Lyudmila Lyadova

Biography of Lyudmila Lyadova

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With great pleasure, we invite you to get acquainted with the biography of Lyudmila Alekseevna Lyudova - People's Artist of the RSFSR, famous singer and composer. While collecting information about the celebrity, we came across several interesting facts that will definitely attract your attention. So, let's go!

Lyudmila Lyadova: biography, acquaintance

So, Lyadova Lyudmila Alekseevna is a People’s Artist of the Soviet Union, composer, pianist, singer. It seems that her talent is limitless, and she has fully realized and continues to realize her creativity. Today Lyudmila Lyadova is popular, well-known and enjoys great respect, this can be noted by the fact that Lyudmila Alekseevna has been an Honored Artist of the Russian Socialist Federative Soviet Republic since 1975, and since 1984 she has become a People's Artist of the Russian Socialist Federative Soviet Republic. Lyudmila Lyadova is also a laureate of various international festivals and competitions. Since 1993, she became a member of the Peace Foundation. The activities of Lyudmila Alekseevna are also about “For services to the Fatherland.” The composer's name remains forever on the pages of the world encyclopedia of music. But as you know, we all come from childhood, so it’s worth paying attention to Lyudmila Alekseevna’s childhood.

Born on March 29, 1925 in Sverdlovsk, in a family of professional musicians. Father - Lyadov Alexey Ivanovich, was a soloist of the Sverdlovsk Opera House (tenor), then worked as a violinist in an orchestra (in addition to the violin, he played the saxophone and mandolin beautifully). Mother, Yulia Petrovna Lyadova (1902–1980), was a choirmaster by training, conducted amateur groups, and sang in the Sverdlovsk Philharmonic for a long time. Spouse: Lyadov Alexander Fedorovich.

Her parents, noticing her daughter’s musical talent early on, began seriously preparing her for a career as a pianist. First, they invited a home teacher who gave Lyudmila private lessons. Then she was sent to a music school with the excellent teacher V.A. Bernhard. At the age of 10, having passed a big competition (out of 150 people, only 15 were enrolled), Lyudmila entered the children's department of the Sverdlovsk Conservatory under Professor B.S. Marantz - a student of the famous G.G. Neuhaus. From the age of 11, the girl played the most complex works of the classical repertoire at school parties, Christmas trees, at the club where her mother worked, and participated in shows, festivals, and competitions. A big event for her, a 14-year-old schoolgirl, was a performance with an orchestra under the direction of the wonderful conductor Mark Paverman on the stage of the Sverdlovsk Philharmonic. Then she played Mendelssohn's flat concerto, and a year later with the same orchestra she performed Tchaikovsky's famous First Concerto, works by Rachmaninov and Liszt. After graduating from college, Lyudmila was enrolled in the piano class of B.S. at the conservatory. Marantz. At the same time, she studied at the composition department with Professor V.N. Trambitsky.

During the Great Patriotic War, Lyudmila and her mother actively participated in the work of concert teams: they performed in military units, factories, at the conservatory, and on an improvised stage in the station building. Lyudmila played classics, performed songs from the repertoire of her favorite singer Lydia Ruslanova, as well as new military songs heard on the radio by Pokrass, Dunaevsky, Mokrousov, Solovyov-Sedoy, Bogoslovsky, Katz, Blanter. She sang “Dark Night”, “Let’s Light a Smoke”, “The Accordion Sings Beyond Vologda”, and really loved Katz’s song “Like an Old Oak Tree”. We sang a lot in duets with my mother. Their first joint performance took place before the war, at a concert in the Rest House: 11-year-old Lyudmila sat at the piano, and they sang the song “And Who Knows Him” in two voices. Years later, at her solo concerts, the already famous composer Lyudmila Lyadova often called her mother from the audience to sing together. Her song “The Road”, written to the verses of L. Ovsyannikova, is dedicated to the memory of her mother...

In November 1943, among the 12 best students of the Sverdlovsk Conservatory, Lyudmila Lyadova was sent to Moscow for a review of young talents, where she was immediately noticed. Not just a talented student, but an aspiring composer came to the capital. By that time, she had already written children's miniatures based on poems by A. Barto and V. Petrovsky (“Time to Sleep,” “Chicks,” “Ear,” “Cornflower,” “Butterfly,” “Shepherd Boy”), several choirs, piano pieces, songs on military themes (“Three Tanya”, “Marusya the Partisan”, etc.) and a sonata for piano.

Upon returning to Sverdlovsk, Lyudmila Lyadova organized a duet with Nina Panteleeva. In 1946, they won first prize at the All-Union Variety Artists Competition in Moscow. After this brilliant victory, many proposals appeared. Composers Fradkin, Frenkel, Zharkovsky, Bogoslovsky, Khrennikov, Dunaevsky, Milyutin, Mokrousov brought them their new songs. The girls went on tour to Leningrad, where they sang in Peterhof, destroyed by the war, on a stage built in the ruins of the Peter's Palace. And a year later the capital was back - an invitation followed to take part in variety performances at the summer theater of the Hermitage garden. The duo's popularity grew every year. Lyudmila Lyadova did all the arrangements of the songs herself. Her arrangements attracted everyone with their originality and freshness of sound. In 1947, at the state exam at the conservatory with the Philharmonic Symphony Orchestra, she played S. Rachmaninov's Third Concerto. The audience, having listened to all three parts in one breath, suddenly stood up and again and again called for the happy debutante...

In the spring of 1948, after graduating from the conservatory, L. Lyadova and N. Panteleeva went on a long tour around the country: Tomsk, Orenburg, Orsk, Kharkov, Stavropol, the Far East, Leningrad, Arkhangelsk. In February 1951, Lyudmila Lyadova was admitted to the Union of Composers of the USSR. In 1952, the duo broke up. L. Lyadova began to write a lot, performing her own songs and songs of other composers at the piano.

The creativity of L. Lyadova is multifaceted. It combines the talent of a composer, accompanist, singer, and performing pianist.

Lyudmila Lyadova created about a thousand songs. Among them there are both major melodies and romances imbued with subtle lyricism. Despite all their diversity, they are united by the absence of pessimistic or plaintive intonations, melancholy or hopelessness. According to the composer, “minor always sounds major.”

K.I. Shulzhenko, who performed such songs by L. Lyadova as “Someday”, “Telephone Call”, “Heart Song”, “Woman”, etc., wrote: “Her songs open up a bright and joyful world for us. They, like good friends, entered our lives, carrying on their wings an inexhaustible charge of optimism...” The songs of Lyudmila Lyadova were picked up in chorus by huge halls and entire stadiums. “Old March” to the verses of M. Vladimov, “Miracle Song”, “Drum” to the verses of I. Shaferan, “Ai-lyuli”, written for T. Miansarova and brought her the title of laureate and a gold medal at the VIII World festival of youth and students in Helsinki (1962), etc. “The Miracle Song” to the verses of L. Davidovich and V. Dragunsky, following Lyudmila Lyadova herself, was sung by Velikanova, Dorda, Lazarenko, Miansarova and the English singer Jerry Scott. The first performer of the “Old March” was I. Kobzon, then the song entered the repertoire of Yu. Bogatikov. The song “Drum” was performed by E. Khil with large orchestras. “Old March” and “Drum” were performed by all military ensembles of the country. Military themes are also reflected in other songs of Lyudmila Lyadova.

Lyudmila Lyadova collaborated especially fruitfully with the poet Georgy Khodosov. They wrote about 100 songs, including the popular “So Easy”, “Come with Us”, “In the Hall of Columns”, “Regimental Band”, “Our Leader”, etc. L. Lyadova worked a lot with the poet V.Ya. Lazarev. Wonderful songs “Woman”, “Late Bow”, “Zarechensky Nights”, “Guilty Without Guilt”, “To Sergei Yesenin”, “Tale of Love”, waltz “Earthly Beauty”, romance “Late”, which included into A. Bayanov’s repertoire. Many works were created in collaboration with poets S. Mikhalkov, E. Yevtushenko, N. Dorizo, L. Zubkova, B. Bryansky, V. Petrov, T. Ponomareva and many others.

The songs of L. Lyadova were sung by outstanding pop performers: I. Kobzon, E. Piekha, E. Khil, L. Zykina, T. Miansarova, E. Zherzdeva, V. Tolkunova, M. Lukach, Yu. Bogatikov and others. Romance “Captivating sounds”, written by L. Lyadova to poems by Pleshcheev in 1951, was performed by the great N.A. Obukhova, and later - soloist of the Bolshoi Theater L. Maslennikova. The romance “Moonlit Night” was performed by People’s Artist of the USSR Zara Dolukhanova. Songs by L. Lyadova were also performed by M. Bieshu, I. Petrov, G. Pisarenko, A. Eisen, N. Tkachenko, B. Rudenko, L. Abramova, N. Vasilyeva, L. Polyanskaya.

L. Lyadova’s first major musical work was the operetta “Under the Black Mask.” The libretto, written by playwright Jan Lelgant, is based on true events from the life of the legendary Russian wrestler Ivan Poddubny. Its premiere took place at the Moscow Operetta Theater in 1961. The production was directed by A. Zaks, and the main roles were played by A. Besedin, N. Kuralesina, O. Vlasova, M. Ozolinya, V. Volskaya, A. Kotova, E. Orlovetsky, J. Lelgant. Later, the operetta “Under the Black Mask” was successfully performed in many musical theaters in the country - in Odessa, Omsk, Tomsk, Rostov-on-Don, Krasnodar.

Lyudmila Lyadova is the author of the opera “Two Colors of Time” (libretto by E. Kushakov and A. Snitsarenko, 1986); operettas “Under the Black Mask” (libretto by Y. Lelgant, 1960), “Atamansha” (libretto by G. Pavlov, 1972), “At the Dangerous Line” (libretto by I. Petrova, 1976), “Who is your bride?” (libretto by I. Petrova, 1978), “Miner's Brides” (libretto by I. Petrova, 1983); musicals “The Soul of a Soldier” (libretto by E. Shatunovsky, 1962), “The Tale of Yerema, Danila and the Evil Spirit” (libretto by I. Petrova, 1977), “Countess from San Francisco” (director and playwright P. Gradov, Izhevsk Academic Opera House, 1993); vocal and instrumental poems “The Great Battle” (words by V. Petrov, 1967), “To Komsomol - our pioneer salute!” (words by G. Khodosov, 1970), “Tyumen - Surgut” (words by V. Petrov, 1972). Among the works of L. Lyadova are works for piano (“Concert Waltz”, 1950; “Carousel”, 1960; “Concert Polka”, 1965; “Concerto for Piano and Orchestra in A Minor”, 1965; Intermezzo, Rhapsodies), for Russian orchestra folk instruments (“Collective Farm Polka”, 1950; “Ural Rhapsody”, 1951; “Volga Suite”, 1952; miniatures), for pop symphony orchestra (“Holiday on the Volga”, 1957; “Holiday at the Stadium”, 1958; “ Russian Souvenir”, 1961; “Coconuts”, 1963), chamber instrumental works for piano, violin, accordion (elegy for violin and piano “In the Lilac Garden”, 1961; piece for violin “Blind Girl”, 1962; fantasy for accordion , 1962, etc.). The ballet numbers “Negro Dolls”, “Spanish Dance”, “Blind Girl” were staged to the music of L. Lyadova.

The fate of L. Lyadova’s works was not always easy. While still studying at the conservatory, she dreamed of writing a piano concerto, the first sketches of which appeared in the early 1950s. This work is in three parts - a story about good and evil, about the native land, its people and the peaceful sky, which must be protected. Van Cliburn heard it in his own performance and highly appreciated it. Surprisingly bright in attitude, full of energy and purely Russian in color, L. Lyadova’s piano concerto remained unclaimed for more than 30 years... Only in 1997 Lyudmila Alekseevna performed it with the Kislovodsk Philharmonic Symphony Orchestra (conductor V. Nesterov) at a music festival in Kislovodsk. A year later, the concert was performed in Moscow, with the Great Concert Orchestra of the Russian State Music Center for Television and Radio Broadcasting under the direction of People's Artist of the USSR Professor M. Kazhlaev. L. Lyadova continues her creative search in romance lyrics, writing works for spiritual choirs. She also does not abandon the military marching theme. For example, during the celebration of the 100th anniversary of the birth of Marshal Zhukov, she wrote the song “Tell us, Marshal Zhukov” to the poems of V. Lazarev. To the outstanding Russian gunsmith M.T. She dedicated a ballad to Kalashnikov. She not only performs her songs at the piano, but, keeping up with the times, also makes modern arrangements. This is how the songs “Horses of Youth”, “What’s the matter with me”, “Song about Knights”, “Don’t believe that your loved ones grow old”, “My March”, blues “Star Strings” were recorded. In 1998 she wrote “My March”, the chorus of which is “Lyudmila Lyadova, Lyudmila Lyadova, Lyudmila Lyadova is always in the ranks!” usually the whole hall joins in chorus.

L. Lyadova’s special passion is music for children. She created a whole series of wonderful children's songs. Her children's world is a cheerful and surprisingly pure musical island inhabited by children, animals, birds, butterflies, toys... A collection of children's songs by L. Lyadova “Why” has been published.

Lyudmila Alekseevna Lyadova - People's Artist of the USSR (1985) and the RSFSR, Honored Artist of the RSFSR (1975), laureate of the State Prize of the USSR, State Prize of Russia named after A.V. Alexandrov, Lenin Komsomol Prize. She was awarded the Order of Merit for the Fatherland, III degree (2000) and Friendship (1997), medals “For Labor Distinction”, “For the Development of Virgin Lands”. Since 1993 he has been a member of the Peace Foundation.

Lyudmila Alekseevna loves nature and silence very much; she can wander through the forest or fish for hours. He enjoys working on the land at his dacha in Ruza. He reads a lot, giving preference to Russian literature, both classical and modern.

Lives and works in Moscow.

Lyudmila Lyadova biography family

The following is known about Lyudmila Lyadova and the biography of her family.

The future star was born on March 29, 1925 in Sverdlov, in a creative family where art was respected and appreciated. Lyadov Alexey Ivanovich - father, main mentor in life, was at one time a soloist at the opera house in the city of Sverdlov, after which he worked as a violinist. He also played the mandolin and saxophone well. Mom, Yulia Petrovna Lyadova, was a singer, choirmaster, and also an excellent embroiderer of paintings, which have survived to this day. Even in childhood, the parents saw the potential of the little girl, and began to cherish thoughts about the great future of the pianist. In this regard, it was decided to hire a private music teacher, after which little Lyudmila entered a music school.

Biography of Lyudmila Lyadova

On March 29, 1925, a wonderful girl was born. They gave her a name - Lyudmila. This wonderful event took place in Yekaterinburg (then it was called Sverdlovsk). Our heroine was born into a family of famous musicians.

What can you say about your father? Opera theater soloist Alexey Ivanovich Lyadov at one time played the violin, the saxophone, and even the mandolin. At a certain stage of his life he worked as a regent of a church choir in one of the churches in the Donetsk region.

Less is known about the mother. Yulia Petrovna Samoilova sang in the local philharmonic for many years and worked as a conductor in amateur groups.

Is it worth guessing that parents instilled in their daughter a love of musical art from an early age?

The beginning of the career of Lyudmila Lyadova

It all started with the fact that they hired a teacher at home, and later sent Luda to the music school of the authoritative teacher Vanya Bernhard-Trzaska.

The events of our heroine's biography developed quite quickly, and when she was 10, she began studying at the children's department of the local conservatory. Note that for this she had to go through a rather serious selection process, since there were many applicants.

Already at this age she began performing. Lyudmila performed quite difficult compositions, performing in schools, clubs, on the stage of festivals - everywhere she could get.

Further, an important moment happens in the biography of young Lyudmila Lyadova - she performed with the Mark Paverman Orchestra on the big stage of the local philharmonic. A little later, Tchaikovsky's sensational First Concert took place with this group. During the same period, our heroine managed to study the art of composition from Professor Trambitsky.

A separate page in the biography of Lyudmila Alekseevna Lyadova was the war, during which she supported the soldiers with performances in hospitals. During this period, she met the young performer Nina Panteleeva, with whom they decided to sing together. The duet delighted the audience, and in 1946 received an award. The girls became laureates of the All-Union Variety Artists Competition. They performed together until 1951. The initiator of the collapse was our heroine.

Let's return to Lyudmila's biography. In the spring of 1951, she became a member of the Union of Composers of the USSR. During her career, she wrote successful operas, operettas, vocal and instrumental poems, works for piano and folk orchestra. In addition, her music became the basis for several famous ballet numbers.

During her biography, Lyudmila Ledyaeva wrote about 1000 songs!

The beginning of Mila Lyadova's musical career

Already at the age of 10, the girl had to show her character, because she participated in a competition where there were 10 people for one place, but the girl Lyuda, who was carried away by music, was not afraid of anything, and easily entered the children's department of the conservatory in the city of Sverdlov. A year later, the young talent was already taking part in various competitions, festivals, and often at her mother’s work. At the age of 14, she even managed to perform with a symphony orchestra under the strict direction of conductor Mark Paverman. One got the impression that the biography of Lyudmila Lyadova would be rosy; no one knew that very soon war would burst into the usual way of life.

Biography

Born in Sverdlovsk, in a family of professional musicians. Father, Alexey Ivanovich Lyadov, was a soloist of the Sverdlovsk Opera House (tenor), then worked as a violinist in an orchestra (in addition to the violin, he played the saxophone and mandolin), in the 1960s-1970s he worked as a regent of the church choir of St. Nicholas Church in the city of Makeevka (village Grigoryevka) Donetsk region. Mother, Yulia Petrovna Lyadova (née Samoilova; 1902-1980), was a choirmaster by training, conducted amateur groups, and sang for a long time in the Sverdlovsk Philharmonic.

She started playing music in early childhood. Her parents seriously prepared her for a career as a pianist. First, they invited a home teacher, then assigned them to a music school with a well-known teacher in the city, Wanda Antonovna Bernhard-Trzaska (a student and - later - assistant of B. Stavenhagen). At the age of 10, having passed a big competition, Lyudmila entered the children's department of the Sverdlovsk Conservatory under Professor B. S. Marantz.

From the age of 11, the girl played the most complex works of the classical repertoire at school parties, holidays, at the club where her mother worked, and participated in shows, festivals, and competitions. A big event for her was her performance with the orchestra conducted by Mark Paverman on the stage of the Sverdlovsk Philharmonic. Then she played Mendelssohn's concerto, and a year later with the same orchestra she performed Tchaikovsky's famous First Concerto, works by Rachmaninoff and Liszt. After graduating from college, Lyudmila was enrolled in the piano class of B. S. Marantz at the conservatory. At the same time, she studied at the composition department with Professor V.N. Trambitsky.

1948 - graduated from the Sverdlovsk Conservatory.

Even during the war, Lyadova met the young singer Nina Panteleeva. From that time on, they began to perform successfully together and in 1946 received the title of laureate of the 2nd All-Union Competition of Variety Artists. Their duet was very popular, they undertook a long creative tour around the country, but in 1951 it broke up on Lyadova’s initiative.

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War in the life of Lyadova.

The war forced many to look at life from a different perspective, and young Mila in those years tried to help in whatever way she could. She played waltzes for the guys leaving for the front, gave concerts to soldiers, and visited hospitals. Her repertoire included old, well-known compositions, and new ones heard on the radio. She often performed everyone’s favorite war songs: “Let’s smoke,” “Dark Night,” and songs by Katz, Bogoslavsky, and Pokrass. At the age of 18, as one of the best students at the conservatory, Mila was sent to Moscow to attend a review of young talents, where she was immediately noted as an aspiring composer. By that time, Lyudmila had already written a lot, her repertoire was different: songs, miniatures, plays. Military topics were also touched upon.

Mila Lyadova's first steps to fame

After returning from Moscow, Lyudmila Lyadova’s biography has a fateful meeting with the aspiring singer Nina Panteleeva. A creative duo developed immediately and brought the young talent victory in the 1946 pop artist competition, which was held in Moscow. Such a dizzying success played a role, the girls received their first share of fame: they were offered tours, new collaborations, and even a concert in Leningrad, which the young talents could not refuse.

Mila Lyadova did all the arrangements of the songs herself; it was painstaking work and a serious test for a young composer. A year later, the duo met in Moscow, at the Hermitage Theater. In 1948, after Lyudmila Lyadova graduated from the conservatory, she and Nina Panteleeva went on a large tour, which was designed for such large cities as Stavropol, Omsk, Kharkov, Orenburg, Leningrad, the Far East, Orsk. In every city the duet found its audience and was very popular.

Important decisions in the life of a composer

In 1951, Lyudmila Lyadova experienced significant changes in her biography: she decided to move from Sverdlovsk to Moscow, she was accepted into the Union as a composer and she had the opportunity to realize herself with famous singers of that time.

In 1952, on Lyudmila’s initiative, their duet work with Nina broke up. No one advertised the exact reason for the breakup, but Lyudmila Alekseevna more than once hinted that she saw a lot of anger and envy from her partner towards herself. Perhaps this is what served as the impetus for new work and new opportunities.

Biography[ | ]

She started playing music in early childhood. Her parents seriously prepared her for a career as a pianist. First, they invited a home teacher, then assigned them to a music school with a well-known teacher in the city, Wanda Antonovna Bernhard-Tshaskaya (a student and - later - assistant of B. Stavenhagen). At the age of 10, having passed a big competition, Lyudmila entered the children's department of the Sverdlovsk Conservatory under Professor B. S. Marantz.

In 1948 she graduated from the Sverdlovsk Conservatory.

Even during the Great Patriotic War, Lyadova met the young singer Nina Panteleeva. From that time on, they began to perform successfully together and in 1946 received the title of laureate of the 2nd All-Union Competition of Variety Artists. Their duet was very popular, they undertook a long creative tour around the country, but in 1951 it broke up on Lyadova’s initiative. No one advertised the exact reason for the breakup, but Lyudmila Alekseevna more than once hinted that she saw a lot of anger and envy from her partner towards herself. Perhaps this is what served as the impetus for new work and new opportunities.

“Old March” to the verses of M. Vladimov, “Wonder Song”, “Drum” to the verses of I. Shaferan, “Ai-lyuli”, written for T. Miansarova and brought her the title of laureate and a Gold medal at the VIII World festival of youth and students in Helsinki (1962), and others. “The Miracle Song” to the verses of L. Davidovich and V. Dragunsky, after Lyudmila Lyadova herself, was sung by G. Velikanova, N. Dorda, K. Lazarenko, T. Miansarova and the English singer Jerry Scott.

The first performer of the “Old March” was I. Kobzon, then the song entered the repertoire of Yu. Bogatikov. The song “Drum” was performed by E. Khil with large orchestras. “Old March” and “Drum” were performed by all military ensembles of the country. Military themes are also reflected in other songs of Lyudmila Lyadova.

In March 1985, the anniversary evening of Lyudmila Lyadova took place in Moscow in the Column Hall of the House of Unions.

Recently, L. Lyadova continues her creative search in song lyrics, writes and performs romances, creates works for spiritual choirs, and military marches. He speaks a lot and holds meetings with representatives of the public. Professor L. A. Lyadova devotes a lot of talent and effort to teaching activities.

In 2000, Lyudmila Lyadova’s collection of children’s songs “Pochemuchka” was published. The composer constantly addressed this topic. Her children's world is a cheerful and surprisingly pure musical island, inhabited by children, animals, birds, butterflies, and toys.

In 2005, an anniversary concert of Lyudmila Lyadova took place in the Great Hall of the Moscow Conservatory.

In 2007, one of the episodes of Oleg Nesterov’s author’s program “In the Wave of My Memory” (Channel “Time” - Channel One. World Wide Web) was dedicated to Lyudmila Lyadova.

On May 21, 2020, the artist’s anniversary concert took place at the A. Solzhenitsyn House of Russian Abroad.

Many people know her as a repeated participant in the January Musical Evenings festival.

On April 19, 2020, she was a guest of the “My Hero” program with Tatyana Ustinova on the TV Center channel.

Member of the Union of Composers and the Peace Foundation.

In the winter of 2020, she suffered a stroke. There was also a fracture of the femoral neck.

Interesting facts[ | ]

Since 1990, Lyudmila Lyadova has been presented on television, radio, solo and group concerts at all levels by announcers, presenters, as well as her colleagues and performers as the People's Artist of the USSR.

Personal life[ | ]

The first husband is Vasily Korzhov, accompanist of the gypsy ensemble. Second husband - Yuri Kuznetsov, ballet dancer. Third husband - Kirill Golovin, engineer. Fourth husband - Igor Slastenko, singer. The fifth husband, Alexander Kudryashov (b. 1942), a saxophonist, took his wife’s surname and became Lyadov.

Have no children.

Lives and works in Moscow.

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Lyudmila Lyadova and her marriages

What can you say about the personal life that Lyudmila Lyadova has? The biography and personal life of this composer is an amazing and exciting story. This is a story about a woman who searched for what she wanted for a long time and finally found it.

For the first time, Mila married Vasily Korzhov at a young age. Then the girl in love, who did not know what she was capable of, fell in love with the accompanist of the gypsy ensemble. Later it turned out that the girl had a lot of ambition for self-realization, but she didn’t want to drag anyone down. Later, friends more than once said that Lyudmila was an enthusiastic, subtle creative person who wandered in search of herself.

The second marriage was with Yuri Kuznetsov, a ballet dancer. It was a long eight-year and wonderful journey that the lovers went through together. During this time, they both grew creatively, a lot of work was done, joint ideas were lived. Composer Lyudmila Lyadova - a biography whose marital status is interesting to many - became interested in ballet and wrote many miniatures, music, and plays. But this marriage also cracked due to two leaders in one family.

The third marriage was more prudent - Kirill Golovin was an engineer, from a completely different world, but it didn’t work out with him either, since after five years of marriage everything cooled down and burned out. From Lyudmila’s letter to her mother: “There is nothing worse than being alone together.” And these words seem to say it all. Later there was an unsuccessful marriage with Igor Slastenko, which broke up due to jealousy, misunderstanding and Igor’s eternal desire to re-educate his wife.

Personal happiness of Lyudmila Alekseevna

Lyudmila’s current husband is Alexander, a saxophonist, 17 years younger than his chosen one. Could Lyudmila Lyadova imagine such a marital status in her biography? Most likely no. Throughout her life, strong, independent, she was used to achieving everything herself, no matter what. Often her ambitions in life were more like the ambitions of a strong man than a fragile woman. Apparently, this is why it was so difficult for her to get along with her previous husbands. Those who were interested in the topic “Lyudmila Lyadova: biography, family, children” know that in the memoirs of her life she mentions that she would really like to have a child, but apparently due to illness this is not for her. Therefore, she gives all her unspent love to her husband and her works.

Personal life of Lyudmila Lyadova

The personal life of Lyudmila Lyadova is full of unexpected turns and intrigues... Consider the fact that she went to the altar 4 times! So, in order:

1 spouse Worked as an accompanist. Their relationship did not last long.
2 spouses Yuri Kuznetsov danced in ballet. The marriage lasted 8 years.
3 spouses Our heroine’s third marriage, with engineer Kirill Golovin, cannot be called successful either.
4 spouses At the moment, saxophonist Alexander Kudryashov lives separately from his famous wife. Note that Lyudmila is 17 years older than her fourth chosen one.

Scandal with Viktor Dvorovenko

In the summer of 2020, journalists made a fuss about an unpleasant situation in the singer’s personal life, which was connected with Lyudmila Lyadova’s expensive real estate in the center of the capital. The former director of our heroine, Galina Gorbenko, notified the media that lawyer Viktor Dvorovenko was trying to rob Lyudmila Alekseevna.

According to rumors, he cut off the people's artist from the outside world, settling her outside the city. At the same time, he allegedly pursued a selfish goal - to get luxury real estate in the capital... The lawyer makes an excuse that this is all a lie, but in fact he is only helping Lyudmila. He states that Lyudmila just came to visit him...

What else would you like to know about the personal life and biography of Lyudmila Alekseevna Lyadova?

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The current life of Lyudmila Lyadova

Undoubtedly, composer Lyudmila Lyadova with her biography is simply mesmerizing, how many meetings and partings, events, festivals and competitions were completed. As the composer herself says, she is happy that everything in her life turned out this way.

During her youth, she organized huge feasts for large companies, loved noise and dancing, invited everyone to her place, and without a doubt, these were not the last people: among them there were future and present pop stars, ministers, people holding high-ranking positions. Today, the composer loves to be with his husband, relax in the small company of his friends, and appreciates silence and fishing. He spends more time in nature, but also continues to actively engage in his favorite activity, has his own website on the Internet, two books about his life, many compositions, songs and a lot of wonderful music. She is still in demand and ready to cooperate. It seems that Lyudmila Alekseevna was born to create and create beauty.