The life and work of actress Irina Goryacheva


Biography of Irina Goryacheva

Irina Goryacheva is an actress of Russian cinema and theater who, despite her solid creative biography, remained in the shadows for a long time and was not known to the general public. Thanks to the main roles in the films “Loners”, “The Well of Happy Wishes”, as well as participation in the popular TV series “Major”, Goryacheva was talked about as a talented actress who rightfully deserved the audience’s love and recognition.

Actress Irina Goryacheva
Actress Irina Goryacheva

Childhood and adolescence

The actress is a native Muscovite, born into a simple family, far from the world of cinema and theater. The mother worked as a nurse, taught her daughter how to give injections and place IVs, and dreamed that her baby would become a doctor. However, little Ira, even though she grew up a real tomboy, was afraid even of the sight of blood and in the depths of her soul she dreamed of distant travels, ancient treasures and archaeological excavations.

Irina Goryacheva got her first filming experience at the age of 4

In 1982, while walking with her parents at VDNKh, television crews approached her and offered to appear in the title sequence of the “Around the World” program. The girl immediately agreed, her parents also weren’t against it, and she didn’t have to do anything special - just splash around in the famous “Friendship of Peoples” fountain for a few minutes.

In the early 80s, Irina also starred in the children's film "Monomakh's Hat", where she was lucky enough to meet such luminaries of Soviet cinema as Mikhail Svetin, Lyudmila Chursina and Olga Volkova.

Irina Goryacheva’s height is 170 cm

However, after school, Irina was going to enter the history department, but fate decreed otherwise. Mother married a military officer for the second time and followed him to Yaroslavl, to his place of service. Irina stayed to finish her studies in Moscow, with her grandmother, and came to her parents on vacation. On one of these visits, passing by the local theater school, the girl decided to stop by for a minute in the hope of meeting some celebrity.

Irina Goryacheva on the stage of the theater

None of the famous actors caught her eye then, but Irina was completely fascinated by the amazing atmosphere of this educational institution, and she immediately wanted to become its student. To her surprise, she easily passed all the qualifying rounds and got into the course with People’s Artist of the Russian Federation V.Yu. Kirillov. Five years flew by unnoticed, and in 2000 Goryacheva successfully graduated from university, becoming a certified theater and film actress.

Biography:

Irina Goryacheva was born into a family far from the world of art. However, already at the age of 4 the girl found herself on the set. And this happened traditionally for that time: Ira was walking around VDNH with her mother, where a television representative drew attention to her. As a result, the girl starred in the title screen of the popular TV show “Around the World.” Here I would say that from that time Irina began to dream of becoming an actress, but in reality nothing like that happened. There are pleasant memories left, and that’s all. During her school years, Irina dreamed of becoming a historian and archaeologist. She dreamed of excavations and was going to enter the Far Eastern University. Mom wanted her daughter to follow in her footsteps and become a doctor. But neither one nor the other was destined to come true... After graduating from school, Irina Goryacheva went to Yaroslavl to visit relatives and, unexpectedly for herself, decided to try her hand at the local theater institute. What was even more unexpected was that the girl got in on the first try. Having successfully completed V.Yu. Kirillov’s course, Irina Goryacheva received an actress diploma in 2000 and remained to work in Yaroslavl at the Drama Theater. Fyodor Volkov. She played Ophelia in Shakespeare's Hamlet, Mashenka in the play "Enough Simplicity for Every Wise Man" based on Ostrovsky's play, Nastasya Evgrafovna in the play "Thomas" based on Dostoevsky and other roles. Here, in Yaroslavl, Irina Goryacheva found her love. They met Vadim at the institute, where they studied together. Then they worked together at the Drama Theater. Fyodor Volkov, where they played together in several performances. Over time, they became close and love arose. Irina and Vadim got married and had a daughter, Varya. After working in Yaroslavl for several years, Irina Goryacheva once went on tour with the theater to St. Petersburg. They played the play “Simplicity is enough for every wise man.” It was there that the leaders of the Alexandrinsky Theater drew attention to Irina and Vadim. An invitation to join the troupe followed, which the actors, naturally, could not refuse. Since that time, Irina and Vadim have lived and worked in the northern capital... Irina Goryacheva made her film debut as an actress at the Yaroslavl Theater. But the actress began actively acting in more or less significant roles after moving to St. Petersburg. Episodic roles in TV series were replaced by supporting roles, and then main roles appeared. So in 2007 she played Agatha in the detective series “Morozov”, in 2008 - Natasha in the tragicomedy “The Way of the Male”, and in 2009 - Tina Kirillova in the melodrama “House without Exit”. The actress is also remembered for the detective series “The Age of Sagittarius,” based on the works of Natalya Andreeva, where Sasha Zavyalova became the heroine of Irina Goryacheva. But 2011 turned out to be especially successful for the actress, when several films with her participation were released at once. The most notable is the melodrama “Loners,” which tells the story of a young woman Anna, who found her happiness in the person of the homeless man Zhorik, who in the end turned out to be not such a homeless person.

Actor career

Irina was enrolled in the troupe of the Yaroslavl Drama Theater named after Volkov, on the stage of which she played many bright character roles. She was involved in the plays “The Cherry Orchard”, “Hamlet”, “Thomas” and many others. During a tour in St. Petersburg, Goryacheva was invited to the famous Alexandrinsky Theater, and without hesitation, she moved from Yaroslavl to the cultural capital of Russia.

At the beginning of her career, Irina Goryacheva moved to St. Petersburg

Around the same time, the actress began acting in films. Considering her childhood experience of appearing on screen, her roles in the TV series “Deadly Force-2”, “Mole” and “NLS Agency”, which she played in 2001, can hardly be called a debut; rather, it was a “return to the profession” as an already certified actresses.

Irina Goryaeva in the TV series “Deadly Force-2”

In 2003, the management of Alexandrinka changed, and the theater was headed by director Valery Fokin. Many artists could not find a common language with him, including Irina. After experiencing several conflict situations, she left the theater and devoted herself entirely to cinema. Goryacheva took on any job, did not shy away from episodes in TV series, and, having gained the necessary experience, in 2007 she played the main role in the crime series “Morozov”.

Irina Goryacheva in the series "Morozov"

The actress so convincingly got used to the image of Agatha, the beloved of the main character, that she even caused small twinges of jealousy in her own husband. A year later, Irina played one of the leading roles in the film adaptation of Roman Trachtenberg’s scandalous bestseller “The Way of the Male,” and in 2009 she played the wife of the main character in the melodrama “House with No Exit.”

This was followed by successful work in the films “Loners” (2011), “Lucky Pashka” (2012), “When you’re not expecting him at all” (2014). In 2016, the actress brilliantly played the main role in the film adaptation of Ustinova’s detective novel “The Well of Happy Wishes” and in the same year appeared in the second part of the now cult series “Major”.

Irina Goryacheva in the series “The Well of Forgotten Wishes” Few people know that Goryacheva is a master of dubbing, her voice is spoken by Megan Fox in the film “Jennifer’s Body” (2009), Amber Heard in “The Rum Diary” (2010), Naomi Watts in “Birdman” "(2014) and many other famous Hollywood actresses. Irina also successfully voices cartoons; her track record includes about a dozen such works.

An excerpt characterizing Goryacheva, Irina Georgievna

Pierre walked, looking around, counting steps in threes, and counting on his fingers. Turning to the rain, he internally said: come on, come on, give it more, give it more. It seemed to him that he was not thinking about anything; but far and deep somewhere his soul thought something important and comforting. This was something of a subtle spiritual extract from his conversation with Karataev yesterday. Yesterday, at a night halt, chilled by the extinguished fire, Pierre stood up and moved to the nearest, better-burning fire. By the fire, to which he approached, Plato was sitting, covering his head with an overcoat like a chasuble, and telling the soldiers in his argumentative, pleasant, but weak, painful voice a story familiar to Pierre. It was already past midnight. This was the time at which Karataev usually recovered from a feverish attack and was especially animated. Approaching the fire and hearing Plato’s weak, painful voice and seeing his pitiful face brightly illuminated by the fire, something unpleasantly pricked Pierre’s heart. He was frightened by his pity for this man and wanted to leave, but there was no other fire, and Pierre, trying not to look at Plato, sat down near the fire. - How's your health? - he asked. - How's your health? “God will not allow you to die because of your illness,” said Karataev and immediately returned to the story he had begun. “...And so, my brother,” continued Plato with a smile on his thin, pale face and with a special, joyful sparkle in his eyes, “here, my brother... Pierre knew this story for a long time, Karataev told this story to him alone six times, and always with a special, joyful feeling. But no matter how well Pierre knew this story, he now listened to it as if it were something new, and that quiet delight that Karataev apparently felt while telling it was also communicated to Pierre. This story was about an old merchant who lived decently and God-fearingly with his family and who one day went with a friend, a rich merchant, to Makar. Stopping at an inn, both merchants fell asleep, and the next day the merchant's comrade was found stabbed to death and robbed. A bloody knife was found under the old merchant's pillow. The merchant was tried, punished with a whip and, having pulled out his nostrils - in the proper order, said Karataev - he was sent to hard labor. “And so, my brother” (Pierre caught Karataev’s story at this point), this case has been going on for ten years or more. An old man lives in hard labor. As follows, he submits and does no harm. He only asks God for death. - Fine. And if they get together at night, the convicts are just like you and me, and the old man is with them. And the conversation turned to who is suffering for what, and why is God to blame. They began to say, that one lost a soul, that one lost two, that one set it on fire, that one ran away, no way. They began to ask the old man: why are you suffering, grandpa? I, my dear brothers, he says, suffer for my own and for people’s sins. But I didn’t destroy any souls, I didn’t take anyone else’s property, other than giving away to the poor brethren. I, my dear brothers, am a merchant; and had great wealth. So and so, he says. And he told them how the whole thing happened, in order. “I don’t worry about myself,” he says. It means God found me. One thing, he says, I feel sorry for my old woman and children. And so the old man began to cry. If that same person happened to be in their company, it means that he killed the merchant. Where did grandpa say he was? When, in what month? I asked everything. His heart ached. Approaches the old man in this manner - a clap on the feet. For me, he says, old man, you are disappearing. The truth is true; innocently in vain, he says, guys, this man is suffering. “I did the same thing,” he says, “and put a knife under your sleepy head.” Forgive me, he says, grandfather, for Christ’s sake. Karataev fell silent, smiling joyfully, looking at the fire, and straightened the logs. - The old man says: God will forgive you, but we are all sinners to God, I suffer for my sins. He himself began to cry bitter tears. What do you think, falcon,” Karataev said, beaming brighter and brighter with an enthusiastic smile, as if what he now had to tell contained the main charm and the whole meaning of the story, “what do you think, falcon, this killer, the one in charge, has appeared . I, he says, ruined six souls (I was a big villain), but most of all I feel sorry for this old man. Let him not cry at me. Showed up: they wrote it off, sent the paper as it should. The place is far away, until the trial and the case, until all the papers have been written off as they should, according to the authorities, that is. It reached the king. So far, the royal decree has come: to release the merchant, give him awards, as much as they were awarded. The paper arrived and they began to look for the old man. Where did such an old man suffer innocently in vain? The paper came from the king. They started looking. – Karataev’s lower jaw trembled. - And God already forgave him - he died. So, falcon,” Karataev finished and looked ahead for a long time, silently smiling. Not this story itself, but its mysterious meaning, that enthusiastic joy that shone in Karataev’s face at this story, the mysterious meaning of this joy, it was now vaguely and joyfully filling Pierre’s soul. – A vos places! [Get to your places!] - a voice suddenly shouted. There was a joyful confusion and expectation of something happy and solemn between the prisoners and the guards. The shouts of the command were heard from all sides, and on the left side, trotting around the prisoners, cavalrymen appeared, well dressed, on good horses. On all their faces there was an expression of the tension that people have when they are close to higher authorities. The prisoners huddled together and were pushed off the road; The guards lined up. – L'Empereur! L'Empereur! Le marechal! Le duc! [Emperor! Emperor! Marshal! Duke!] - and the well-fed guards had just passed when a carriage thundered in a train, on gray horses. Pierre caught a glimpse of the calm, handsome, thick and white face of a man in a three-cornered hat. It was one of the marshals. The marshal's gaze turned to the large, conspicuous figure of Pierre, and in the expression with which this marshal frowned and turned his face away, Pierre seemed to have compassion and a desire to hide it.

Personal life of Irina Goryacheva

Irina met her future husband Vadim Romanov while studying in Yaroslavl. At first, their relationship was more like friendship, however, finding themselves together on the stage of the Volkov Theater after graduating from university, the young people became close, then decided to get married.

Irina Goryacheva and her husband

A move to St. Petersburg and joint work at the Alexandrinsky Theater followed. The couple bought themselves a small apartment in the city on the Neva and became the parents of a wonderful baby Varvara.

Irina Goryacheva and her daughter

About family

Irina Goryacheva’s husband was a young man, Vadim, a student at the university where she studied. Irina and Vadim were connected not only by family relationships, but also by work relationships: they both worked at one time in the same theater and played in the same productions. The family now has a daughter, who was given the name Varya at birth. A theatrical tour in St. Petersburg for Irina and her husband resulted in an invitation to serve at the Alexandrinsky Theater. Thus, having accepted this offer, they ended up in the northern capital, where they live and work to this day.

Irina Goryacheva now

In 2020, two major projects with Goryacheva’s participation were released on screens. The actress played the friend of the main character in the series “Caviar,” filmed for Channel One, and played the role of psychologist Victoria Berseyeva in the action-packed detective story “Svoi.” Irina Goryacheva in the series “Ours” In 2020, viewers could see the actress in the films “Northern Lights”, “Stationery Rat” and “The Day Ahead”, and in 2020 four premieres with the participation of our heroine are being prepared for release: “A Petersburg Romance”, “Between Heaven and Earth”, “About Faith” and the continuation of “Northern Lights”.

Career and personal life

In St. Petersburg there are much more opportunities for creativity than in provincial cities. According to the current canons, Goryacheva began to be invited to film films. In a short period of time, she played in the TV series “NLS Agency”, “Mole”, “Deadly Force”. Some time later, in 2003, the actress left the theater after a conflict with the director. From that moment on, she focused on working in films.

The personal life of Irina Goryacheva was successful. She lives in a legal marriage with Vadim Romanov, an institute classmate. A husband and wife are raising a daughter. In 2020, four films featuring Goryacheva will be released.

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