet Sport” and “Red Star”. Mikhail also went to the drama studio at the school - there he could read his works. Here are his words about thoughts about the future: “Actually, I didn’t intend to become an actor. I was a boy from an officer’s family, and I planned to choose a “male”, manly profession; I didn’t want to become an artist. Everyone said that I was cute and that the cinema was the right path for me. And I believed that a real man should not focus on appearance.”

still from the film "The Jester" 1988

Misha Mamaev finally got into cinema when he was a schoolboy: he was invited to a cameo role in Eshpai’s film “The Jester.” To say that a fifteen-year-old boy “fell ill” with cinema is to lie. He was more interested in karate, alpine skiing, karting, and he continued to publish stories in Ogonyok and Yunost. By graduation, the young man had accumulated a thick folder of his works, and everyone thought that he would go to the Faculty of Humanities. And he chose the prestigious MGIMO, without much effort he passed the exams for the Faculty of International Journalism.