Wife of Vyacheslav Zakharov. Personal life of the actor


Biography

Vyacheslav Zakharov is a famous theater and film actor who devoted twenty years to the Akimov Comedy Theater, as well as the incorruptible prosecutor Kovin from the series “Secrets of the Investigation,” familiar to millions of Russians.

Vyacheslav Zakharov was born in post-war Moscow, in May 1944. The artist spent his childhood and youth in Kalinin (now the city of Tver). After school, Slava went to enter theater school, and not just anywhere, but to the famous Shchukin School.

Vyacheslav Zakharov in his youth
Vyacheslav Zakharov in his youth

In response to questions related to the choice of profession, Vyacheslav Grigorievich later jokingly answered that he thought that actors received a lot of money.

He had the opportunity to study with Vladimir Etush, a brilliant artist and talented teacher. Almost simultaneously with Zakharov, Andrei Mironov and Nikolai Burlyaev, Nikita Mikhalkov and Valentin Smirnitsky studied at the Pike. Together with Valentin, Vyacheslav had the opportunity to play in the first film in his life, “Two”. He played a cameo role, but his debut was very successful: the short film won a prize at the Moscow Film Festival.

Life role

It is clear from everything that the actor is married to his acting profession, which he does very well. Or Zakharov knows how to professionally conceal information about his personal life.

There are a large number of sources that describe the acting career of this talented person, but nowhere is there any mention, not even a slight hint, of the wife and children of Vyacheslav Zakharov. Sometimes information about Zakharov’s work also appears in the media, but not a word about his family.

If a person does not want to reveal such an important thing as his personal life, then it is better for him, it is correct from his point of view. Perhaps the famous actor simply did not meet his person in our huge world, did not find the one with whom his soul would unite forever.

What about children? Yes, this is happiness and a great miracle, but not everyone has it. Who knows, perhaps Vyacheslav Zakharov simply did not have time, because he loves his profession and his viewers so much.

Theater

When choosing a place of service after graduating from the Shchukin School, Vyacheslav gave preference to the Leningrad Comedy Theater. He wanted to leave Moscow, and the thought of moving to a completely unfamiliar city excited his imagination. In addition, while still a student, Slava managed to attend several performances by Akimov’s people, for which in the capital, as elsewhere, the public gave an enthusiastic reception with applause and a full house.

Vyacheslav Zakharov on the stage of the theater

Vyacheslav did not go alone to get a job at the Comedy Theater: it would be dishonest to say that he knew no one at all in the city on the Neva. Akimov also took his fellow student, Leningrader Marina Maltseva, into the troupe.

At first, the famous director gave Vyacheslav the roles of “boys,” both secondary and central. In his youth, Slava was short, handsome and charming. And not by age, but by figure and appearance, Zakharov satisfied this role for many years.

Zakharov's acting debut on the theater stage took place in 1965. Together with Marina Maltseva, they played a young couple in Arkanov and Gorin’s play “Wedding for All of Europe.” This was followed by other roles, and then by other talented directors who replaced the legendary Akimov, and they all noted the amazing performance and acting talent of Vyacheslav Zakharov. In total, he worked at the Comedy Theater for twenty years, from 1965 to 1985.

Vyacheslav Zakharov in the theater

For Akimov, Zakharov played Lucien in “Performances of Paris” by Francoise Sagan, Slava in “Call to an Empty Apartment” by Ugryumov. After the death of the master, Vadim Golikov replaced him as head of the theater. Under him, Vyacheslav also remained a sought-after actor, having played in “The Village of Stepanchikovo and Its Inhabitants” by Dostoevsky and in “The Romantics” by E. Rostand.

In the seventies, the theater collaborated with the Moscow director Levitin, who staged Zhvanetsky’s play “Concert for...”, where Slava played a Komsomol worker tortured by everyday life. The performance turned out to be so poignant and topical that it was soon banned personally by Romanov, the then “ruler” of Leningrad.

Vyacheslav Zakharov in his youth

After Levitin, Pyotr Fomenko was invited to the theater as director. All the actors who worked with him speak of this man with constant admiration and even reverence. Fomenko's talent was so original and multifaceted that even absolutely stupid and weak plays in his interpretation acquired depth and significance and had constant success with the public.

With Fomenko, Zakharov also played in several performances, and each role was a whole event, including the images of the soldier Makarik in “This Sweet Old House” by A. Arbuzov, the locksmith Ivan in “Life Dangerous” by A. Antokhin and Orontes in Moliere’s “The Misanthrope.” However, the most memorable joint work, according to the artist himself and critics, was the play “Muse” based on the play by G. Nikitin, where Vyacheslav Zakharov played the young worker Marasanov.

Vyacheslav Zakharov

Gleb Panfilov, who watched “The Muse,” dreamed of directing “Hamlet” with Zakharov in the title role. Unfortunately, this plan never came to fruition. Then there were roles in plays staged by Roman Viktyuk: in “The Stranger” by L. Zorin, “The Flatterer” by C. Goldoni and in Gogol’s “Players” on television.

In 1985, Vyacheslav Zakharov left the Comedy Theater, playing another, funny role in S. Mikhalkov’s play “Kings Can Do Anything…” directed by Yuri Aksenov.

After the Comedy Theater, Zakharov “wandered” around different theaters for a long time. He worked in the Leningrad Lenkom (1985-1987), at the Lensovet Theater (1987-1993), at the Liteiny Theater (since 1997), at the Moscow Et Cetera Theater by Alexander Kalyagin.

Vyacheslav Zakharov now

There was also a four-year break in Vyacheslav Grigorievich’s acting career. He tried to try “civilian” professions, at first it was interesting, and then the longing for the theater came. And Zakharov returned.

After the Akimov Comedy Theater, his main roles were:

  • Lawyer in "The Trial" (1985);
  • Fyodor Ivanovich in “Kashtanka and the Circus” after A. Chekhov (1998) - prize “for best male role” at the festival “Theatres of St. Petersburg for Children”;
  • Ivan Vosmibratov in “The Forest” by A. Ostrovsky (1999);
  • Johanaan Tsingerbai in Lost in the Stars. Lost in the stars" (2000) - St. Petersburg Golden Sofit Award in the category "Best Actor";
  • Youssef Kadir in "The Whole Life Ahead" (2004).

Theater career

Zakharov was played by Lucien in “Performances of Paris” based on the works of Sagan, Slava in Ugryumov’s play “A Call to an Empty Apartment.” Zakharov remained a sought-after performer even under Vadim Golikov, who replaced Akimov.

The artist played in “The Village of Stepanchikov and Its Inhabitants” by Dostoevsky, as well as in Rostanov’s “Romantics.” In collaboration with the capital’s director Levitin, the play “Concert for ...” was created based on the works of Zhvanetsky. In the production, Zakharov got the role of a Komsomol worker, tortured by the daily routine of everyday life. The production turned out to be very topical and poignant.

Pyotr Fomenko won the reverence and admiration of the entire troupe. With the original and multifaceted talent of the director, even stupid productions acquired a depth of meaning and significance. The performances were a constant success with the public.

All of Zakharov’s roles with Fomenko became real events. The actor was the soldier Makarikov in “This Sweet Old House” in Arbuzov’s play, the mechanic Ivan in Antonov’s work “Danger to Life”, Orontes in “The Misanthrope” by Moliere.

The performer calls his most notable work the production of Nikitin’s work “The Muse.” In it, Zakharov played the worker Marasanov. In collaboration with Roman Viktyuk, Zorin's The Stranger, Goldoni's The Flatterer, and a television version of Gogol's The Players were staged. After his role in the comedy play “Kings Can Do Anything” by Sergei Mikhalkov in 1985, directed by Aksenov, Zakharov left the Theater.

Movies

Along with the theatrical stage, Vyacheslav Zakharov has always been partial to the film industry. After his debut in 1965, he had the opportunity to star in many domestic films, and the best films (including the popular series “Secrets of the Investigation”) with the artist’s participation can be watched more than once.

Vyacheslav Zakharov in the film “Secrets of the Investigation”

The filmography of actor Vyacheslav Zakharov includes the following films:

  • "Royal Regatta" (1966);
  • "The Shore of Youth" (1969);
  • "House on Fontanka" (1972);
  • "Three Stormy Days" (1978);
  • “From the life of a zemstvo doctor” (1984);
  • "Case History" (1990);
  • "Music of love. Unfinished love / Musique de l'amour: Un amour inachevé, La” (1996);
  • “Secrets of the investigation” (all seasons, 2001-2016)
  • "Young Wolfhound" (2007);
  • “Live First” (2010) and others.

Vyacheslav Zakharov in the film “My Dear Man”
Vyacheslav Grigorievich did not limit himself to roles in cinema and theater. Thus, in the children's radio program “I'm Looking forward to Waiting,” he played the role of the cat Murych for several years, voiced several films (“Red Desert” (1964), “Mitki Don’t Want to Win Anyone, or Mitkimayer” (1992), “Prison Air” (1997 )), animated films “What to do? or Kuygorozh" (2007) and "About St. Basil's" (2008).

Sometimes Vyacheslav Grigorievich is confused with his namesake, saxophonist and jazzman, People's Artist of Russia Vyacheslav Zakharov, but the popular actor has the most indirect relation to jazz.

Voice acting

In the 2011 film “My Dear Man,” the artist became a surgeon in the hospital, Nikolai Fedorovich Shuvalov. Zakharov is not limited to filming and acting in theatrical productions.

He participates in a radio program for children, “I’m Looking forward to it.” The cat Murych speaks in his voice. The artist voiced the films “Mitki Don’t Want to Defeat Anyone, or Mitkimayer”, “Red Desert”, “Prison Air”.

The performer took part in the work on the animated projects “About St. Basil’s” and “What to do? or Kuygorozh" at the beginning of the two thousandth. Journalists are unable to find out anything about the celebrity’s personal life.

The artist believes that private life should not become accessible to the press. The actor keeps all information about his family secret from the media. It remains a mystery whether Zakharov has a wife and child.

According to Vyacheslav Grigorievich, in creative impulses one can and should open one’s soul to the audience. At the same time, everything that is most personal should always remain yours. The secret is intended exclusively for close people.

Personal life

The actor does not disclose details of his personal life to journalists or fans. Therefore, all information about Zakharov’s family is kept top secret; it is not even known whether the artist has a wife and children.

Vyacheslav Zakharov

Apparently, Vyacheslav Grigorievich believes that the soul of an actor, open in a creative impulse to the audience, is quite enough. Personal things should remain something of one’s own, intimate, belonging only to the closest people.

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Revealing his whole soul to the viewer, giving a sea of ​​emotions, a charge of vigor and confidence in the future, destroying barriers and prejudices, the actor still retained the main thing in his soul and in his life secret about yourself.

Works in cinema

Filmography

  • 1965 - Two (small film) - Sergei’s friend
  • 1965 - Under the chestnut trees of Prague (film-play) - Ludwig
  • 1966 - Royal Regatta - Seva, manager of the rowing team
  • 1967 - An incident that no one saw - Shurik (credited as S. Zakharov)
  • 1969 - Saved youth
  • 1970 - Happy Man
  • 1972 - House on Fontanka
  • 1975 - Unusual Sunday - in scenes from the performance of the Academic Theater of Comedy "Romantics"
  • 1976 - Minors - in the episode
  • 1978 - Players (film-play) - Glove Jr.
  • 1978 - Three bad days - Studenkin Vyacheslav Grigorievich, amateur photographer
  • 1984 - From the life of a zemstvo doctor
  • 1989 - Museum Guest - in the episode
  • 1989 - The past is always with us - in the episode
  • 1990 - History of the disease - doctor / general
  • 1992 - 3rd take - Anatoly Ryumin
  • 1996 - Music of love. Unfinished love / Musique de l'amour: Un amour inachevé, La - Father of a little violinist
  • 1996 - 1997 - Let's wait and see
  • 2001 - Secret consequences-1 - Kovin
  • 2002 - Hidden consequences-2 - Kovin
  • 2002 - 2003 - Russian horror stories - Inventor Bilibin (The Witcher from Blerovo Series)
  • 2003 - Hidden consequences-3 - Kovin
  • 2004 - Hidden consequences-4 - Kovin
  • 2005 - Secret consequences-5 - Kovin
  • 2006 - Communication - in the episode
  • 2006 - Hidden consequences-6 - Kovin
  • 2007 - Antonina turned around - general
  • 2007 - Young Wolfhound - Musician
  • 2007 - Secret investigations-7 - Kovin
  • 2008 - May 9. Personal attitude (short story “Station”)
  • 2009 - Task Force - Crucian "Warrant for Violence"
  • 2009 - Secret investigations-8 - Kovin
  • 2010 - To live at first - Major Korneev, camp commander

Kirill Zakharov

About Me
(www.youtube.com...eature=youtu.be) link to video 2016 NKVD Major Anisimov (supporting role) “Penalty Officer” Series for Channel 1. Dir. Oleg Fomin. 2020 Head Doctor (role of V. Plana) “Bird” Full meter. Dir. Ksenia Baskakova. 2020 Producer Ilya (supporting role) “Trap for a Star” Dir. Ilya Khotinenko. Series. TVC channel. 2014 Teacher in law. Supporting role. Filya. NTV. 2014 Boris (linear character) “Family Values” TV series 60 episodes. Dir. Maxim Subbotin, Alexander Shik, Tatyana Ivashkina. Channel Russia. 2014 Maxim (main role) “Blood of Same”. Short film. Thesis of a VGIK student. Director Dmitry Semyonov. 2014 Bros 4. Dir. Victor Konisevich. Role in the season. 2014 My sister, my love. Dir. Igor Vaitulevich. Katya's lover. Supporting role.

2014 Forgive me mom. Dir. Egor Grammatikov. Episode. 2014 Dead Heart. Dir. Arthur Romanian. Supporting role. Andrey Svirin.

2013 Doctor death. Dir. Alexander Nazarov. Supporting role. Barca's man, killer.

2013 Captain (role of the second plan) “Don’t Leave Me” dir. Frankevich, script Dudarev.

2013 Alexander (main role) “Goodbye Dad” cor. meter, dir. Ksenia Baskakova. At work. 2013 Mechanic (episode), TV series Karpov (episode 6) 2012 Vyacheslav Tikhonov. "Vanga", Episode. 2012 Major Khaliev (2nd role) “USSR Department”: Dir. Yankovsky 2010 Oleg (2nd role) “Revenge”: Dir. Vladimir Yankovsky 2010 Igor (2nd role) “Looking for you”: Dir. Mikhail Weinberg 2009 Episode “Captain Gordeev”. Dir. Burtse, Solovtsova, Nazikyan, Chubrikov Native Blood-film 4 2009 Orlov’s lawyer “Semin” (secondary role) Dir. Franskevich - Laye, Baysak Chasing a Dead Man - film 5, Hunting for a Mole - film 6 2009 Sergei (main role) “Broken Fate”: Dir. Alexander Debaluk 2009 Episode “Dnieper Frontier”. Dir. Denis Skvortsov 2008 Lieutenant Boyko (2nd role) “Maroon Beret”: Dir. Andrey Golubev 2008 Episode Evtyukhin “Challenge –3” Dir. Burtsev, Nazikyan, Solovtsova Level of Death - film 8 2008 Episode Kamorin “Kamenskaya” – 5 Dir. Anton Sivers Co-authors – film 5 2006 Timur (main role) “Joke” Dir. Egor Anashkin, Anna Khodulina 2005 Anton (main role) “To Go and Never Return” Dir. Nikolai Knyazev 2004 Son (main role) “Rutting Time.” Dir. Andrey Golubev

Theatrical works: actor. Sevigne (main role) “Fool” M. Ashar Austin (second plan) “Ah, these free butterflies!” L. Gersh Pianist (lead role) “Orchestra” J. Anuj Orsino (top plan) “12th Night” W. Shakespeare Gelver (lead role) “Gelver’s Night” I. Vilquist Khlestakov (lead role) “The Inspector General” Gogol Jourdain (main role) “Crazy Mr. Jourdain” M. Bulgakov

Directing works: MOVIES. 2014 “Road” produced in Russia, France, Belarus. Director. Screenwriter. At work. 2014 “Vladimir” short film. Director. Screenwriter. 2014 “The Road to Yourself” short film. Director. Screenwriter.

(Director of educational performances in the French theater organization “Tomorrow Spring”) 2009 “White Guard” by M. Bulgakov, “Four Women” Work of his own composition. 2010 “Crazy Jourdain” by M. Bulgakov, “Uncle Vanya” (dreams based on the work) by A. Chekhov. 2011 “What Happened at the Zoo” by E. Albee, “The Proposal” by A. Chekhov 2012 “Theatrical Concert of French Students” Work from sketches.

Conducted rehearsals for: Ivanov “Ivanov” A. Chekhov Vladimir “Waiting for Godot” S. Beckett

 Choreography (high level)  Vocals (intermediate level)  Guitar playing (intermediate level)  Saxophone playing (beginner level)  French (intermediate level, conversational), English (beginner level)  Sambo (professional)  Thai Boxing (pro)

Link to the acting video: ( www.youtube.com...eature=youtu.be )

Link to short video……… www.youtube.com/watch?v=r8wMNywE9Sw

Theater works[ | ]

  • 1985 - Lawyer Oscar Rolfe. "Process". Dir. G. Egorov
  • 1998 - Fedor Ivanovich. “Kashtanka and the Circus” after A. Chekhov. Dir. G. Vasiliev (Prize of the festival “Theatres of St. Petersburg for Children”’98 “for best male role”)
  • 1999 - Ivan Vosmibratov. "Forest". A. Ostrovsky. Dir. G. Kozlov
  • 2000 - Yohanaan Tsingerbai. "Lost in the Stars. Lost in the stars." Dir. G. Dityatkovsky.

St. Petersburg Golden Sofit Award, season 1999/2000, in the category “Best Actor”.

  • 2004 - Yusef Kadir “Your whole life is ahead.” Dir. A. Proudin

Vyacheslav Aleksandrovich Zakharov

Unified State Examination results in literature in 2018-2019: 100, 94, 94, 94, 90, 87, 84, 77, 77, 72, 72, 66 OGE 2020 - all passed with “5”.

In recent years he has been engaged in science, working with one of the largest specialists in the field of poetry; participated in scientific literary conferences, published in scientific periodicals.

One of my main differences from other tutors is that I specialize EXCLUSIVELY IN LITERATURE! Being a philologist with honors, I graduated from graduate school with a degree in Russian literature and I am a literary critic. Accordingly, my teaching is qualitatively different from tutors and teachers who teach the Russian language or other humanities disciplines along with literature. This is also evidenced by the results of many of my students, who for many years have passed literature with a score of 90+, which is extremely rare for this subject, which is difficult specifically for the Unified State Exam. Plus, at least 10-15 people a year take the Unified State Exam, which is also not usually found in a tutor’s practice, since basically all the teachers’ results are in the Russian language.

It is also worth saying that literature sometimes has to be taken by many students (design, theater, etc.), which makes the Unified State Exam extremely difficult for them. But this does not block access to high scores, as my statistics indicate. The specificity of my training lies precisely in the ability to prepare any student with any level of knowledge for a high score. There are a lot of examples of this (see reviews)! Even from scratch you can prepare for 100 points! The main thing is desire and responsibility.

In addition, almost all the children discover literature from a completely new side, their interest in reading and in general in humanities is awakened, as evidenced, in particular, by numerous reviews. I am very pleased when a student not only passes the Unified State Exam with excellent marks, gets accepted to the state budget (which is very difficult now), but discovers something new in the field of literature or art in general! Now this, alas, is very rare.

For me, teaching literature is more than just a job. For my students, I become a kind of mentor who will always help, guide, and provide any materials. We are constantly in touch with our students on social media. network, I have a special educational group for all students, where I provide countless materials, video lectures, extracts from articles, my own lectures, notes, etc. etc. I constantly give each student different books for his preparation and enlightenment (in the photo in the application form there is only part of my library, which contains hundreds of volumes on literary studies, manuals, textbooks, etc.), and I also help in preparing for the DVI in philology, journalism or mediacom at Moscow State University, Russian State University for the Humanities, Higher School of Economics, etc. Moreover, after passing the Unified State Exam, I continue to help my students, advising them during their studies at the university and sending them necessary and interesting material on a wide variety of topics (literature, philosophy, theater, history of cinema, painting, etc.).

As a result, my teaching of literature and preparation for exams combine knowledge of all the slightest nuances of the specifics of the Unified State Exam (due to the conservative nature of the literature exam) with a deep (by necessity) immersion in this subject.

Preparation for compositions and essays.

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