Name: Georgy Burkov Date of birth: May 31, 1933 Place of birth: Perm Height: 178 cm Nationality: Russian Date of death: July 19, 1990 Cause of death: thromboembolism Where buried: Vagankovskoe cemetery
Georgy Burkov, biography, whose personal life is not so eventful, was an outstanding actor. The artist's professional growth began with provincial theaters. Having already moved to the capital, he managed to star in many famous films. His statement from the film “Old Robbers” - “nonsense, bandit bullet” quickly turned into a catchphrase.
Burkov Georgy Ivanovich was born in Perm in the spring of 1933 (May 31) into the family of a simple worker. The nationality of the actor is Russian. Dad Burkov Ivan Grigorievich worked as a chief mechanic at the Lenin plant. Mom Maria Gogoleva did not work, and devoted all her free time to her only son Georgy and home life. After graduating from school No. 49, Burkov was not accepted into any theater school. According to the Wikipedia website, in 1952 he entered the law department of Perm State University, but after a couple of years he left the university for the theater. From 1955 to 1958 he studied at the evening studio, and later worked in theaters in such cities as Perm, Kemerovo, Berezniki.
The biography of Georgy Ivanovich includes more than 7 theaters. In the mid-1960s, the artist joined the troupe of the Konstantin Stanislavsky Drama Theater. In the early 1970s he worked at Sovremennik. In the early 1980s he went to the Moscow Art Theater. Gorky. After the art theater, he was a member of the theater troupe for three years. Pushkin. For a couple of years, the actor returned to the Moscow Art Theater. Gorky. Since 1988, he was the artistic director of the V.M. Cultural Center. Shukshina. Burkov's dream has always been to work as a director.
Burkov had a close friendship with Vasily Makarovich Shukshin. Together they wanted to create their own theater and even came up with a working name for it. At Burkov’s request, Shukshin wrote the work “Until the Third Roosters.” With this work, the actor wanted to make his debut as a director.
Childhood and youth of the actor
The actor’s childhood and youth passed like that of an ordinary person. Burkov was a simple yard boy: he played football with friends in the yard, ran catch-up and loved to read. At the age of 6, little Zhora was admitted to the hospital; doctors suspected that the boy had typhoid fever. The specialists strongly insisted on the operation, and the actor’s parents responded positively. However, something went wrong and the operation did not bring positive results.
The boy began to undergo operations more and more often. He was under the supervision of the best doctors in the city of Perm. However, everything was ineffective. The child was placed in a ward, which was nicknamed “for death row.” Doctors no longer gave Burkov’s parents the slightest hope for Zhora’s recovery. The parents decided to take the boy home from the hospital. Mother invited healers to treat Zhora. The healing herbs and the love of his parents had an effective effect on the boy, and he quickly recovered.
Burkov did well at school and read a lot. Burkov also liked the theater, where he and his mother often visited. His school years were over, and the young man could not decide what he wanted to connect his future with - go to study for a serious profession or devote his life to art.
In 1952, Georgy Burkov entered the law faculty of Perm State University. But his passion for theater did not give him rest. The young man began going to the evening studio at the local drama theater.
After a couple of years, Burkov finally decided that he would connect his life only with the theater, so he dropped out of law school and began to actively look for work as an actor. Almost immediately he was taken to the theater in Berezniki. The career of Georgy Burkov began with this small scene. A little later, the artist moved to the Kemerovo Regional Theater, then the Perm Theater.
Career of Georgy Burkov in Moscow, filmography
In 1964, during a tour in Perm of the Moscow Drama Theater.
K. Stanislavsky Georgy Burkov decided to show himself to the head of the troupe, director Lvov-Anokhin. He invited the provincial actor to an audition, and then to work in Moscow. Georgy was given a hostel and settled in the Moscow Stanislavsky Theater. It was from this moment that the career of the self-taught actor began a rapid rise. In 1966, he performed one of the central roles in the play “Anna”, thereby earning the love of the audience and the recognition of directors. In the same year, the actor made his film debut. However, his first significant roles came to him a little later. In the seventies, Georgy Burkov appeared in such bright films as “The Case of Polynin”, “Kalina Krasnaya”, “They Fought for the Motherland”, “The Irony of Fate, or Enjoy Your Bath!”, “Office Romance”, “Garage” and others .
Georgy Burkov, Wick During this period, Georgy Burkov became one of the most sought-after actors in Soviet cinema. He often got minor roles, but not a single more or less significant film took place without his participation.
In 1980, the Perm nugget received the title of Honored Artist of the RSFSR. During this period, he also often acted in films, combining cinematic roles with theater work. During the designated period of time, Georgy Burkov began to play in the Gorky Theater, and then in the A. S. Pushkin Theater. He was loved by the audience and respected by his colleagues. Perhaps that is why in 1988, the name of Georgy Ivanovich became the first on the list of candidates for the position of artistic director of the Cultural Center. Shukshina.
Now the actor could not only play in the theater and act in films, but also share his experience with young actors.
In 1990, our today's hero played his last film role - in the detective film "Murder of a Witness." From that moment on, the actor no longer acted. In recent years, he has been actively working on systematizing his diaries, which were subsequently published in the form of a full-fledged book.
However, Georgy Burkov no longer saw this moment. In early July, he accidentally broke his hip while reaching for a favorite book on a far shelf. Due to this damage, a blood clot broke loose in the actor’s heart, which ultimately caused the actor’s death. On July 19, 1990, Georgy Ivanovich’s heart stopped. A few days later, the actor was buried in Moscow at the Vagankovskoye cemetery. In Perm, at Burkov’s house, a memorial plaque was erected in memory of the eminent native.
Georgy Burkov died in 1990, his grave is located in Moscow
Work in the theater
Until 1965, Burkov worked in local theaters, until one day a famous theater critic from Moscow came to see them for a performance. He was delighted with George's performance. Upon arrival in the capital, the critic advised Boris Lvov-Anokhin to pay attention to the provincial talented artist. The famous theater director invited Burkov to the capital for a viewing. Georgy impressed the management with his talent and was literally immediately included in the troupe.
Burkov had speech impairments since childhood. He spoke indistinctly and in a very peculiar way. Not everyone understood what the artist wanted to say. This defect always tormented the actor and he constantly worked on correcting his speech.
After moving to the capital at different times, the actor managed to work in such theaters as Sovremennik, Moscow Art Theater named after. Gorky", "Theater named after. Pushkin." Since 1988, Georgy Ivanovich became the head of the Cultural Center named after. V. M. Shukshina. Burkov’s most striking role on the theater stage was in the play “Anna” in 1966.
Parmaday
Perm, May 31, 1933, into a simple working-class family, the future people's favorite Georgy Ivanovich Burkov was born. As a child, little Zhora suffered several serious illnesses. He was helped to survive these difficult moments by his father's care and tenderness of his mother, with whom Burkov maintained a warm relationship until his last days. George grew up as an inquisitive child, with a lively mind and a wonderful sense of humor, and always remained that way.
After graduating from Perm secondary school No. 49, Georgy decided to become an actor. His love for the theater was so strong that after graduating from school, he unsuccessfully tried to enter theater universities in Moscow for four years in a row. And after another failure, Burkov, seemingly resigned to failure, returned to his homeland and entered the law faculty of the local university. But the passion for the theater did not fade. Evening acting courses, which were organized at the Perm Drama Theater, became his first step in his acting career.
School No. 49 in Motovilikha, where Georgy Burkov studied
University lectures, for a creative soul, were unbearable. Long hours in the Gorky Library saved the young student from boring lectures. Books for Burkov were an important part of his life and development. His parents accepted his decision to drop out of college calmly, trusting their son’s choice. After leaving his third year, he began a theatrical career in a number of theaters. Then, Georgy Ivanovich was invited to the Perm Drama Theater, where he worked for more than 10 years.
Once, during a performance at the Perm Theater, the talent of the Siberian nugget was noticed by a Moscow spectator, critic and journalist. The capital's guest was very impressed by the artist's theatrical image. Returning to Moscow, the journalist inspired her friend, Boris Lvov-Anokhin, director of the Stanislavsky Theater, to look at the “unusual artist.”
Having received an invitation in 1965, Burkov left for Moscow without hesitation. This was a significant period in his life. He worked with incredible diligence on each of his roles, on himself, and literally “created himself.” This desire for perfection may have been a simple desire to prove to his colleagues that he was a real actor and not a genius from the provinces.
The house where Georgy Burkov lived as a child
Here in the theater Burkov meets his future wife Tatyana Ukharova. She is 19, he is 32. The beginning of married life was not easy, but the love between two talented actors was real, and helped to overcome all the bumps in fate.
The next, bright stage in Burkov’s life is associated with the birth of his daughter Masha and the beginning of his film career.
“...The strength, the confidence, the limitlessness of one’s own capabilities is breathtaking...” - Georgy Burkov always tested himself. Who am I and what do I want, what can I do? These questions led him beyond acting. He dreamed of creating his own theater and drama school. He wrote plays, and shortly before his death, Burkov made the film “Bayka”.
Today, Georgy Burkov’s filmography includes more than 100 films and cartoons with his participation.
Burkov trusted his inner world, all his experiences, to his diaries. His notes were discovered by his wife Tatyana Burkova-Ukharova after her husband’s death. “I want to make a film about him, based on his diaries...” said Tatyana Sergeevna.
Memorial plaque to Georgy Burkov and his father on the house on Uralskaya 111
Georgy Ivanovich Burkov had amazing rhetoric and the ability to express his thoughts deeply and interestingly on paper... these lines, filled with sincerity and experience, should become public domain.
Comedian actor, Honored Artist of the RSFSR, Georgy Burkov, was a comedian for the audience and a tragedian at heart. The roles that brought him fame also determined his fate. He considered himself a hostage to the “intelligent alcoholic” type. Georgy dreamed of serious roles and wrote: “I have the right to play only large-scale roles suitable for discovery, I am ready to play Hamlet, Richard, Van Gogh, Don Quixote... I am ready and responsible for the genius of the performance...”.
Fortunately, there were directors who recognized his sharp mind, his inner height, and Burkov played several serious roles.
Living in the capital, Georgy Ivanovich always remained a good-natured, intelligent Permian. He loved his city and often visited his family and friends. He often recalled his home, childhood, neighbors. He said that each of them has their own destiny, about which a book could be written.
Georgy Ivanovich, a gifted artist, a wonderful person, suddenly passed away in 1990. He was only 57 years old. The death of his beloved actor was a shocking surprise and a real tragedy for his family, colleagues and viewers. He didn't have time to do much...
On the occasion of the 80th anniversary of the birth of the Soviet theater and film actor, a memorial plaque was installed on the house in which Georgy Burkov was born and raised.
Filmography
Burkov's filmography is rich. Georgy Ivanovich’s film debut was the film “Zosya,” which was filmed in 1966. The actor got a small, episodic role. After this, Burkov played the main character in the film “Khmyr,” which was based on a story by Vasily Shukshin.
Burkov received a notable role in 1967, he played the alcoholic Petya in the comedy film “Zigzag of Fortune” by Eldar Ryazanov. The director appreciated the actor’s talent and soon invited George to the filming of the famous films “Garage” and “The Irony of Fate, or Enjoy Your Bath.”
This was followed by participation in such works as “The Punisher”, “Liberation” and “Our Friends”. In 1970, Burkov starred in the film “The Case of Polynin” together with Vertinskaya, Efremov, Tabakov and Mordyukova.
The actor took part in the filming of the film “Yegor Bulychev and Others” in 1971, which traced the establishment of Soviet power in small Russian towns. In this film, the actor played Alexei Dostigaev.
Ryazanov again invited Burkov to film the comedy “Old Robbers” in the same year. The actor got the role of policeman Fedyaev. One phrase from the picture later became popular. After the film hit the big screens, the phrase “nonsense, bandit bullet” forever stuck in the minds of fans of Soviet cinema.
Burkov's next film was the role of organ worker Captain Galushko.
Georgy Ivanovich was a close friend of Shukshin. The latter often invited Burkov to his paintings. So the actor participated in the filming of such films by Vasily Makarovich as “Stoves and Benches”, “Trouble”, “Wounded Animals” and “Kalina Krasnaya”. After the films were released on wide screens, they quickly became among the audience's favorite films.
Burkov continues to actively act in film, he becomes a welcome guest on many film sets. Almost all films with the actor automatically became successful and famous.
In the mid-1970s, Burkov was invited to play a leading role in the film “They Fought for the Motherland.” The actor’s Private Kopytovsky turned out to be lively and natural. Sergei Bondarchuk was delighted with Georgy Ivanovich’s acting.
A year later, in 1976, Georgy Burkov was lucky again; he was cast in “Everyone Knows Kadkin” in the title role. In the story, the artist’s hero came from the front with a small child, whom he saw and took with him on the way home.
In 1977, the film “Walking Through Torment” was released, in which Burkov played Sapozhkov. Together with Georgy Ivanovich, such eminent artists as Alferova, Penkina, Solomin and Kozakov took part in the film.
The end of the 1970s became very fruitful for the actor. Films with the participation of Georgy Ivanovich were released one after another. The most successful project was the film “This is how the legend began”, in which Burkov played the father of the legend - the first cosmonaut Yuri Gagarin.
In the 1980s, Burkov was inundated with filming offers. The most famous works of those years are “Winter Evening in Gagra” and “Guest from the Future”. The last work in the actor’s filmography is the film “Murder of a Witness,” which was released in 1990. Burkov played the leader of the criminal gang Krainikov.
The creative path of Georgy Ivanovich turned out to be very productive. The actor has 80 films in his collection. Georgy Burkov was equally good at comedy and detective roles, as well as dramatic characters.
“I’m very afraid of remaining misunderstood, unread”
Burkov was invited to Moscow by the chief director of the Stanislavsky Theater Boris Lvov-Anokhin. Critics he knew recommended the actor to him, and he decided to get to know him. To show it to the capital's director, Burkov chose the role of Poprishchin from Gogol's Notes of a Madman. After watching, Lvov-Anokhin inquired about the actor’s theatrical education. Burkov simply answered: “None. Isn’t this obvious from the game?” Burkov was accepted into the troupe and received a role in the new production. On the eve of his premiere, Burkov went on a spree with an old Kemerovo friend, which is why the performance was cancelled. Only the director’s personal intercession allowed Burkov to remain in the theater.
Still from the film “The Irony of Fate, or Enjoy Your Bath!”
Still from the film “Garage”
“In the work of an actor, it is much more difficult to achieve approval of one’s creative theme. After all, you don’t always play those roles on the basis of which you can express your thoughts and ideas. But even in the art of acting it is possible to create your own theme on any material. This requires wit." Burkov really wasn’t given the roles he dreamed of. Later, while working at Sovremennik, he complained: “I’m very afraid of remaining misunderstood, unread. I'm afraid that I will be squeezed into their usual type, and I will become an ordinary comedian. If “The Cherry Orchard”, then I am definitely Yasha, if “Moliere” - then Bud, etc.”
In the movies the situation was no better. Burkov was not offered big roles, although the range of his acting work was quite wide - from comedic and character characters in Ryazanov’s films (“Zigzag of Fortune”, “The Irony of Fate, or Enjoy Your Bath!”, “Garage”) to dramatic roles in the films “ They fought for their Motherland" and "Wounded Man". But for Burkov, all this was not the same: “In the theater it’s time to play Don Quixote, Hamlet, Fedya Protasov, Galli, Timon, Lefty, Van Gogh. It’s high time they wrote scripts for me in cinema. Maturity has arrived, and youth has not yet left. I can do anything! I want to write, stage plays, play roles. All! But in the theater everything is falling apart. There is no director in cinema who would believe in me and see me.”
Directing and scripts
Several years before his death, the actor became interested in the work of a director. His only film, “The Bike,” was filmed in 1987. The script was written by Nina Semenova, and the main roles were played by Usatova and Burkov himself. The director of the film is the same.
The main characters Zhora and Malasha meet at a station in the regional center. Zhora repaired the girl’s shoes, and Malasha, in gratitude, invites the guy to relax in her village. A clash of interests (Malasha loves animals, Zhora is a taxidermist) and the resulting misunderstanding is quickly replaced by mutual love feelings.
BURKOV Georgy Ivanovich05/31/1933, Perm - 07/19/1990, Moscow
Honored Artist of the RSFSR (1980)
Childhood
Georgy Ivanovich Burkov was born on May 31, 1933 in Perm.
At the age of six, Georgy Burkov almost died. He fell ill with typhoid fever and blood poisoning began. He underwent several operations without anesthesia (they were afraid for his heart). Before the seventh operation, he was already on death row. And then his mother took him and left the house with herbs and love.
“I grew up watching opera and ballet at the Leningrad Kirov Theater. He knew entire performances by heart, saw Chabukiani, Dudinskaya, Ulanova, listened to Nelepp and other famous singers” - from the book “Chronicle of the Heart”, published based on the diaries of Georgy Burkov.
Moscow Drama Theater named after K. S. Stanislavsky
In 1952, Georgy Burkov entered the Faculty of Law at Perm University, where he studied for two years. Simultaneously with his studies, he studied in the evening studio at the Perm Drama Theater.
Since 1954, Burkov became a professional actor, working at the theater in Bereznyaki, then at the Perm Regional Theater, and at the Kemerovo Theater.
When the Moscow Drama Theater named after K. S. Stanislavsky was on tour somewhere in the provinces in 1964, a young unknown actor came to see the main director B. A. Lvov-Anokhin. Not even that young—he had just turned thirty-two. It was Georgy Burkov. He came from the very depths of Siberia - the city of Kemerovo, where he had served on the stage of the city theater for several years. There, one of the capital’s critics noticed him, told Lvov-Anokhin about him, and he, in turn, invited the young talent by telegram to meet him.
Burkov appeared to the theater's artistic council in the role of Poprishchin from Gogol's Notes of a Madman. The provincial artist made a good impression.
— What is your theater education? - asked Lvov-Anokhin. “Nothing,” answered Burkov. — Isn’t this obvious from the game?
The members of the artistic council laughed. Burkov was accepted into the theater troupe. So the half-educated lawyer and self-taught artist showed up in the capital. He was placed in a hostel and given a role in a new production. And a few months later the day of the premiere arrived, Burkov’s first premiere on the capital’s stage.
On the morning of this day, a friend who had arrived from Kemerovo unexpectedly showed up at the hostel. The meeting, of course, was very joyful. We will not carefully trace all the stages of this unfortunate day in Burkov’s biography. In short, the premiere had to be cancelled. The director of the theater was throwing thunder and lightning, and one can understand him! The next morning, an order was posted behind the scenes stating that artist G. Burkov was fired from the theater for disrupting the premiere. His artistic career in Moscow ended before it began.
It is unknown what would have happened to Burkov and how his future life would have developed if B. Lvov-Anokhin had not invited him to his office before parting. The main director of the theater was sorry to lose a talented artist, and he offered Burkov this option: to work for several months in the troupe, without being included in the staff, on a voluntary basis, or something. How to pass a probationary period in terms of behavior, to prove that the failure of the premiere was an accident. And he, Lvov-Anokhin, will agree with the director of the theater that if Zhora passes the test, he will be returned to the troupe again. Boris Aleksandrovich Lvov-Anokhin looked sad and upset, Zhora also did not look cheerful after what happened.
“Thank you very much,” said Burkov, realizing that the chief director was guided by good intentions. And suddenly he came to his senses. - What will I live on? I need to eat...
There was a pause. It was unclear how to solve this problem. And then Lvov-Anokhin made a decision that did him honor.
- How much money do you make? - he asked the artist. - One hundred rubles! — the artist answered the holy truth. “Okay,” Boris Alexandrovich sighed. - On payday, come to me, I will pay you myself.
And Lvov-Anokhin really paid the actor out of his own pocket. And then Burkov was enrolled in the theater staff and worked there until 1980.
Personal life
In 1965, Georgy Burkov married actress Tatyana Ukharova. In 1966, their daughter Masha was born. She was married to actor Sergei Velyaminov. In 1992, they had a son, who was named after his grandfather - Georgy Burkov.
Memoirs of Georgy Burkov’s widow Tatyana Ukharova: “At the Stanislavsky Theater it has long been discussed that Lvov-Anokhin takes an artist from the provinces - with a lisp, but unusually original. In February 1965, I saw him: thin, stooped, strange, in a red sweater with white specks (fly agaric!) On my face, except for pity, probably nothing was expressed: I was preparing to see a kind of “burry monster”, and here was an intellectual, looks like a librarian. “Hello, I’m Ukharova!” He smiled slyly: “I’m Burkov. We have to rehearse tomorrow. You are the Little Prince, I am the Fox." There was no love at first sight. But for some reason my heart began to pound, maternal tenderness arose, and this feeling did not leave until the end, until the last minutes in the hospital... After the role of Ryaby in the play “Anna,” they started talking about the discovery of an actor, Zhora began acting in films. In 1966, Masha was born, and life began to improve. And then came the most terrible period in our lives: Zhora could not stand the recognition and popularity that fell upon him. He spent a lot of money on the set - they warmed him up, topped him up, and he began to spin... And in the theater there was darkness: after the departure of Lvov-Anokhin, who loved Zhora like a son, a leapfrog of the main directors began, a struggle for influence.”
Georgy Burkov mentioned that time in his diaries: “It’s already been a month since I was treated for chronic alcoholism. Everyone is treated. Starting from his wife and ending with Dr. K., a generally recognized authority on the alcohol front.”
Theater. 70s - 80s
In 1970-1971 Burkov went to work at the Sovremennik Theater. Tatyana Ukharova recalls this period: “Having met Efremov, he went to Sovremennik (for one season - Efremov was waiting for the Moscow Art Theater). He returned to Stanislavsky, and there the main director was a director from Perm: he never forgave Burkov for leaving that theater and did not give anything to play. Zhora did not join the party and did not know how to talk to official people at all. Although everyone was interested in him - colleagues, directors, stagehands. His innate intelligence did not allow him to offend his interlocutor. At creative meetings with the audience, he did not read, did not play - he talked to the audience. The meeting with Shukshin turned the life of our entire family upside down. They immediately spoke in a dialect they understood, Zhora was transformed and began to write a lot. Wonderful two years under the name VASYA SHUKSHIN!”
In 1980, Burkov moved to the Moscow Art Academic Theater. Tatyana Ukharova about the reasons for leaving: “The Stanislavsky Theater was a home for Zhora. They loved him there, but did not fully understand him. I acted, filmed - everything was fine, it would seem. But the life of the mind, his mind, did not proceed so smoothly. He got nervous and stopped, or so it seemed to him.”
Burkov worked at the Moscow Art Theater until 1983. Tatyana Ukharova: “No one understood why Zhora left Efremov. The impetus was nonsense (Oleg Nikolaevich didn’t know this either) - the respected actress shook her finger: “Behave well on tour, Zhora, we vouched for you in the district party committee!” But he simply did not go on these foreign tours - and quit. He explained to me that he had not created himself as an author, personally, so to speak.”
In 1984-1987, Burkov performed on the stage of the A.S. Pushkin Theater.
Since 1988, he became the artistic director of the Cultural Center. V. M. Shukshina. In recent years, he devoted himself entirely to the Center: he wanted to create his own theater, his own theater school there...
Movie
Georgy Burkov first appeared in films in 1966, playing a cameo role in the Soviet-Polish film “Zosya”. A year later, the actor met with the director, who largely determined his creative path in cinema - Eldar Ryazanov invited Burkov to play the small role of the handsome alcoholic retoucher Petya in the comedy “Zigzag of Good Luck.”
This work marked the beginning of the alliance between Ryazanov and Burkov. The actor played a kind, sociable guy Misha in “The Irony of Fate, or Enjoy Your Bath.” He was a poser and an absurd liar Fedyaev in “Old Robbers”. The tragicomic “traitor to the Motherland” Fetisov in “Garage”. The groveling, dangerous plebeian Artyukhov in the television film “Say a word for the poor hussar.” He played a small role in Ryazanov’s film “A Lonely Melody for Flute.”
Burkov's acting range was quite wide. Some of the best were the actor’s works in films directed by his friend Vasily Shukshin - the comically colored role of the “constructor” Victor in “Stove-Benches” and the ruthless killer Guboshlep in “Kalina Krasny”. With comedic ease he portrayed the imaginary diplomat Arkady Pavlovich in Gubenko’s film “From the Life of Vacationers.” The dramatic roles of Georgy Burkov in the films “They Fought for the Motherland” by Sergei Bondarchuk and “Wounded Man” by Nikolai Gubenko are also interesting.
In Burkov's best roles, there is a noticeable interpenetration of lyricism and farce, sometimes tragic farce: his irresistible persuasiveness justified the most incredible situations in which his heroes found themselves.
In total, during his creative life, the actor starred in more than 60 films of various genres - psychological dramas, comedies, detective stories. On the set, he worked with such directors as Viktor Tregubovich, Alexander Zarkhi, Sergei Solovyov, Yuri Ozerov, Karen Shakhnazarov.
Director
Georgy Burkov acted as a theater director, staging the play “In the Land of Lilliputians” based on Jonathan Swift at the Moscow Regional Theater.
In the last years of his life, he also took up film directing, filming the comedy “The Tale” in 1987, based on the script by Nina Semenova, and he himself played the main role.
Literary heritage
Georgy Burkov died of thromboembolism on July 19, 1990 in Moscow and was buried at the Vagankovskoye cemetery.
Georgy Ivanovich Burkov did not write memoirs. But he left a large literary legacy, including a mass of notebooks and notebooks, covered in quick, illegible handwriting, in which innermost thoughts and secret desires were interspersed with reflections on art and sketches in the genre of essays. He wrote them for himself.
The actor’s widow Tatyana Ukharova not only gave permission for the publication of her husband’s “secret works”, but also prepared them for publication. A book called “Chronicle of the Heart” was published by Vagrius publishing house.
Excerpts from the book “Chronicle of the Heart”: “Bad premonitions. Plays by Efros and Lyubimov are banned. The ring of restrictions and censorship around us is gradually shrinking. Our intellectual rags will backfire. The bandits will play with the people for a long time in tightening the screws and letting off steam, but they will never have any sincere movements of the soul towards the people. Art defends itself with all its might, goes underground, dodges. What's coming? '37? Or something else? Are there any weirdos left? Don Quixote?
The state loves those below it. He is especially irritated by individuals who stray from the herd.
I have a different account, I live in a different society: Christ, Plato, Socrates, Schiller, Villon, Razin, Pushkin, Gogol, Dostoevsky, Bulgakov, Stanislavsky, Yesenin, Shukshin. The only requirement of human society: do not be a slave, be who you are called to be on earth, be a man. We rarely meet, for example, I and Sh (Shukshin). But this society frees me from life in another society - in the state one.
We have ceased to be patriots of our Motherland. We have broken our necks looking at the West, have grown dumb with false envy at other people’s money and the brilliance of someone else’s glory, feverishly leafing through the Bible in order to somehow correspond to the terminology of fashionable myth-making. The pseudo-revolutionaries are happy that they have fallen in line with the Western masters; they are knocking on the doorsteps of Hollywood and Broadway, begging for productions.
Am I kind? Many will say yes, good. Moreover, this opinion was authoritatively assigned to me by Shukshin himself. It’s all the same that he received the title, it’s all the same that it was raised to the level of law. And yet this is not so. Or not quite like that. Do not know yet. I'm just ashamed. For what? For whom? And not for anything, not for anyone. Or for everything, for everyone. This is what makes me akin to the majority, what makes me popular - causeless and pointless shame. It is he who forces me to be constantly cheerful, forces me to entertain everyone. Shame forced me to go on stage. And I am talented out of shame, not out of intelligence. So they love me because, like most people, I am ashamed to live.
I have no friends. The only friend I had (Shukshin) passed away. And you need to build your future life based on this.
If it were up to me, I would close all theater schools. They bring nothing but harm to art. If interesting actors appear among graduates, it is because they themselves protected their talent from teachers at school.
I'm an artist. I burned myself. Why shouldn't anyone know about this? I burned myself - out of vocation - for the sake of people.
My heart hurts. And I can’t help myself..."
Materials used: Encyclopedia of Cinema of Cyril and Methodius (CD Media-Service LLC 2000); “I ask that my life be considered invalid” (Komok newspaper https://www.komok.ru/statyi/67-00/BURKOV.shtmll); Vyacheslav Mishchenko, “First they will put you in prison, and then they will give you an Oscar” (“Culture” No. 15 (7175) 22 - 04/28/1999 https://www.kultura-portal.ru); Actor's stories "Full ruble" https://www.kulichki.com; “Birthday of Georgy Ivanovich Burkov, actor and director” (Observer, history 458 https://www.obozrevatel.com)
Films about Georgy Burkov
Programs and films about Burkov began to be published a couple of years after his death. In 1993, the documentary film “Stranger Burkov” was released. Letters to a friend." In 1997, the ORT TV channel aired Leonid Filatov’s program “To Be Remembered,” in which the presenter spoke about the life and work of the famous actor. Channel One showed three documentaries about the talented Burkov. In 2008, the film “More than Love” was released. Georgy Burkov and Tatyana Ukharova” about family relationships and the life together of the actor and his wife.
Personal life and family
The actor’s personal life is not at all eventful. He married once and for all. The artist met his future wife Tatyana Ukharova at the theater. While studying at the Shchukin School, the girl already worked as an actress. The young people dated for quite some time and only then decided to get married.
The wedding took place in 1965. Georgy Ivanovich was much older than the girl.
The family life of the young people was not sweet due to their difficult financial situation. In 1966, the couple had a daughter, Maria Georgievna Burkova, in whom her father doted. The family lived poorly, but very amicably. The daughter became an actress, she also has children - a son (grandson of an actor), named after his grandfather - George. Burkov was never interested in other women. All friends noted the artist’s sincere devotion to his family. In everyday life, Georgy Ivanovich was modest and spent almost no money on himself.
“Then life ended”: the widow of Georgy Burkov spoke about his tragic death
Georgy Burkov. Still from the film “They Fought for the Motherland”
Widow of Honored Artist of the RSFSR Georgy Burkov
visited Boris Korchevnikov’s program “The Fate of a Man” on the TV channel “Russia 1”. The actor fell in love with the audience after his striking roles in the films “The Irony of Fate, or Enjoy Your Bath!”, “Stoves and Benches”, “Garage”, “Profession - Investigator”, “They Fought for the Motherland” and others.
Despite the fact that Burkov died 28 years ago, millions of Russians still remember him and enjoy watching films with his participation.
72-year-old Tatyana Ukharova
said that she met Georgy Ivanovich at the theater school - she was 13 years younger than the artist. The actress loved him madly all her life, and Burkov answered her in kind. After gaining all-Union popularity, Georgy Ivanovich was pursued by fans, and Tatyana was often jealous. Once she even scratched his face - this scratch was included in Vasily Shukshin’s film “Stoves and Benches.”
Georgy Burkov and Tatyana Ukharova in their youth. Still from the program “The Fate of Man”
Tatiana’s parents objected to her marriage to Georgy, but the girl insisted on her own: “My father was strongly against it. When he found out that I was going to marry him, he hit me on the back with a jump rope for the first time in my life. When Burkov’s mother saw me, she was petrified. I was small and very thin.
I immediately realized that I was finished, because her tears started flowing. She even told Zhora to choose between me and his mother,” recalls Ukharova.
As a result, Tatiana and Georgy’s wedding took place without their parents: “My mother could not come to the wedding because my father was against it,” explains the actress. However, even this fact did not darken the happiness of the newlyweds - they did not part until Burkov’s death.
Still from the program “The Fate of Man”
Georgy Ivanovich always wanted children, but Tatyana’s first pregnancies ended tragically: “I had miscarriages, two boys. I fell... The doctors didn’t save me. Now I could, but then there were no such opportunities,” the actress sadly recalls.
In May 1966, the couple had a long-awaited daughter, Maria.
After the girl was born, Tatyana’s mother-in-law came to visit: “His mother thawed out for a short time to look at her granddaughter.” However, even the appearance of Masha did not completely soften the mother-in-law. And Burkov became a wonderful dad: “He is a very gentle and touching father, he took care of his daughter very carefully, made up fairy tales with her and kept giving her books,” said Tatyana. The daughter confirmed her mother’s words: “He took me to kindergarten for five days. Loved it very much, adored it. I even dreamed, when I was very little, of marrying him.”
Still from the film “The Irony of Fate, or Enjoy Your Bath!”
Tatyana said that Burkov was never treated for alcoholism, despite numerous rumors about it: “Yes, he drank, there were unpleasant moments, but there are more legends. He was not treated for alcoholism and did not suffer from it.
He was in the hospital, but not because of alcoholism, he had nerves and was tired.”
The artist is remembered warmly by numerous friends: “Crowds always gathered around him. He had a quality that not everyone has. If he saw that something was wrong with a person, for example, he was upset about something, then he would start telling some funny stories about himself, the person would immediately become cheerful,” Tatyana recalled.
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#Quote “The most beautiful thing is the desire to do something extraordinary.” #GeorgiyBurkov Georgiy Burkov - Soviet theater and film actor, Honored Artist of the RSFSR May 31, 1933 - July 19, 1990 Georgiy Ivanovich Burkov was born on May 31, 1933 in Perm. In 1952, he entered the Faculty of Law at Perm University, but studied there for only two years and dropped out. At the same time, Georgy became interested in acting - he studied at the theater studio at the university - and passionately dreamed of becoming an actor. For several years in a row he went to Moscow to enter the Moscow Art Theater School and GITIS, but failed the exams. Although attempts to conquer the capital's theater universities ended in failure, Georgy nevertheless decided to become an actor. Since 1954, he worked in the theaters of Bereznyakov, Perm and Kemerovo, while simultaneously studying in the evening studio at the Perm Drama Theater. He raised the general level of education himself - by reading various literature in libraries. The provincial actor without special education came to Moscow again in 1964 - to the Drama Theater named after K.S. Stanislavsky in order to appear to the main director B. Lvov-Anokhin. His performance made a good impression, and he was accepted into the troupe of this theater, where he worked until 1980, and then moved to the Moscow Art Theater to Oleg Efremov. In 1984-1987 he performed on the stage of the A.S. Pushkin Theater. Almost after Burkov’s first role in the play “Anna” on the stage of the Stanislavsky Drama Theater, they started talking about him as a professional actor, the roles followed one after another. On the stages of the capital's theaters, he played in many performances - “Wolves and Sheep”, “Vassa Zheleznova”, “The Little Prince”, “The Living Corpse”, “Notes of a Madman” and others. Georgy also tried himself as a theater director; in 1976, he staged the play “In the Land of Lilliputians” at the Moscow Regional Theater. Burkov's acting talent, of course, was noticed by filmmakers. Georgy made his film debut in 1966, playing a cameo role in the film “Zosya”, and a year later he met with director E. Ryazanov, who largely determined the actor’s creative path in cinema...
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Gallery of 10 photos
At the age of 57, Georgy Burkov received an invitation from Eldar Ryazanov to play the President in his new film “Promised Heaven.” The artist was very happy, but did not even have time to receive the script because he broke his leg. After the injury, his anticipation of death intensified:
“Some gypsy woman told him that he would live until he was 55. Apparently, it got into his head,” laments the actor’s widow.
“I came to see him at the hospital, he was so joyful with his leg bandaged and raised up. But he didn’t just fall, a blood clot came loose during the fall... Everything was like in the movies: a rolled up mattress... He was taken to cardiology, he was white. He told me: “Just don’t leave,” Tatyana Sergeevna recalled with tears. In the evening, Burkov’s wife and daughter went home. As soon as they entered the apartment, the phone rang: “At 19.05 he was gone, thromboembolism. Then that’s it, life is over.”
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On this day, May 31, Georgy Ivanovich Burkov (1933−1990) was born. Let us remember the films with his participation: “Zigzag of Fortune”, “Old Robbers”, “Kalina Krasnaya”, “The Irony of Fate, or Enjoy Your Bath!”, “They fought for the Motherland”, “Everyone knows Kadkin”, “Garage”, “Professions of an investigator”, “Cruel romance” and others. Everlasting memory. ———————————- “Guys, the situation is hopeless... We need to drink to Galya.” “Pasha, rely on me. I never get drunk." ———————————- — I sold my homeland for a garage! - We won’t give you the keys! We are not some Pinocchio! - Yes, if you like, we still have fish in the river, no matter what, no matter what institutions. — Where is the market director? Give it to me. I'll make a meat line out of it. ——————————— #birthday #actor #actorkino #film actor #USSR #to be remembered #georgiyburkov #garage #actor #birthday #USSR
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Photo: Pesona Stars @niklimenko78 @ivan.sadovnikov
Death and memory of the actor
In 1990, the legendary director Eldar Ryazanov began filming the film “Promised Heaven.” The actor got a role in the film. He rehearsed a lot, repeated his lines and had no idea that he would no longer be destined to play this role. The accidental injury turned out to be fatal, causing the actor’s death. Georgy Ivanovich wanted to get a book from the top shelf, reached for it and fell sharply. Burkov's hip joint was damaged and a blood clot broke loose. The actor was urgently hospitalized and underwent surgery, but his condition continued to rapidly deteriorate. Doctors could not save the actor and he died. The cause of death was thromboembolism.
According to Ryazanov’s stories, after Burkov broke his leg, one of the actors joked that Georgy Ivanovich could play the role on crutches. However, this, unfortunately, did not happen.
The actor’s date of death is July 19, 1990. The funeral took place a few days later. At farewell to Burkov, only the artist’s relatives and friends were present. The actor’s grave is located at the Vagankovskoye cemetery. A little later, a monument was erected at the place where the actor was buried.
After the death of Burkov, his wife Tatyana Ukharova allowed the publication of the artist’s diary entries, which he kept since 1953. In 1998, the book “Chronicles of the Heart” was published, containing all the essays by Georgy Ivanovich.
The years of the actor’s life were full of creative work. Perhaps the viewer would have seen Georgy Ivanovich on the screen more than once again. Colleagues were shocked when the actor, who was only 57 years old, died.
Death
In 1990, Georgy Burkov was offered a role in the film “Promised Heaven”. The actor carefully prepared for this role, but in the summer of that year tragedy struck. Burkov reached for a book lying on the top shelf of the home library and fell, breaking his hip. Due to the fracture, a blood clot broke off. Thromboembolism caused the actor's death. Burkov underwent surgery, and the actor even began to recover, but soon his health worsened. Unfortunately, the great actor could not be saved. On July 19, 1990, his heart stopped. The funeral was held modestly, in the circle of close people.
Grave of Georgy Burkov
The grave of Georgy Ivanovich is located at the Vagankovskoye cemetery in Moscow. In Perm, in memory of the famous actor and father, a memorial plaque with the image of the artist was installed.
In memory of Georgy Burkov, television programs from the series “To Be Remembered,” “How the Idols Left,” and “My Silver Ball” were released.
