Theater-studio of a film actor: for whom Vladimir Gostyukhin sang songs and read poetry

Biography

The famous Soviet-era actor Vladimir Vasilyevich Gostyukhin was born on March 10, 1946 in the city of Sverdlovsk, present-day Yekaterinburg.
Despite the fact that his parents were directly related to art (his father was the director of the Sverdlovsk cultural center, his mother was an actress in a small amateur theater), in his youth Vladimir showed no interest in acting on stage. He chose the profession of an electrician and graduated from radio technical school. While studying, he worked at a stadium, where he eventually received the position of chief power engineer. It was then that I first entered the student theater and realized that I had found my calling. Because of his hobby, he had to quit college in his final years, after which Vladimir Vasilyevich decided to study acting.

The beginning of a theatrical career

A serious passion for theater brought Gostyukhin to Moscow. In 1970 he graduated from GITIS. During his studies, he showed himself as an active participant in student performances. The talented actor was noticed by director Marlen Khutsiev , and in 1970 he invited Vladimir to play his first role in the feature film “It Was the Month of May.”

Having played an episode in the project, Gostyukhin strengthened his intention to continue acting in big films. But after filming, the young man was drafted into the army.

After 2 years of absence, it was difficult to get into the big world of cinema; Gostyukhin had to work for more than 5 years as a props manager at the Central Academic Theater of the Soviet Army.

He got a chance to go on the big stage when one of the actors fell ill and the performance was in jeopardy. Gostyukhin gladly replaced his colleague and got the opportunity to remind the directors and the public about himself.

Childhood and youth

Vladimir Gostyukhin was born on March 10, 1946 in Sverdlovsk. The child was alive and active. He grew up in a creative family. His father, Vasily Gostyukhin, worked as the director of the House of Culture in the regional city of Alapaevsk, and his mother participated in the local amateur theater.

It would seem that their son was destined to connect his destiny with art, but he unexpectedly surprised everyone by going to study at a radio technical school. At the same time, the guy worked as an electrician at the Central Sverdlovsk stadium, and after that he was transferred to the main power engineers. Thanks to his work, the city was able to successfully host the world speed skating championship.

In his youth, Vladimir Gostyukhin was not distinguished by exemplary behavior, often did not know what to do with himself, was a hooligan and rowdy. He had 28 reports to the police. Thanks to the theater, the guy managed to avoid getting into serious criminal incidents and avoided prison, unlike many of his former friends.

While studying at the technical school, Vladimir began acting in the student theater. Soon the future artist was so captivated by art that he left his educational institution. Gostyukhin spent almost all his free time in the studio located at the cultural center. Then the guy realized that he wanted to continue to engage in acting professionally, and headed to Moscow.

In 1970, Gostyukhin went to study at GITIS. In the same year he first appeared on the big screen. Vladimir played an episode in Marlen Khutsiev’s film “It Was the Month of May.” This small work became an invaluable and important experience for the aspiring artist.

After some time, the future actor was drafted into the armed forces. Gostyukhin served all two years in the Taman Guards Division and again came to the capital. He got a job at the Central Academic Theater of the Soviet Army. At that time, the artist practically did not engage in acting, but worked with furniture.

Gostyukhin spent six years in his position, hoping to someday take part in some production. One day, an actor from their theater troupe became very ill, and Vladimir was offered to replace him. The artist successfully completed the task assigned to him.

Filming

Vladimir Gostyukhin received his first notable film role in 1976, when director Larisa Shepitko began filming the war drama “The Ascension.” After a large casting, it was Vladimir Vasilyevich who was entrusted with the main role of the Fisherman.

The film received wide recognition from the public and positive reviews from film critics, and was also awarded the international Golden Bear award at the Berlin Film Festival.

The actor began to receive many offers, from which he always chose only the most interesting and exciting ones. In 1977, the TV series “Walking Through Torment” (the role of Krasilnikov) was released. Until 1990, Vladimir Gostyukhin starred in such famous Soviet films as:

• "Shore";
• "Urga: Territory of Love";
• "In Search of Captain Grant";
• "Quiet Don";
• "Moonzund" and others.

Now he is much more picky about the choice of scripts, trying to appear in a variety of roles, both dramatic and comedic. In 2001, Vladimir Gostyukhin became even more popular by taking part in the television series “Truckers” together with Vladislav Galkin.

The actors formed a wonderful tandem, appearing in the images of ordinary Russian men, drivers who find themselves in various life situations, sometimes funny, sometimes dangerous. Vladimir Gostyukhin masterfully took on the role of the wise and experienced mentor Fyodor Ivanovich.

The series was successfully broadcast on television for 3 seasons in a row, the creators planned to continue filming. In 2010, the lead actor Sashka Vyacheslav Galkin suddenly died, after which the series was closed indefinitely. In 2011, it was announced that the filming of a continuation of the TV series “Truckers” would be filmed, as well as Vladimir Gostyukhin’s agreement to appear in his usual role.

After the release of several episodes, the project was closed, as Gostyukhin left the project. The actor explained his action by his reluctance to act with partners of small caliber, and also expressed the idea that without Galkin the series became less interesting and lost its zest.

One of Vladimir Gostyukhin’s recent successful works is his role in Valery Todorovsky’s television series The Thaw (2013). The series also featured such famous actors as Mikhail Efremov, Evgeny Tsaganov, Victoria Isakova, Anna Chipovskaya and others. Vladimir Vasilyevich played the director of the Mosfilm film studio.

Now the actor is over 70, but he continues to act in TV series. There are currently two projects in production: “Guardian Angel” and “Miracle Worker”, which are scheduled for release in 2018.

An excerpt characterizing Gostyukhin, Vladimir Vasilievich

- Guys, go ahead! – he shouted childishly. "Here it is!" thought Prince Andrei, grabbing the flagpole and hearing with pleasure the whistle of bullets, obviously aimed specifically at him. Several soldiers fell. - Hooray! - Prince Andrei shouted, barely holding the heavy banner in his hands, and ran forward with undoubted confidence that the entire battalion would run after him. Indeed, he only ran a few steps alone. One soldier set off, then another, and the whole battalion shouted “Hurray!” ran forward and overtook him. The non-commissioned officer of the battalion ran up and took the banner, which was shaking from the weight in the hands of Prince Andrei, but was immediately killed. Prince Andrei again grabbed the banner and, dragging it by the pole, fled with the battalion. Ahead of him, he saw our artillerymen, some of whom fought, others abandoned their cannons and ran towards him; he also saw French infantry soldiers who grabbed artillery horses and turned the guns. Prince Andrei and his battalion were already 20 steps from the guns. He heard the incessant whistling of bullets above him, and soldiers constantly groaned and fell to the right and left of him. But he didn't look at them; he peered only at what was happening in front of him - on the battery. He clearly saw one figure of a red-haired artilleryman with a shako knocked on one side, pulling a banner on one side, while a French soldier was pulling the banner towards himself on the other side. Prince Andrey already clearly saw the confused and at the same time embittered expression on the faces of these two people, who apparently did not understand what they were doing. "What are they doing? - thought Prince Andrei, looking at them: - why doesn’t the red-haired artilleryman run when he has no weapons? Why doesn't the Frenchman stab him? Before he can reach him, the Frenchman will remember the gun and stab him to death.” Indeed, another Frenchman, with a gun to his advantage, ran up to the fighters, and the fate of the red-haired artilleryman, who still did not understand what awaited him and triumphantly pulled out the banner, was to be decided. But Prince Andrei did not see how it ended. It seemed to him that one of the nearby soldiers, as if swinging a strong stick, hit him in the head. It hurt a little, and most importantly, it was unpleasant, because this pain entertained him and prevented him from seeing what he was looking at. "What is this? I'm falling? My legs are giving way,” he thought and fell on his back. He opened his eyes, hoping to see how the fight between the French and the artillerymen ended, and wanting to know whether the red-haired artilleryman was killed or not, whether the guns were taken or saved. But he didn't see anything. There was nothing above him anymore except the sky - a high sky, not clear, but still immeasurably high, with gray clouds quietly creeping across it. “How quiet, calm and solemn, not at all like how I ran,” thought Prince Andrei, “not like how we ran, shouted and fought; It’s not at all like how the Frenchman and the artilleryman pulled each other’s banners with embittered and frightened faces - not at all like how the clouds crawl across this high endless sky. How come I haven’t seen this high sky before? And how happy I am that I finally recognized him. Yes! everything is empty, everything is deception, except this endless sky. There is nothing, nothing, except him. But even that is not there, there is nothing but silence, calm. And thank God!...” On Bagration’s right flank at 9 o’clock things had not yet begun. Not wanting to agree to Dolgorukov’s demand to start the business and wanting to deflect responsibility from himself, Prince Bagration suggested that Dolgorukov be sent to ask the commander-in-chief about this. Bagration knew that, due to the distance of almost 10 versts separating one flank from the other, if the one sent was not killed (which was very likely), and even if he found the commander-in-chief, which was very difficult, the sent one would not have time to return earlier evenings. Bagration looked around at his retinue with his large, expressionless, sleep-deprived eyes, and Rostov’s childish face, involuntarily frozen with excitement and hope, was the first to catch his eye. He sent it. - What if I meet His Majesty before the Commander-in-Chief, Your Excellency? - said Rostov, holding his hand to the visor. “You can hand it over to your Majesty,” Dolgorukov said, hastily interrupting Bagration. Having been released from the chain, Rostov managed to sleep for several hours before the morning and felt cheerful, courageous, decisive, with that elasticity of movements, confidence in his happiness and in that mood in which everything seems easy, fun and possible. All his wishes were fulfilled that morning; a general battle was fought, he took part in it; Moreover, he was an orderly under the bravest general; Moreover, he was traveling on an errand to Kutuzov, and perhaps even to the sovereign himself. The morning was clear, the horse under him was good. His soul was joyful and happy. Having received the order, he set off his horse and galloped along the line. At first he rode along the line of Bagration’s troops, which had not yet entered into action and stood motionless; then he entered the space occupied by Uvarov’s cavalry and here he already noticed movements and signs of preparations for the case; Having passed Uvarov's cavalry, he already clearly heard the sounds of cannon and gunfire ahead of him. The shooting intensified. In the fresh morning air there were no longer, as before, at irregular intervals, two, three shots and then one or two gun shots, and along the slopes of the mountains, in front of Pratzen, the rolls of gunfire were heard, interrupted by such frequent shots from guns that sometimes several cannon shots were no longer separated from each other, but merged into one common roar. It was visible how the smoke of the guns seemed to run along the slopes, catching up with each other, and how the smoke of the guns swirled, blurred and merged with one another. Visible, from the shine of the bayonets between the smoke, were the moving masses of infantry and narrow strips of artillery with green boxes. Rostov stopped his horse on a hill for a minute to examine what was happening; but no matter how hard he strained his attention, he could neither understand nor make out anything of what was happening: some people were moving there in the smoke, some canvases of troops were moving both in front and behind; but why? Who? Where? it was impossible to understand. This sight and these sounds not only did not arouse in him any dull or timid feeling, but, on the contrary, gave him energy and determination. “Well, more, give it more!” - He turned mentally to these sounds and again began to gallop along the line, penetrating further and further into the area of ​​​​the troops who had already entered into action. “I don’t know how it will be there, but everything will be fine!” thought Rostov. Having passed some Austrian troops, Rostov noticed that the next part of the line (it was the guard) had already entered into action. "All the better! I’ll take a closer look,” he thought. He drove almost along the front line. Several horsemen galloped towards him. These were our life lancers, who were returning from the attack in disordered ranks. Rostov passed them, involuntarily noticed one of them covered in blood and galloped on. “I don’t care about this!” he thought. Before he had ridden a few hundred steps after this, to his left, across the entire length of the field, a huge mass of cavalrymen on black horses, in shiny white uniforms, appeared, trotting straight towards him. Rostov put his horse into full gallop in order to get out of the way of these cavalrymen, and he would have gotten away from them if they had kept the same gait, but they kept speeding up, so that some horses were already galloping. Rostov heard their stomping and the clanking of their weapons more and more clearly, and their horses, figures, and even faces became more visible. These were our cavalry guards, going into an attack on the French cavalry, which was moving towards them. The cavalry guards galloped, but still holding their horses. Rostov already saw their faces and heard the command: “march, march!” uttered by an officer who unleashed his blood horse at full speed. Rostov, fearing to be crushed or lured into an attack on the French, galloped along the front as fast as his horse could, and still did not manage to get past them. The last cavalry guard, a huge, pockmarked man, frowned angrily when he saw Rostov in front of him, with whom he would inevitably collide. This cavalry guard would certainly have knocked down Rostov and his Bedouin (Rostov himself seemed so small and weak in comparison with these huge people and horses), if he had not thought of swinging his whip into the eyes of the cavalry guard's horse. The black, heavy, five-inch horse shied away, laying down its ears; but the pockmarked cavalry guard thrust huge spurs into her sides, and the horse, waving its tail and stretching its neck, rushed even faster. The cavalry guards had barely passed Rostov when he heard them shout: “Hurray!” and looking back he saw that their front ranks were mingling with strangers, probably French, cavalrymen in red epaulets. It was impossible to see anything further, because immediately after that guns began firing from somewhere, and everything was covered in smoke. At that moment, as the cavalry guards, having passed him, disappeared into the smoke, Rostov hesitated whether to gallop after them or go where he needed to go. This was that brilliant attack of the cavalry guards, which surprised the French themselves. Rostov was scared to hear later that out of all this mass of huge handsome people, out of all these brilliant, rich young men, officers and cadets riding thousands of horses, galloping past him, only eighteen people remained after the attack. “Why should I envy, what is mine will not go away, and now, perhaps, I will see the sovereign!” thought Rostov and rode on. Having caught up with the guards infantry, he noticed that cannonballs were flying through and around them, not so much because he heard the sound of cannonballs, but because he saw concern on the faces of the soldiers and unnatural, warlike solemnity on the faces of the officers. Driving behind one of the lines of infantry guard regiments, he heard a voice calling him by name. - Rostov! - What? – he responded, not recognizing Boris. - What is it like? hit the first line! Our regiment went on the attack! - said Boris, smiling that happy smile that happens to young people who have been on fire for the first time. Rostov stopped. - That's how it is! - he said. - Well? - They recaptured! - Boris said animatedly, having become talkative. - You can imagine? And Boris began to tell how the guard, having taken their place and seeing the troops in front of them, mistook them for Austrians and suddenly learned from the cannonballs fired from these troops that they were in the first line, and unexpectedly had to take action. Rostov, without listening to Boris, touched his horse. - Where are you going? – asked Boris. - To His Majesty with an errand. - Here he is! - said Boris, who heard that Rostov needed His Highness, instead of His Majesty. And he pointed him to the Grand Duke, who, a hundred paces away from them, in a helmet and a cavalry guard's tunic, with his raised shoulders and frowning eyebrows, was shouting something to the white and pale Austrian officer. “But this is the Grand Duke, and I’m going to the commander-in-chief or the sovereign,” said Rostov and started to move his horse. - Count, count! - shouted Berg, as animated as Boris, running up from the other side, - Count, I was wounded in my right hand (he said, showing his hand, bloody, tied with a handkerchief) and remained in the front. Count, holding a sword in my left hand: in our race, the von Bergs, Count, were all knights. Berg said something else, but Rostov, without listening to him, had already moved on. Having passed the guards and an empty gap, Rostov, in order not to fall into the first line again, as he came under attack by the cavalry guards, rode along the line of reserves, going far around the place where the hottest shooting and cannonade was heard. Suddenly, in front of him and behind our troops, in a place where he could not possibly suspect the enemy, he heard close rifle fire. "What could it be? - thought Rostov. - Is the enemy behind our troops? It can’t be, Rostov thought, and a horror of fear for himself and for the outcome of the entire battle suddenly came over him. “Whatever it is, however,” he thought, “there’s nothing to go around now.” I must look for the commander-in-chief here, and if everything is lost, then it’s my job to perish along with everyone else.” The bad feeling that suddenly came over Rostov was confirmed more and more the further he drove into the space occupied by crowds of heterogeneous troops, located beyond the village of Prats. - What's happened? What's happened? Who are they shooting at? Who's shooting? - Rostov asked, matching the Russian and Austrian soldiers running in mixed crowds across his road. - The devil knows them? Beat everyone! Get lost! - the crowds of people running and not understanding, just like him, what was happening here, answered him in Russian, German and Czech. - Beat the Germans! - one shouted. - Damn them - traitors. “Zum Henker diese Ruesen... [To hell with these Russians...],” the German grumbled something. Several wounded were walking along the road. Curses, screams, moans merged into one common roar. The shooting died down and, as Rostov later learned, Russian and Austrian soldiers were shooting at each other. "My God! what is this? - thought Rostov. - And here, where the sovereign can see them at any moment... But no, these are probably just a few scoundrels. This will pass, this is not it, this cannot be, he thought. “Just hurry up, pass them quickly!”

Filmography

Movies

Gostyukhin’s debut film works were unnoticeable roles in the films “Great Hungry Men”, “Heart of Russia” and others. The actor also appeared in a number of episodes of films dedicated to a military theme. The war entered the artist’s life, as he admits, even in childhood. After the victory, Vladimir’s hometown was overflowing with soldiers who had returned to peaceful life. Gostyukhin’s father, who was disabled at the front, often told his son about wartime.

The first notable role was the work in the film about the feat of the Belarusian partisans “The Ascension” directed by Larisa Shepitko. It was a well-deserved success, since Gostyukhin had to go through a difficult casting, and he was chosen for the role. The film was highly appreciated by critics and the public. The film “The Ascension” received international awards.

The serial film “Walking Through Torment” also played an important role in the fate of the actor. After filming, Gostyukhin became a recognizable actor, people fell in love with him, and many directors began to invite him to filming. Among the best works in Gostyukhin’s filmography are the films “In Search of Captain Grant”, “Time Has Chosen Us”, “Fox Hunt”, “The Shore” and others.

Vladimir Gostyukhin: “When I was young, I tried to commit suicide” Vladimir Gostyukhin Filmography of 73-year-old Vladimir...
Published by Real-lifes Monday, September 30, 2020

Vladimir Gostyukhin in the series “Truckers”
The actor’s excellent performance does not go unnoticed, and Vladimir Vasilyevich begins to receive awards. In 1980, Gostyukhin was awarded the Lenin Komsomol Prize for his role as Semyon in the film “Time Has Chosen Us.” In 1982, his performance in the film “Fox Hunt” was celebrated at the San Remo Film Festival, where the artist received the award for Best Actor. In the same 1982, Gostyukhin was awarded the State Prize of the BSSR for his role in the film “I’ll Take Your Pain,” where the actor played Ivan Batrak.

3 years later, Gostyukhin received the USSR State Prize for his role in the film “The Shore”. 1990 brought Vladimir an award for best actor in the film “Our Armored Train” at the Sopot festival. In the same year, the artist played the main character in Nikita Mikhalkov’s comedy “The Hitchhiker,” in which Nina Ruslanova also starred.

Initially, the director did not plan to create a full-length film; the material was filmed for a car commercial, but it was enough to edit a full-fledged film.

Most recently, the TV series “Truckers” celebrated its anniversary - 15 years since the first episode was released on television.
Probably... Published by TsMK tires KAMA Wednesday, October 19, 2020

Vladimir Gostyukhin and Vladislav Galkin
In the 90s, Vladimir Vasilyevich began to appear on stages less and less often. The actor, a man of the old school, did not want to act in low-quality films and screened out offers. But in 1991, Gostyukhin took part in the filming of the film “Urga” and received the State Prize of the Russian Federation for this.

Later, his repertoire was replenished with leading roles in the films “American Fight”, “General”, “Noble Zavalnya, or Belarus in Fantastic Stories”. Vladimir Vasilyevich appeared as an investigator in the drama “Son for Father,” which starred Nikolai Eremenko Sr. and Nikolai Eremenko Jr.

In 2001, the actor agreed to the role, which made him popular among modern viewers. Vladimir Vasilyevich plays one of the main roles in the series “Truckers”, an experienced truck driver Fyodor Ivanovich. At the beginning of the series, Fedor loses his usual partner and tries to adapt to a new one - the young and explosive Sashka Korovin, played by Vladislav Galkin.

Vladimir Gostyukhin and Alla Prolich
Published by Larisa Obibok Monday, March 9, 2020

Vladimir Gostyukhin and ex-wife Alla Prolich
The series about the adventures of truck driver partners and the acting duo that formed in the project fell in love with television viewers, so in 2004 Vladimir Gostyukhin returned to the image of an experienced driver in the 2nd season of “Truck Drivers.” In 2010, the actor starred in the 3rd season, his Fyodor Ivanovich is no longer a truck driver. He became the acting director of the motor depot.

In addition to the popular series, the actor played in the sports melodrama “Team”, where he played the role of a coach who managed to bring an outsider football team to the top of the standings. On the set, Vladimir Vasilyevich was accompanied by Yaroslav Boyko, Dmitry Dyuzhev, Alexey Shevchenkov, Alisa Grebenshchikova.

Among the outstanding works of this time in the performer’s collection are the films “The Hunt for the Manchurian Man,” “The First After God,” and “The Enchanted Site.” The artist continued the theme of the Great Patriotic War with the films “Death to Spies. Crimea", "Military Intelligence. Western Front", "Three Days of Lieutenant Kravtsov".

Vladimir Vasilievich Gostyukhin!
I love this Man with a capital P! A sensitive partner on stage and in film, amazing... Published by Alesa Kacher Sunday, October 27, 2020

Vladimir Gostyukhin and Alesa Kacher
Among the notable works, viewers remember the film “The Thaw” directed by Valery Todorovsky, which was released in 2013. This year also brought the actor 4 leading roles: in the Russian-Ukrainian military drama “1943”, in the adventure film “Without the Right to Choose”, in the drama “For a Meeting”, based on the story by Roman Senchin, and in the adventure melodrama “Train to the North” "

In 2014, viewers enjoyed the actor’s performance in the popular films “The Alchemist”, “Yolki 1914” and in the 4-episode crime melodrama “Doctor Death”.

In 2020, Vladimir Gostyukhin played leading roles in the mystical drama “The Cain Code,” co-produced by Russia, Belarus and the United States, and in the military mini-series “Sniper: Hero of the Resistance.” In the same year, the actor began filming the adventure series “In No Man's Land,” but the film was not completed.

Actor Vladimir Gostyukhin
Published by Kino Russia Tuesday, March 17, 2020

Actor Vladimir Gostyukhin
In 2020, Vladimir Vasilyevich played Ataman Pyotr Lazarev in the crime series “Cossacks”. The film was about the murder of a married couple in the village of the Krasnodar Territory, the capital's police major was involved in the investigation. He managed to get on the trail of the criminal. The leading roles in the film were Anton Pampushny and Evgeny Sidikhin. In the same year, the family fantasy film “Santa Claus. Battle of the Magicians,” in which Gostyukhin also starred.

In March 2020, Vladimir Gostyukhin became a guest on Channel One’s “Tonight” program dedicated to the actor’s 70th anniversary.

The maestro’s colleagues shared with the audience their memories of the stages of the actor’s career, and the hero of the day showed fans his family, home and dacha, which he considers the best place in the world. Despite the fact that the actor is not Belarusian, he fell in love with Minsk and at one time decided to settle here. In Belarus, the actor celebrated the anniversary with a one-man show at the Theater-Studio of the Film Actor of the National Film Studio "Belarusfilm" "Anna Snegina".

Awards

• Honored Artist of the Belarusian SSR (1982);
• State Prize of the Russian Federation (1993);
• State Prize of the BSSR (1982);
• Lenin Komsomol Prize (1980);
• Sanremo International Film Festival Prize for Best Actor (1982);
• prize for best actor at the Sopot International Film Festival (1990);
• Pushkinaz Medal of Merit in the field of culture and art, for great contribution to the study and preservation of cultural heritage, to the rapprochement and mutual enrichment of cultures of nations and nationalities, for the creation of highly artistic images (2007).

Personal life

Vladimir Gostyukhin was married 4 times. He entered into his first short marriage when he was a student at the theater institute with student Galina. The actor married for the second time in 1970 to assistant costume designer Zinaida. From this marriage the actor has a daughter, Irina (born in 1972). Irina has a daughter, Milena, the actor’s granddaughter.

In 1977, Gostyukhin married make-up artist Svetlana. The marriage lasted until 2000; in 1982, daughter Margarita was born. Now she, like her mother, works as a make-up artist at the Belarusfilm film studio.

After his divorce from Svetlana, the actor proposed to actress Alla Prolich. The lovers also met in a work environment - Alla served as assistant director of the play in which Gostyukhin was involved. The actor also has an illegitimate daughter, Alexandra (born in 1986). She was born from the romance of Vladimir Vasilyevich and television journalist Tatyana, now lives in the USA and works in the press.

Despite the difficult character of Vladimir Gostyukhin, who is not afraid to express his thoughts and is picky about the work of each member of the film crew, he is loved for his professionalism and great efficiency. The actor gave up bad habits many years ago and encourages everyone to lead a healthy lifestyle.

Vladimir Gostyukhin now

Vladimir Vasilyevich continues to actively act in films. Thus, in 2016, with his participation, the series “Cossacks” was released , as well as the fantasy film “Father Frost. Battle of the Mages."

Vladimir Gostyukhin now

In March 2020, Vladimir Gostyukhin was invited to become a guest of the “ Tonight” program on Channel One, which was dedicated to the 70th anniversary of Vladimir Vasilyevich. The hero of the program himself and his colleagues told the audience about the actor’s film career. Vladimir Gostyukhin also showed everyone his house and dacha and introduced him to his family.

In 2020, the series “Bunches of Grapes” premiered . This is a drama film in which Gostyukhin played grandfather Mikhas; the action in the film takes place from 1953 to the 1980s.

Gostyukhin on Channel One
Graduated from radio technical school, State Institute of Theater Arts. A.V. Lunacharsky in 1970.