Yuri Moroz: biography, personal life, family, children, creativity, photo

Director Yuri Moroz: biography, family

The hero of this article was born in the Lugansk region, or more precisely, in Krasnodon. This happened in September 1956. From the biography of director Yuri Moroz it follows that he was born into a family far from the world of dramatic art. His father was an electrician, and his mother worked in the medical field.

At school, Yuri studied averagely, giving preference to the exact sciences. He could not even imagine that he was destined to connect his fate with the world of cinema. Moroz was an ordinary child, he did not stand out from the crowd of his peers. He preferred to spend his free time playing games with friends and was fond of sports.

Yuri Moroz now

The director rarely indulges the public with his projects, but in 2020, the crime film “The Gambler” with Maxim Matveev in the title role and the detective film “Operation Satan”, which tells about the activities of Major Cherkasov (Andrei Smolyakov), were released.

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Yuri Moroz in 2020
Now Yuri Moroz is working on a new series, which is called “Gloomy River”. This is an adaptation of the novel by Alexander Shishkov, in which the main roles are played by Alexander Baluev, Yulia Peresild, Sofya Zaika, Alexander Yatsenko.

Choice of profession

The parents advised their son to acquire a “serious” profession that would always be in demand. Therefore, after graduating from school, the boy continued his education at the Donetsk vocational school.

The young man never graduated from this educational institution. Yuri found it boring to study at school, so he quickly left it. The decision to become an actor suddenly dawned on Moroz. The desperate young man went to the capital and submitted documents to the Moscow Art Theater School. Viktor Monyukov took the promising guy into his workshop.

Education, theater

The biography of Yuri Moroz indicates that he received a diploma from the Moscow Art Theater School in 1979. Soon after this, the young man joined the troupe of the Lenkom Theater. Yuri played on its stage until 1987. Then the young man became a student at the directing department of VGIK. He graduated from the course of Tamara Makarova and Sergei Gerasimov in 1988.

In 1993, Moroz won another victory. He headed the Association of Young Cinematographers. This allowed him to believe in himself and inspired him to further achievements.

Choosing a life path

Director Moroz never graduated from Donetsk vocational school. The star’s biography suggests that he left this educational institution a year later. Unexpectedly for everyone, the guy decided to become an actor. He moved to Moscow and submitted documents to the Moscow Art Theater School. Yuri managed to enroll on the first try; the talented young man was accepted into the course taught by Viktor Monyukov.

After graduating from the Moscow Art Theater School, Moroz joined the creative team of Lenkom. He remained faithful to this theater until 1987. Then Yuri found himself at his desk again, this time he entered the directing department of VGIK. Among the teachers with whom the young man studied were many stars, for example, Tamara Makarova, Sergei Gerasimov.

In 1993, director Moroz won another victory, whose photo can be seen in the article. He took over the leadership of the Association of Young Cinematographers.

First roles

From the biography of director Yuri Moroz it follows that he began his path to fame as an actor. In 1980, the young man first came to the set. His debut was the historical drama “At the Beginning of Glorious Deeds.” In this film he convincingly played Alyosha Brovkin. His character is a childhood friend of Alexander Menshikov, who went down in history as an associate of Peter the Great.

Moroz also played the role of Alyosha Brovkin in the film “The Youth of Peter,” which was presented to the audience in the same year. Then he embodied the image of the sailor Viti in the film “At Someone Else’s Celebration of Life”, and appeared in the television film “Grenada”.

Moroz's films

In 2003, his melodrama “Women in a Game Without Rules” was released, starring Ekaterina Nikitina and Olga Ostroumova. The film tells the story of a family in which each woman experiences love in her own way.

In 2004, the scandalous social drama “The Point” appeared on the screens, the main characters of which were prostitutes. The film receives recognition at international festivals and was nominated for the main prize at the Kinotavr festival in Sochi.

In 2006, Moroz's new work was presented to the audience - a film adaptation of Dostoevsky's novel The Brothers Karamazov. The director also worked for several years on the drama “Vanyukhin’s Children.”

It is worth recognizing that almost every director’s project becomes a real event for domestic cinema. For example, in 2008, the series “Apostle” appeared about twin brothers who fought on the fronts of the Great Patriotic War on opposite sides of the barricades.

A year later, Moroz released a film adaptation of Boris Akunin’s detective novel entitled “Pelageya and the White Bulldog.”

In 2014, Moroz, with the help of Dmitry Kharatyan, who acts as a producer, filmed the film “Fort Ross: In Search of Adventure.” Despite the star cast and unusual plot, this film becomes one of his main directorial failures, at least financially.

But he managed to rehabilitate himself with the detective “Inquisitor”. This series told about mysterious murders in a small provincial town, each time committed by an attacker with particular cruelty. Its main distinguishing feature was a note in Latin, which was found at the scene of each crime.

Finest hour

The biography of director and actor Yuri Moroz indicates that he first attracted public attention thanks to the film adaptation of the operetta “The Circus Princess.” The young man looked convincing in the role of the cheerful and frivolous Tony. The mother of his hero was brilliantly played by the famous actress Lyudmila Kasatkina.

Then Yuri tried on the image of Kostya in “The Boys”. In The Mystery of the Blackbirds, his hero was Vivian Dubois. In the sensational fairy tale “Mary Poppins, Goodbye,” Frost played the role of a postman. Then he appeared in the detective story “A Visit to the Minotaur” and appeared in the musical comedy “Need a Soloist.”

One cannot help but mention Yuri’s participation in the biographical drama “Lermontov”. In this film, dedicated to the life, work and death of the brilliant poet, he created the image of the murderer Nikolai Martynov.

Filmography

Actor

• 1980 - At the beginning of glorious deeds - Alyosha Brovkin
• 1980 - Youth of Peter - Alyosha Brovkin
• 1981 - At someone else's holiday - Dima
• 1982 - Shagreen Skin (short film) - Raphael de Valentin
• 1982 - Circus Princess - Tony
• 1983 - Boys - Kostya
• 1983 - The Mystery of the Blackbirds - Vivian Dubois
• 1983 - Mary Poppins, goodbye! — postman
• 1984 - Soloist needed - Janis
• 1985 - Painting - Polivanov in his youth
• 1986 - State border. Year forty-one - border guard
• 1986 - Lermontov - Martynov
• 1987 - Visit to the Minotaur - Paolo, eldest son of Stradivarius
• 1998 - Waiting room [ source not specified 1499 days
  ]
• 1998 - Night visit - Sergey
• 2002 - Kamenskaya - Sergei Gradov
• 2003 - Women in a game without rules
• 2005 - Children of Vanyukhin - Wolf
• 2007 - The price of madness - Nikolai Borisovich Berestov

Director

• 1986 - Experiment 200 (short film)
• 1990 - Dungeon of the Witches
• 1992 - Black Square
• 2000-2004 - Kamenskaya
• 2003 - Women in a game without rules
• 2005 - Children of Vanyukhin
• 2006 - Point
• 2007 - The Brothers Karamazov
• 2008 - Apostle
• 2009 - Pelagia and the white bulldog
• 2011 - The Last Romans
• 2014 - Fort Ross. In search of adventures
• 2014 - Inquisitor
• 2018 - Player
• 2018 - Operation Satan

Screenwriter

• 1992 - Black Square
• 1993 - Breakfast with a view of Elbrus [ source not specified 1499 days
  ]
• 2003 - Women in a game without rules (Series)
• 2006 - Point

Producer

• 1995 — Arrival of the train
• 2004 - Samara-town
• 2005 - Big Walk (Series)
• 2005 - Children of Vanyukhin (TV series)
• 2005 — Golden Calf (TV series)
• 2006 - Leningradets
• 2005 - Man of War
• 2006 - Point
• 2006 - Wolfhound from the Gray Dog family
• 2006 - Patrol
• 2006 - Hero of our time
• 2006 - Officers (TV series)
• 2006 - Friend or Foe
• 2006 - The Snow Queen
• 2006 — The Last Armored Train (TV series)
• 2007 - Equator
• 2007 - Young Wolfhound
• 2007 - The Brothers Karamazov (TV series)
• 2007 — Liquidation (TV series)
• 2008 - Apostle (TV series)
• 2008 - Street Racers
• 2008 - Nobody knows about sex 2: No sex
• 2008 - Brownie
• 2008 - Once Upon a Time in the Province
• 2008 - Queen
• 2008 - Mymra
• 2008 - Two sisters
• 2008 - Golden Key
• 2009 - Miracle
• 2009 - Live first
• 2009 - Bigfoot
• 2009 - Pelagia and the white bulldog
• 2009 - City Lights
• 2010 — Guardians of the Network
• 2010 - Partisans
• 2014 - Fort Ross: In Search of Adventure
• 2015 - Amphibian Man

Directorial debut

Thanks to his bright roles, Yuri Moroz attracted attention. The biography and personal life of the talented guy interested the public. However, this was not enough for him. Gradually, Yuri came to the realization that he did not want to play in films, but to create them.

A kind of test of his pen was the short film “Experiment-200”, presented to the public in 1986. It is dedicated to a crazy experiment conducted by a group of scientists. People forget themselves and take on the functions of God. They are making every effort to turn the monkey into a man. To do this, scientists turn to the latest advances in biology and genetics. However, the guinea pigs do not want to behave in accordance with the intentions of those who carry out the experiment. Gradually, scientists are losing control of the situation.

An excerpt characterizing Moroz, Yuri Pavlovich

“Thirteen, fourteen, fifteen, sixteen...” she said, counting with her thin fingers. - Fine! So it's over? And a smile of joy and peace lit up her lively face. - It's over! - said Boris. - Forever? - said the girl. - Until death? And, taking his arm, with a happy face, she quietly walked next to him into the sofa. The countess was so tired of the visits that she did not order to receive anyone else, and the doorman was only ordered to invite everyone who would still come with congratulations to eat. The Countess wanted to talk privately with her childhood friend, Princess Anna Mikhailovna, whom she had not seen well since her arrival from St. Petersburg. Anna Mikhailovna, with her tear-stained and pleasant face, moved closer to the countess’s chair. “I’ll be completely frank with you,” said Anna Mikhailovna. – There are very few of us left, old friends! This is why I value your friendship so much. Anna Mikhailovna looked at Vera and stopped. The Countess shook hands with her friend. “Vera,” said the countess, addressing her eldest daughter, obviously unloved. - How come you have no idea about anything? Don't you feel like you're out of place here? Go to the sisters, or... Beautiful Vera smiled contemptuously, apparently not feeling the slightest insult. “If you had told me long ago, mamma, I would have left immediately,” she said, and went to her room. But, passing by the sofa, she noticed that there were two couples sitting symmetrically at two windows. She stopped and smiled contemptuously. Sonya sat close to Nikolai, who was copying out poems for her that he had written for the first time. Boris and Natasha were sitting at another window and fell silent when Vera entered. Sonya and Natasha looked at Vera with guilty and happy faces. It was fun and touching to look at these girls in love, but the sight of them, obviously, did not arouse a pleasant feeling in Vera. “How many times have I asked you,” she said, “not to take my things, you have your own room.” She took the inkwell from Nikolai. “Now, now,” he said, wetting his pen. “You know how to do everything at the wrong time,” said Vera. “Then they ran into the living room, so everyone felt ashamed of you.” Despite the fact that, or precisely because, what she said was completely fair, no one answered her, and all four only looked at each other. She lingered in the room with the inkwell in her hand. - And what secrets could there be at your age between Natasha and Boris and between you - they’re all just nonsense! - Well, what do you care, Vera? – Natasha said intercedingly in a quiet voice. She, apparently, was even more kind and affectionate to everyone than always that day. “Very stupid,” said Vera, “I’m ashamed of you.” What kind of secrets?... - Everyone has their own secrets. We won’t touch you and Berg,” Natasha said, getting excited. “I think you won’t touch me,” said Vera, “because there can never be anything bad in my actions.” But I’ll tell mommy how you treat Boris. “Natalya Ilyinishna treats me very well,” said Boris. “I can't complain,” he said. - Leave it, Boris, you are such a diplomat (the word diplomat was in great use among children in the special meaning that they attached to this word); It’s even boring,” Natasha said in an offended, trembling voice. - Why is she pestering me? You will never understand this,” she said, turning to Vera, “because you have never loved anyone; you have no heart, you are only madame de Genlis [Madame Genlis] (this nickname, considered very offensive, was given to Vera by Nikolai), and your first pleasure is to cause trouble for others. “You flirt with Berg as much as you want,” she said quickly. “Yes, I certainly won’t run after a young man in front of the guests...” “Well, I achieved my goal,” Nikolai intervened, “I said unpleasant things to everyone, upset everyone.” Let's go to the nursery. All four, like a frightened flock of birds, got up and left the room. “They told me some troubles, but I didn’t mean anything to anyone,” said Vera. - Madame de Genlis! Madame de Genlis! - Laughing voices said from behind the door. Beautiful Vera, who had such an irritating, unpleasant effect on everyone, smiled and, apparently unaffected by what was said to her, went to the mirror and straightened her scarf and hairstyle. Looking at her beautiful face, she apparently became even colder and calmer. The conversation continued in the living room. - Ah! here,” said the countess, “and in my life tout n’est pas rose.” Don't I see that du train, que nous allons, [not everything is roses. – with our way of life,] our condition will not last long! And all this is the club, and its kindness. We live in the village, do we really relax? Theaters, hunting and God knows what. What can we say about me! Well, how did you arrange it all? I am often amazed at you, Annette, how you, at your age, ride alone in a carriage, to Moscow, to St. Petersburg, to all the ministers, to all the nobility, you know how to get along with everyone, I am surprised! Well, how did it work out? I can't do any of this. - Oh, my soul! - answered Princess Anna Mikhailovna. “God forbid you know how hard it is to remain a widow without support and with a son whom you love to the point of adoration.” “You’ll learn everything,” she continued with some pride. – My process taught me. If I need to see one of these aces, I write a note: “princesse une telle [princess so-and-so] wants to see so-and-so,” and I drive myself in a cab at least two, at least three times, at least four times, until I achieve what I need. I don't care what anyone thinks of me. - Well, well, who did you ask about Borenka? – asked the Countess. - After all, yours is already a guard officer, and Nikolushka is a cadet. There is no one to bother. Who did you ask? - Prince Vasily. He was very nice. Now I agreed to everything, reported to the sovereign,” Princess Anna Mikhailovna said with delight, completely forgetting all the humiliation she went through to achieve her goal. - That he has aged, Prince Vasily? – asked the Countess. – I haven’t seen him since our theaters at the Rumyantsevs’. And I think he forgot about me. “Il me faisait la cour, [He was trailing after me,” the countess recalled with a smile. “Still the same,” answered Anna Mikhailovna, “kind, crumbling.” Les grandeurs ne lui ont pas touriene la tete du tout. [The high position did not turn his head at all.] “I regret that I can do too little for you, dear princess,” he tells me, “order.” No, he is a nice man and a wonderful family member. But you know, Nathalieie, my love for my son. I don't know what I wouldn't do to make him happy. “And my circumstances are so bad,” Anna Mikhailovna continued with sadness and lowering her voice, “so bad that I am now in the most terrible situation. My miserable process is eating up everything I have and is not moving. I don’t have, you can imagine, a la lettre [literally], I don’t have a dime of money, and I don’t know what to outfit Boris with. “She took out a handkerchief and began to cry. “I need five hundred rubles, but I have one twenty-five-ruble note.” I am in this position... My only hope now is Count Kirill Vladimirovich Bezukhov. If he does not want to support his godson - after all, he baptized Borya - and assign him something for his maintenance, then all my troubles will be lost: I will have nothing to outfit him with. The Countess shed tears and silently thought about something. “I often think, maybe this is a sin,” said the princess, “and I often think: Count Kirill Vladimirovich Bezukhoy lives alone... this is a huge fortune... and what does he live for? Life is a burden for him, but Borya is just beginning to live. “He will probably leave something for Boris,” said the countess. - God knows, chere amie! [dear friend!] These rich people and nobles are so selfish. But I’ll still go to him now with Boris and tell him straight out what’s going on. Let them think what they want about me, I really don’t care when my son’s fate depends on it. - The princess stood up. - Now it’s two o’clock, and at four o’clock you have lunch. I'll have time to go. And with the techniques of a St. Petersburg business lady who knows how to use time, Anna Mikhailovna sent for her son and went out into the hall with him. “Farewell, my soul,” she said to the countess, who accompanied her to the door, “wish me success,” she added in a whisper from her son. – Are you visiting Count Kirill Vladimirovich, ma chere? - said the count from the dining room, also going out into the hallway. - If he feels better, invite Pierre to dinner with me. After all, he visited me and danced with the children. Call me by all means, ma chere. Well, let's see how Taras distinguishes himself today. He says that Count Orlov never had such a dinner as we will have.

"Dungeon of the Witches"

Moroz decided to sit in the director’s chair again after he received a diploma from VGIK. “Dungeon of the Witches” is the name of his first full-length film. Its plot is borrowed from the science fiction work of the same name by Bulychev.

The film takes viewers into the distant future. People roam the vastness of the Universe. One day they stumble upon a planet that is suitable for life. A group of scientists sets out to study the mysterious land. They soon learn that the planet is inhabited. Scientists will face more than just dinosaurs, mammals and primates. They also meet people whose development is at the level of the Stone Age.

"Black square"

Yuri Moroz, whose biography and photo are contained in the article, did not stop there. After the success of The Witches' Dungeon, he almost immediately began creating a new film. In 1993, the master presented the crime detective “Black Square” to the audience.

This film is about a mysterious crime that a group of operatives is working on. At first it seems that there is nothing unusual about it. However, the investigation allows us to establish that the killer is endowed with authority and power and is part of high society. Further actions are dangerous for the operatives, but they do not give up the search for the truth.

Biography of the actress

Family

Daria Moroz was born into an acting family, but her parents did not want to influence the choice of her future profession. The actress’s mother is Marina Levtova, Honored Artist of Russia, who has starred in more than 50 films. Father - Yuri Moroz, actor and director, who worked on such famous projects as “Apostle” and “Kamenskaya”.

In acting families, children begin early careers in theater or cinema. But the future star set a record of sorts. She first acted in a movie at the age of three months. It was the feature film “Darling, dear, beloved, the only one...”, directed by Dinara Asanova.

Childhood and youth

As a child, Daria Moroz was fond of sports: at first it was rhythmic gymnastics, but, according to the coach, she did not have any special abilities in this area. But in figure skating, the future actress achieved some success. Daria's interests were generally very diverse. She studied painting and attended classes at an animation studio.

But at the same time, Dasha continued her acting career. Although Russian cinema was in a state of deep crisis in the 1990s, the young actress managed to take part in five projects. Among the most famous films are the feature film “Russian Ragtime”, released in 1993, as well as “Midlife Crisis”, in which Daria Moroz starred as a teenager.

The parents of the future star wanted their daughter to have no illusions about the acting profession. They told her about the difficulties artists constantly face. And so Dasha decided to refuse to enroll in a theater university, and instead become a student at MGIMO. But around the same time, the girl was offered her first big role. She played Masha Sorokina in the comedy “Fortune”, which was directed by the famous director Georgy Danelia. This film was well received by critics, and the aspiring actress received a prize for this role at the Kinotavr film festival. During filming with a real master, the girl was able to make a choice in favor of an acting career.

In 1999, Daria Moroz became a student in the acting department of the Moscow Art Theater School, where she studied on the course of Roman Kozak and Dmitry Brusnikin. She graduated from her studies in 2003 and was immediately enrolled in the troupe of the Moscow Chekhov Art Theater.

"Kamenskaya"

Director Yuri Moroz makes not only films, but also TV series. He owes much of his fame to the highly rated television project “Kamenskaya”. The plot of the series is taken from the books of Alexandra Marinina, which are dedicated to the everyday life of operative Anastasia Kamenskaya and her colleagues.

Initially, Yuri planned to make a full-length film. He carefully worked through the script and paid maximum attention to the casting. However, during the work, it became clear that they would have to shoot not a film, but a series. There was too much material. Moroz personally worked on the first three seasons of the television project. He then "passed" it on to other people.

First wife

Of course, fans are interested not only in the creative successes of Yuri Moroz. Biography, photo, personal life - people want to know absolutely everything about their idol. The master's first wife was actress Marina Levtova. Yuri met this charming girl through his work on the painting “The Youth of Peter.” He fell in love with Marina at first sight, but winning her was not so easy. It took Moroz many months of courtship to get close to Levtova.

The matter got off the ground when Yuri managed to win the chosen one’s parents over to his side. To do this, he was forced to live for some time at their dacha, actively helping with the housework. In the end, Marina gave in and said “yes” in response to his marriage proposal.

For the first few years, Moroz and Levtova lived in a student dormitory. The couple got their own home after their daughter was born. The girl was named Daria. She followed in her parents' footsteps and linked her destiny with the world of dramatic art. Daria was remembered by the audience from the films “House of the Sun”, “Steel Butterfly”, “Fool”. She can also be seen in the TV series “Dostoevsky”, “Death of the Empire”, “Black Wolves”.

You can't escape fate

At VGIK, her classmate was Yuri Moroz, but the young people did not immediately pay attention to each other. At first they simply studied together, meeting only in pairs. They were able to get to know each other a little better during the filming of the film, which took place in Berlin. During breaks between filming, Marina and Yuri ran away from their colleagues to walk around the city and buy gifts for their loved ones.

They walked around, looked at the sights and talked. The young people realized that they were interested and had fun together. But, if for Marina it was nothing more than a one-day romantic adventure, then Yuri fell in love with the girl. But there was one problem - she did not consider the guy as a potential husband, and she did not intend to get married so early.

Yuri was not going to give up. He persistently courted his beloved, gave her small gifts and invited her on dates. To get rid of the guy, Marina came up with a little story. She told him that she had a strict father, who was very difficult to please, and that he was unlikely to approve of his daughter’s choice. The girl hoped that Yuri would get scared and retreat, but this did not happen.

One fine day, Yuri asked to visit the girl’s parents at the dacha. There he gladly helped Marina’s father with the housework, which endeared him to him. There was nowhere to go. The girl decided to take a closer look at Yuri and unnoticeably fell in love.

The wedding was modest, because both were still students. They began to live separately from their parents, earning money by filming films and participating in plays. Marina and Yuri lived in a student dormitory until the birth of their daughter Daria, after which they moved to a small separate apartment.

Marina Levtova and Yuri Moroz were an ideal family. They raised their only daughter, who later became an actress, and enjoyed the work they loved. Their happiness lasted 20 years until it was interrupted by tragedy.

It happened in winter. The couple gathered at the dacha with their friends to celebrate the success of the film. Afterwards we decided to go snowmobiling. The driver of the snowmobile Marina was riding lost control and fell into a ravine. The woman hit her head on a tree. She died from her injuries the same day in the hospital.

Second wife

What other facts are known from the biography and personal life of Yuri Moroz? Victoria Isakova is the name of the director’s second wife. He met this woman two years after the death of Marina Levtova. He met Victoria on a walk. For a long time, the lovers hid their relationship from the public. One day there was news about their wedding.

At first, Daria Moroz, the director’s daughter, reacted negatively to the news of her father’s marriage. The girl considered this a betrayal towards her mother. However, then she changed her anger to mercy, and her relationship with her stepmother improved.

Soon after the wedding, Yuri had another daughter, the girl was named Marusya. Unfortunately, the baby died before she even lived four months. Victoria and Yuri did not try to have a child again.

Personal life

In the biography of Yuri Moroz, personal life occupies a significant place. While still on the set of the film “The Youth of Peter,” he met actress Marina Levtova. Very soon the hero of our article realized that he was in love with this girl. However, Marina was in no hurry to reciprocate his feelings, so Yuri had to woo her for a relatively long time. As a result, he resorted to cunning, starting to act through the father of his beloved. I came to their dacha, helped with the housework and immediately gained authority with my parents. Soon after this, Marina, who was also attracted to the young actor, gave up.

A student wedding took place. After the official marriage, big changes took place in the biography and personal life of actor Yuri Moroz. The hero of our article was no longer separated from his wife. After the birth of their daughter Dasha, the young family moved from the student dormitory to their own apartment. In the biography and personal life of Yuri Moroz, children mainly brought joy. Daria, who was born in 1983, became an actress. Only in 2020 she received the title of Honored, twice already became a laureate of the prestigious domestic film award “Nika”, became famous for her roles in the drama “Live and Remember” by Alexander Proshkin, and the drama “Fool” by Yuri Bykov.

It is worth noting that all this time Yuri Moroz was an exemplary husband. His biography, personal life, photos of him and Marina regularly appeared on the pages of gossip columns; the couple lived together for 20 years, almost perfectly complementing each other.